Dave Gilmour's Guitar Equipment

Dave Gilmour's Guitar Equipment

How To Gilmour-ize Your Strat, equipment technical info & images

Signal Flow
The Guitars Gilmour's main stage guitar is a USA 57 Vintage Reissue Strat fitted with EMG-SA pickups. He has also installed the EMG-EXG expander & SPC midrange presence controls. Apart from the electrics, the only other custom feature is a shortened tremolo arm so that he can keep it in his picking hand more comfortably while playing. Other guitars used live are an Esquire Telecaster in dropped D tuning for Run Like Hell, two Jensen lap steel guitars one tuned to E B E G B E for One Of These Days & the other tuned to D G D G B E for The Great Gig In The Sky. He also uses two Gibson J-200 Celebrity acoustics one tuned in standard & the other in D A D G A D for Poles Apart & a Gibson Chet Atkins Electro Classical. Both the Jensen Lap Steels & the acoustic guitars are fitted with EMG-H pickups. (These are basically a single coil pickup in a humbucker cap). Strings On the Strats Gilmour uses GHS Boomers with a customized gauge of (.010 .012 .016 .028 .038 .048) On the acoustics he uses Ernie Ball Earthwound Light's. How To Gilmour-ize Your Strat To go along with David Gilmour's taste for pristine Strat tone is his use of EMG active electronic (i.e. battery powered) pickups. Each of his Stratocasters is loaded with low impedance EMG-SA single coils, which he beefs up with two more tone modules: the EXG mid-cut/expander & SPC mid booster. As far as the SA pickups go, they have Alnico magnets which have a little more mid range than the ceramic S magnets. He also has the SPC midrange boost control on there which produces more of a singing humbucker tone. Finally, theres the EXG which David uses alot for rhythm, since it really helps define the notes, especially when there's a little distortion on and he's moving chord voicings around. The EXG works like a V configuration on a graphic EQ when you turn it up, the midrange gets cut, while the bass & treble get boosted. The SPC is where you really here the Gilmour sound emerge. Turn the SPC all the way up & you get that thick bluesy sound used in Shine On. The Analogue Footpedals
Footpedals

(A) Boss CS-2 Compression/Sustainer.

These are no longer available new from Roland. You can only purchase the CS-3 which (to my ear) does not sound as smooth as the CS-2.

(B) Pro Co. Rat II Distortion.

The first generation Rat's distortion, filter & volume knobs yield various Marshally distortion tones.

(C) Cornish Big Muff.

Pete Cornish custom Big Muff. (looks like Pete has taken an original Big Muff and housed it in a custom box). I don't know if this has been modified in any other way.

(D) Boss GE-7 Graphic Equalizer.

This GE-7 has been set to be used in conjunction with the Rat distortion pedal.

(E) Cornish Soft Sustain.

This is obviously a Pete Cornish custom effect. Notice the combination of the GE-7 graphic EQ sliders & the knobs for sustain & volume.

(F) Sovtek Big Muff II.

The Big Muff is a very heavy-vibed fuzz with volume, tone & sustain controls. The muff sounds huge & powerful despite it's feeble tone control range & is looser & more gargantuan than say a Pro Co. Rat II.

(G) Chandler Tube Driver #2.

The Tube Driver offers lots of tight girthy gain and has an openness that sets it apart from other distortion boxes. Features high/low EQ, tube drive & output controls. These later became known as Tube Works Tube Driver.

(H) MXR Dynacomp Compressor.

The Dynacomp has a natural sounding expansion & a nice bright tone to it.

(I) Ibanez CP-9 Compressor.

(J) Boss Metalizer.

No longer available new from Roland.

(K) Chandler Tube Driver #1.

The Tube Driver offers lots of tight girthy gain and has an openness that sets it apart from other distortion boxes. Features high/low EQ, tube drive & output controls. This later became known as Tube Works Tube Driver.

(L) Boss GE-7 Graphic Equalizer.

This GE-7 has been set to boost the top & bottom ranges. Labelled T&B

(M) Boss GE-7 Graphic Equalizer.

This GE-7 has been set to boost the bass ranges. Labelled BASS

(N) Boss GE-7 Graphic Equalizer.

This GE-7 has been set to boost the mid ranges. Labelled MID The Rack
With Dave Gilmour's rack system we meet a marriage of technologies, old & new. He has always exhibited a preference for older, analogue effects but has had Pete Cornish create a switching system which guarantees ease of use with optimum, low noise performance. The Rack

(A) Furman PL-8 Power Conditioner And Light Controller.

I can only guess that this controls the lights on top of the rack so Dave can see the pedals.

(B) TC. Electronics TC-2290 Dynamic Digital Delay + Effects Control Processor.

This is Dave's primary delay unit. He uses this on most songs.

(C) Uni-Vibe.

The Uni-Vibe unit featues volume & intensity controls, a chorus/vibrato switch & sepearate speed controls for the slow or fast speed options. It also requires a seperate foot switch pedal for fast or slow. Gilmour does not use the chorus option! This effect was originally a footpedal, however Gilmour had his longtime technician Phil Taylor make a rack system out of it. He even had the old logo embossed on the face plate of the new rack.

(D) Digitech IPS-33B Super Harmony Machine.

Diatonic pitch shifter.

(E) Lexicon PCM-70 Digital Effects Processor.

Dave uses the PCM-70 to store the circular delay sounds you hear in Shine On & Time. Because it has a multi tap function it can pretty accurately duplicate the kind of echo Dave used to get from his old Binson echo unit.

(F) MXR Delay System II.

This is another rack system that began life as a footpedal. Phil also added a digital readout that he says is really nowhere close to being an accurate indication of delay time.

(G) Phil Taylor Custom Rack.

This is yet another custom made rack from footpedals. It contains the following effects.

Boss CE-2 Chorus

The original chorus from Boss has rate & depth knobs & sounds sweet, rich & dynamic. There are two CE-2's loaded into this rack one is marked Mono Chorus & the other Left Chorus. (The left chorus is inserted in the signal path for the left channel of Dave's amp setup).

Electric Mistress

The Electric Mistress has rate, range & colour controls, plus a filter matrix switch. This is sort of a bizzarre sounding flanger that gets extremely detuned & twisted.

Tremulator

The Tremulator has speed and depth controls.

(H) Dynachord CL5222 Leslie Simulator.

(I) Samson UHF Dual Receiver.

(J) Peterson Strobe Tuner.

Other Effects & Equipment
There are a few footpedals & other items which are not pictured or part of Dave's current live rig but have been and still are used by him in the studio.

MXR Phase 90

This was MXR's first effect and only has a speed knob that yields complex, swirly phase textures with silky highs & lots of vocal inflection. Also does decent rotating speaker imitations at higher speeds.

Arbiter Fuzz Face

The classic of classic fuzzes sounds big, deep & bad. The Fuzz Face takes you from clean to insanity with a mere twiddle of your guitars volume knob.

Boss HM-2 Heavy Metal Distortion

An 80's classic Gilmour used on About Face (notably at the end of Murder). It delivers incredibly gutsy grind & tons of deep bass boost. Features low/high and colour mix controls.

Maestro Rover

The Maestro Rover looks like a late 1950's NASA satellite (I will try and get a scan of this thing) but it's a rotating speaker designed to go between your guitar and your amp. This sure fire attention getter has amp & instrument inputs & features volume, speed, slow & fast controls. A crossover routes the upper frequencies through the Rover's amplifier to the rotating speaker, while the lower frequencies are sent to your stage amp.

Orange Treble/Bass Boost.

Heil Voice Box

The Midi Foot Controller
This Bob Bradshaw designed pedalboard is used to select individual or different preset combinations of effects. This doesn't do the actual switching though. The left side of Dave's rack unit contains his Pete Cornish custom built switcher, which has 24 sends & returns & uses gold plated relays to turn individual effects on and off. In addition to this, it also sends standard MIDI program numbers to the various MIDI processors that are contained in his rack (such as the Lexicon). It can also send almost anything he wants to the rack, such as a delay time or whatever. I'm not sure if he uses any of these features, but it's there.

For information on a similar type of pedalboard designed by Rocktron/Bradshaw. Footboard

(A) TC. Electronics TC-2290 Digital Delay + Effects Control Processor. On/Off

(B) Lexicon PCM-70 Digital Effects Processor. On/Off

(C) Doppola's. On/Off

(D) Leslie. On/Off

(E) Left Chorus (Rack Mounted Boss CE-2). On/Off

(F) Acoustic. On/Off

This seems to be a switch Dave uses to toggle between electric & acoustic setups.

(G) Midi.

(H) Store.

(I) MXR Delay System II. On/Off

(J) Graphic B (Mid). On/Off

(K) Graphic A (Bass). On/Off

(L) Graphic C (T & B). On/Off

(M) Tremulator (Rack Mounted). On/Off

(N) Chorus (Rack Mounted Boss CE-2). On/Off

(O) Univibe. On/Off

(P) Electric Mistress. On/Off

(Q) Chandler Tube Driver #2. On/Off

(R) Sovtek Big Muff. On/Off

(S) Cornish Soft Sustain. On/Off

(T) Pro Co. Rat II. On/Off

(U) Chandler Tube Driver #1. On/Off

(V) Pete Cornish Big Muff. On/Off

(W) Hyper. On/Off

This toggles the Boss Metalizer

(X) Ibanez CP-9 Compressor. On/Off

(Y) Digitech Whammy. On/Off

(Z) Bank Switch.

Selects the bank number for preset sounds.

(1) Preset Numbers. 1/0

(2) Preset Numbers. 2

(3) Preset Numbers. 3

(4) Preset Numbers. 4

(5) MXR Dynacomp Compressor. On/Off

(6) Boss CS-2 Compressor. On/Off

(7) Doppola's. Slow/Fast

Selects which speed the doppola's rotate at.

(8) Leslie. Slow/Fast

Selects the speed of the Dynachord CL5222 Leslie Speaker Simulator.

(9) Univibe. Slow/Fast

Selects the speed of the univibe rotating speaker simulator.

(10) Ernie Ball Volume Pedal.

(11) Digitech Whammy Pedal.

FX Facts
Despite the apparent complexity of Dave Gilmour's set up, the actual contents of each track may come as something of a surprise. Essentially his sound is fairly clean, choosing different distortion units to add their characteristic sound to his signal. As an example, to reproduce the track Money from Dark Side Of The Moon live in concert, Gilmour uses this effects combination.

Main Riff: Pete Cornish Soft Sustain with Chandler Tube Driver #2.

Solo: Boss CS-2 Compressor with Chandler Tube Driver #1, Sovtek Big Muff & TC Electronics digital delay.

Solo (Dry Sound): Chandler Tube Driver #1 with Pro Co. Rat II Distortion. The Amplification

Preamp

After journeying through the rack system the signal meets an alembic F2-B bass guitar preamp. This has been modified with an extra tube, lowered output impedance & a different capacitor to help cut the low end.

Amps

Gilmour has always been a fan of Hi-Watt amps, tending to use AP-100 watt heads on stage and combo's in the studio. Live three of the heads are used as power amps & another three are used as slaves. All use Mullard E-34 valves which are desperately difficult to get a hold of these days, but Floyd head of backline Phil Taylor still has a cupboard full!

(A) Right channel output to 4x12's 1+10 8 ohm.

I am guessing that (1+10) refers to channel inputs on a mixer i.e. channel 1 left, channel 10 right.

(B) Left channel output to 4x12's 2+9 8 ohm.

Again (2+9) could be channel 2 right, channel 9 left. If this is the case then Dave could have, for instance, channels 1+2 as a stereo pair for the Marshalls & channels 9+10 as a stereo pair for the WEM's.

(C) Spare AP-100.

(D) Output to Heil Voice Box via Pete Cornish Dummy Load Box 8 ohm.

(E) Output to Doppola's 87, 88 8 ohm.

(F) Output to Doppola 89 8 ohm.

Speaker Cabinets & Doppola's

Speaker Cabinets

The right channel Hi-Watt powers a WEM 4x12 which is loaded with Fane Cresendo speakers and a Marshall loaded with Celestion speakers. A second Hi-Watt does the same thing for the left channel which also carries a chorused signal from a Boss CE-2 Chorus. (See Footpedals Incorporated Into A Rack Space). In the second rack, one AP-100 feeds the Jim Dunlop Heil Voice Box, another feeds Doppola's 87 & 88 (8 ohm) & a third feeds Doppola 89 (16 ohm).

Doppola's

These rotating speaker units were designed by Phil Taylor & Paul Leader to provide Gilmour with that 'Leslie' effect on his guitar. Leslie cabinets themselves might have seemed the obvious choice, but Gilmour was after a slightly different sound. In the studio he had been using Maestro Rover units which are revolving full range speakers but they are too low powered for live use and so the Doppola's were born. Three units are used on stage each loaded with two six inch 100 watt drivers.

(A) Marshall 4x12 cabinet with Celestion speakers.

(B) WEM 4x12 cabinet with Fane Cresendo speakers.

(C) Custom Doppola rotating speakers.

Further info/images from Webpage by Murray Browne



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Gilmour's effects switcher

Does anyone know anyhting about the switcher that is controlled by the Bradshaw pedalboard??? Where can I get a switcher? Are they easy to build??? Any help or advice would be appreciated!

Re: Gilmour's effects switcher

: Does anyone know anyhting about the switcher that is controlled by the Bradshaw pedalboard??? Where can I get a switcher? Are they easy to build??? Any help or advice would be appreciated!

I believe the router is made by Pete Cornish.
www.pacifix-ltd.com

TC 2290 (David's delay on his rack) for sale!!!

There is a TC2290 posted on ebay:

http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=851141546

I can't afford it, but someone as dedicated to Gilmour's sound as I should purchase it. I wish I could!

Re: TC 2290 (David's delay on his rack) for sale!!!

: There is a TC2290 posted on ebay:

: http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=851141546

: I can't afford it, but someone as dedicated to Gilmour's sound as I should purchase it. I wish I could!

WHY IS HE SELLING?

Re: TC 2290 (David's delay on his rack) for sale!!!

: : There is a TC2290 posted on ebay:

: : http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=851141546

: : I can't afford it, but someone as dedicated to Gilmour's sound as I should purchase it. I wish I could!

: WHY IS HE SELLING? SOUNDS LIKE A RICK THE LIAR STORY TO ME.

Re: TC 2290 (David's delay on his rack) for sale!!!

: : There is a TC2290 posted on ebay:

: : http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=851141546

: : I can't afford it, but someone as dedicated to Gilmour's sound as I should purchase it. I wish I could!

: WHY IS HE SELLING? SOUNDS LIKE A RICK THE LIAR STORY TO ME.

TC 2290 (David's delay on his rack) for sale!!!

There is a TC2290 posted on ebay:

http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=851141546

I can't afford it, but someone as dedicated to Gilmour's sound as I should purchase it. I wish I could!

FENDER Strat MEX '60 Classic

FENDER Strat MEX '60 Classic-------> is this a good guitar ?

Thanks

The Squirrel

FENDER Strat MEX '60 Classic

FENDER Strat MEX '60 Classic-------> is this a good guitar ?

Thanks

The Squirrel

Ernie's balls

I'm thinking of switching my guitar from GHS boomers to Ernie Ball medium gage to get a more classic feel and sound....good idea?!?

Need tips for maximizing my dynacord CLS-222 leslie sim.

Need tips for maximizing my dynacord CLS-222 leslie sim.

This popular thread has been given its own page : Need tips for maximizing my dynacord CLS-222 leslie sim.

echorec binson

vendo echorec binson
n.2 a transistor
n.1 a valvole
pink floyd sound

Re: echorec binson

COMPRO. INTERESTING ECHO BINSON ECHOREC.
: n.2 a transistor
: n.1 a valvole
: pink floyd sound

Modes/Scales

Does anyone here know which modes/scales gilmour relies on when playing lead?

Re: Modes/Scales

If you want to study hard the use of this kind of scales and modes, I recommended the "Frank Gambale technique book -Book one", from DCI Music Video - Legato publications".

Re: Modes/Scales

If you want to study hard the use of this kind of scales and modes, I recommended the "Frank Gambale technique book -Book one", from DCI Music Video - Legato publications".

Re: Modes/Scales

The relative minor blues, and the minor pentatonic in the major mode; and the same minor blues and pentatonic in the minor mode. All based in the "melodic minor scale", with very, very feeling, and talent... (that's is the more dificult part to play...)

fender mex strat

is a fender mexican strat that bad?

Re: fender mex strat

Are the strings any close to the fretboard on the USA strat?

Re: fender mex strat

: Are the strings any closer to the fretboard on the USA strat?

Re: fender mex strat

To tell you the truth, I bought a Standard Black Strat with a Rosewood fretboard about 9 months ago, and I haven't had any problems with it since...If ya ask me I think they are nice guitars, afterall it's a fender and that's what Gilmour used :)

Re: fender mex strat

The mex strats are not bad guitars by any means. I had a few of them and just recently bought an American standard. I like the American better though. The hardware is higher quality. The bridge is stainless steel. It feels better and in my opinion sounds better. Either one is fine though.

Pink Floyd Back tracks

Does anyone have the following Backing Tracks (minus lead Guitar) for the following songs:

Anything from the Final Cut,
Sorrow,
Sings Of Life
Great Day for freedom
Poles apart
Keep Talking
Have a Cigar.

I only need the solo parts. If you have them please cantact me, I am putting together a Back track Cd and so far have over 64 minutes of Floyd Backing tracks.

John

Re: Pink Floyd Back tracks

Oh yeah, Contact me at jroscoe@bellatlantic.net

: Does anyone have the following Backing Tracks (minus lead Guitar) for the following songs:

: Anything from the Final Cut,
: Sorrow,
: Sings Of Life
: Great Day for freedom
: Poles apart
: Keep Talking
: Have a Cigar.

: I only need the solo parts. If you have them please cantact me, I am putting together a Back track Cd and so far have over 64 minutes of Floyd Backing tracks.

: John

Re: Pink Floyd Back tracks

 Pink Floyd Back tracks

This popular thread has been given its own page : Re: Pink Floyd Back tracks

Light Strings

The other day I went out and bought a pack of medium strings... The guy looked at me and asked "Are you sure you want string that are THIS THICK!?" and I was like "uhhhhhhh, yeah" and then when I went to go get a replacement at another shop the guy asked me the same thing "Are you sure this is the right size? This looks really thick!" So what's the deal with everyone using light strings? Wouldn't medium be the choice? Afterall it's MEDIUM!

Re: Light Strings

Well the lighter they are, the easier it is to bend and if you're considering playing floyd, then be prepared for lots of bends :) in case you're wondering...On the Strats Gilmour uses GHS Boomers with a customized gauge of (.010 .012 .016 .028 .038 .048)

Re: Light Strings

Could you tell us the string gauges?

Rat2 or Turbo Rat

I´ve heard that the turbo rat is way better than Rat2.
That you can get same sounds as Rat2, but way more fuzzer if you want.
Is that true?
Have anyone tried Turbo Rat?
Please tell me.
Thank you

Re: Rat2 or Turbo Rat

The turbo is basicly like the Rat2, but with a hell of a lot more output.

Re: Rat2 or Turbo Rat

yeah..but can you tell us what is the main difference between vintage rat and rat2/turbo rat?

CHORUS!

What chorus should i buy?
I don´t want Boss Chorus cos´ i already have few boss pedals and I don´t wanna be any kind of " Boss dude".
My other effects are Boss Ds-2, Roger Mayer Classic Fuzz and EHX Echoflanger (It´s mix between Electric mistress and clone theory chorus).
Thanks

Delay

What would be a good delay pedal to recreate gilmour's sound and should i use analog delay or digital? er whats the difference. someone help please :P

Re: Delay

I use the Line 6 DL4 (15 types of delays) + TRI AC Sansamp
+ Equalizer + Electric Mistress (Flanger) > Fender Strato and Ampli Fender.
With this equipment is possible play a most songs of Pink
Floyd.

Re: Delay

Go to TC Electronics & get the exact one David uses...TC-2290. Got a few grand??? $$$$$$

Try using the Boss dd-3 and a second delay pedal...play around with them. It's much cheaper.

: What would be a good delay pedal to recreate gilmour's sound and should i use analog delay or digital? er whats the difference. someone help please :P

to RIIS

Hi!
I have a couple of questions for you

1) What is your gear these days (effects etc.)
2) Why you bought Vintage RAT, not Rat 2
Thanx!

The Wall - Is There Anybody Out There

Howdy folks, I was just wondering if anybody of you would happen to know what Mr. Gilmour uses to pick the notes of the song
'Is there anybody out there' in the studio and live versions? I know it's played on a nylon string acoustic but does he use a pick or does he fingerpick the song? Thanks,
-numbed

the wall - is there anybody out there

Howdy folks, I was just wondering if anybody of you would happen to know what Mr. Gilmour uses to pick the notes of the song
'Is there anybody out there' in the studio and live versions? I know it's played on a nylon string acoustic but does he use a pick or does he fingerpick the song? Thanks,
-numbed

Re: the wall - is there anybody out there

It depends whether he's playing chords or single notes. If it's single notes he uses his fingers. If it's chords he uses a pick.

: Howdy folks, I was just wondering if anybody of you would happen to know what Mr. Gilmour uses to pick the notes of the song
: 'Is there anybody out there' in the studio and live versions? I know it's played on a nylon string acoustic but does he use a pick or does he fingerpick the song? Thanks,
: -numbed

Re: the wall - is there anybody out there

: Howdy folks, I was just wondering if anybody of you would happen to know what Mr. Gilmour uses to pick the notes of the song
: 'Is there anybody out there' in the studio and live versions? I know it's played on a nylon string acoustic but does he use a pick or does he fingerpick the song? Thanks,
: -numbed

I learned it by fingerpicking and it's pretty easy if you practice. If you can do hey you then it shoudn't be that hard.

Re: the wall - is there anybody out there

Well fingerpicked in the studio-actually it isn't evan gilmour playing, he couldn't finger-pick it, so someone else
did.

However in the live concerts he just used picks, I'd assume there Herco, same as with the electric. (Herco Heavy-Gauge)

: Howdy folks, I was just wondering if anybody of you would happen to know what Mr. Gilmour uses to pick the notes of the song
: 'Is there anybody out there' in the studio and live versions? I know it's played on a nylon string acoustic but does he use a pick or does he fingerpick the song? Thanks,
: -numbed

Re: the wall - is there anybody out there

: Well fingerpicked in the studio-actually it isn't evan gilmour playing, he couldn't finger-pick it, so someone else
: did.

: However in the live concerts he just used picks, I'd assume there Herco, same as with the electric. (Herco Heavy-Gauge)

: : Howdy folks, I was just wondering if anybody of you would happen to know what Mr. Gilmour uses to pick the notes of the song
: : 'Is there anybody out there' in the studio and live versions? I know it's played on a nylon string acoustic but does he use a pick or does he fingerpick the song? Thanks,
: : -numbed

you bet me to it...i was gonna say the same thing...dave didnt play it..but..its all finger picking...nice song to play.

see emily play bass and guitar tabs

can someone out there give me detaled bass and guitar tabs for see emily play. i know its a david gilmour site but i hope you people can help me Thanks....

Bob

see emily play bass and guitar tabs

can someone out there give me detaled bass and guitar tabs for see emily play. i know its a david gilmour site but i hope you people can help me Thanks....

Bob

see emily play bass and guitar tabs

can someone out there give me detaled bass and guitar tabs for see emily play. i know its a david gilmour site but i hope you people can help me Thanks....

Bob

Muff, Mistress & Phase90

Please, help me! i need to know the best order and setting for the Big muff (or Rat?), mistress and Phase 90 (ok for Dynacomp, chorus and delay...) to emulate comfortably numb as in "Is there anybody out there?" (live Wall). And what about amp equalization? Help me! Help me! I have a concert!

Re: Muff, Mistress & Phase90

Well the muff I have vol at 1 or 2, the other ones are botha t around 11; for the phaser, at 11 to emulate rotating speakers kind of, it adds a bit more distortion than I want so I don't always use it. The Mistress I set to generally 11, 11, and the rat at 1 or 2-in order ot get more drone like on IAOT try moving the rate up alittle, or the other two up...

Floyd

: Please, help me! i need to know the best order and setting for the Big muff (or Rat?), mistress and Phase 90 (ok for Dynacomp, chorus and delay...) to emulate comfortably numb as in "Is there anybody out there?" (live Wall). And what about amp equalization? Help me! Help me! I have a concert!

Lap Steel Strings

anyone know what type/brand/size strings Gilmour uses on his Jensen lap steels ??

Re: Lap Steel Strings

prob ghs boomers .011's

Roger Mayer

Hi!
In Roger Mayer´s web site in users, there is mention of David Gilmour
Does anyone knows what roger mayer product he uses

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