Homepage Forums Guitar Discussion Guitar ~ How To Practice for Maximum Speed ~

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  • #23382
    tomhess
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    ~ How To Practice for Maximum Speed ~
    Effective Practice Strategies
    by Tom Hess
    http://www.tomhess.net

    The scope of this subject is too broad to be fully covered in a single article. After receiving hundreds of requests for advice on this subject of developing speed, it seems an article is long overdue on the topic. Training advanced players to become virtuosos is a very rewarding and fun process for me. (as I’m sure it is for most teachers who teach highly advanced students).

    A Typical question from a student: What specific strategy should I employ to approach better speed development?

    Although my answer varies from person to person, depending on what I know about that person’s current abilities and goals (among other things), I generally recommend some variation of the following strategy:

    Stage 1: When first learning a new technique, determine (using a metronome of course) your maximum speed you can play cleanly. Write this speed down on paper in a practice log.

    Stage 2: Practice at 20%-35% of your maximum speed. Do this for 5 consecutive practice sessions. Resist the temptation to go faster during this stage. Make sure everything is still very clean. There must be NO excessive tension anywhere in your arms, hands, wrists, shoulders, neck, head or anywhere else. Watch to make sure you have no excessive or unnecessary movements in either hand. For some guitarists, this first step is very boring. You MUST remain patient with yourself, and the process, during this time. This is absolutely critical! If you skip this step, you will probably train your hands to play incorrectly, inefficiently and ineffectively. At this stage you are developing the proper muscle memory for this technique. If you are currently studying with a great guitar teacher, your progress will be much faster, easier and better than if you attempt to do this on your own. Once you have mastered stage two, you may move on to stage three, but not before! Above I said you should practice this stage for 5 consecutive practice sessions. That is only a general guideline, after the 5th session, reevaluate your progress. If you have not mastered this step, continue practicing at 20%-35% before moving on to stage 3.

    Stage 3: Practice at 50% of your maximum speed. Do this for 3 consecutive practice sessions. Again, make sure everything remains very clean. Play relaxed without tension anywhere in your arms, hands, wrists, shoulders, neck, etc. Watch to make sure you have no excessive or unnecessary movements in either hand. Do not move on until this step is mastered (it could take longer than 3 sessions, but do NOT move on to stage 4 before practicing for 3 sessions.

    Stage 4: Practice at 60-65% of your maximum speed. Do this for 3 consecutive practice sessions. Again, with total relaxation and economy of motion (no unnecessary movements).

    Stage 5: Practice at 80% of your maximum speed. Do this for 5 consecutive practice sessions.

    Stage 6: Practice at 85% of your maximum speed for the next (1) practice session only.

    Stage 7: Practice at 90% of your maximum speed for the next 10 practice sessions.

    Stage 8: DRILL IT! TOTALLY RIPPIN (translation play at 100%) FOR an entire week!

    Stage 9: After that week evaluate where your new maximum speed is (it will be higher than when you first measured it in stage 1).

    Stage 10: In this stage you will rotate every 3 practice sessions like this: Session 1 = 60%. Session 2 = 85%. Session 3 = 95%. At the end of each practice session DRILL IT (100%) for a few minutes.

    Once a week, measure your new maximum speed, and adjust your metronome speeds accordingly.

    Warning: NEVER play/practice your guitar in pain. Serious injuries can occur. This is not a joke, I know people personally that have had to have surgeries on their wrists and arms!

    If interested in reading more of my articles, there are many more here

    Thanks….Tom Hess

    http://tomhess.net/

    Copyright 2006 by Tom Hess. All rights reserved. Used by permission.

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    • #77069
      Michael
      Participant

      In most cases I’d agree, except Tom is a long time contributor to GNW, thus no probs with him posting it here.

    • #76903
      lee_UK
      Participant

      Looks like a cut and paste- come visit my website to me.

    • #76879
      1bassleft
      Participant

      Be fair, Lee. Tom Hess took the time and trouble to post his thread up and deserves some thanks. It’s not a “visit my website” spamthread. I don’t concentrate on speed myself because (a) I play bass – who cares? (b) I’m genetically slow-fingered.

      Even so, the advice will come in handy so thanks again, Tom. HST, and I reckon Tom would agree, shredding licks isn’t everything. There are songs to be found on that fretboard; and that involves understanding what you want to create and how you do it (WARNING: might involve liasing with a vocalist, bassist and even a drummer). Noel Gallagher made money without ever burning the rosewood of his Epiphone.

    • #76877
      lee_UK
      Participant

      Speed is everything, nothing i like better than listening to a double CD ‘The fastest speed shredding in the world….Ever’ thanks for the cut and paste.

      Cant wait for the follow up.

      For the anti speed shredders you can visit my website:

      http://www.put-the-brakes-on-mama.com

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