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Nail Care
NAILED
by Kirk Lorange
I have always played with my fingers -- flat picks confound
me, finger picks feel clumsy. I like direct contact with
the strings, with just a tiny bit of finger nail to bring
out the highs. The problem has always been keeping them
from wearing away or breaking. So a few months ago I bit
the bullet: I walked into the beauty salon of my local
shopping center and presented my three picking fingers to a
bleach-blond named Susan and told her I wanted them done.
She didn't want to, but she did them anyway and I walked
out ten minutes later with nails strong enough to adjust
the truss rod in my Strat.
Susan suggested I buy the kit off her (just to keep me from
coming back, I'm sure) and so I did. A primer, a liquid
which I think is acetone and a white powder. The primer
goes on first, then you dip a little brush first into the
liquid then into the powder which turns gluggy on the
brush. You dab that onto the nail let it dry and presto -
nails like steel. You can then file them and shape them as
you please.
Life has been grand since I discovered acrylic nails. I can
dig in all night and not even scratch them. If you rely on
your nails like I do to get your sound, go for it.
If you're still looking for a way of navigating the
fretboard that has nothing to do with scales or notation or
TAB, come visit my site, read about the 'trick'. There's a
drop-D tuning slide guitar lesson there too.
Kirk Lorange
PO Box 186
North Tamborine
Queensland 4272 Australia
Ph / Fax +6175 545 0138
lorange@kirk.net
www.lorange.cjb.net
Read Kirks articles in the Guitar Newsletter:
filing: Hold the file pointing toward your face (looking down its
length), with the finer surface facing upward. Holding your
finger at a ninety degree angle (perpendicular) to the file,
place the nail on the surface. The vector of your finger
should be around forty-five degrees to the plane of the
file, so that the nail is being filed somewhat from beneath.
File the nail by evenly drawing the file back and forth with
the left hand, exerting even pressure and guiding it in
place with the right thumb.
length: Hold your hand with the palm facing you, fingers extended
with the tips pointing upward. You should see the tips of
the nails just peeking past the fingertips (1 to 2 mm past
the fingertip is plenty). Excessive length causes the nail
to drag along the string, causing wasted effort and
disrupting the timing of alternation and arpeggios. Uneven
lengths are also disruptive; make sure no nail is
significantly longer or shorter than the others.
Note that excessive length is common among players with
little or no training; the extra length requires less
precise nail placement during fingerstroke and can thus make
playing seem easier. If you are significantly shortening
your nails, you may initially find your fingerstroke is less
accurate. If so, spend some time concentrating on placing
on the exact same spot of the nail for every fingerstroke.
shape: Hold your fingers pointing toward you, so you see only the
edge of each nail; each edge will form a more straight or a
more curved line. Now look at the entire nail, from above.
If filed perpendicularly and from beneath, the straight-
edged nails should have a more square shape, and the curve-
edged nails should have a more elliptical shape. If the
edge of the nail is straight but the shape is not very
distinctly square, you've probably been filing the nail from
its side and the nail will have to grow out a bit to develop
more body on the corner. If the corners of the square
shapes are sharply pointed, use the file to round them (but
don't alter the basic shape).
surface: After the nail is filed, its edge must be finely polished.
Take a small portion of 500 grade open coat sandpaper and
rub, with a back and forth motion, the same spot of
sandpaper on the edge of the nail, particularly
concentrating on the left side of the nail. The surface of
the sandpaper will wear down as you rub, creating an
increasingly smoother polishing surface. Keep rubbing until
the edge is as smooth as a glass surface.
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