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GuitarSite.com Guitar News Weekly Edition #143, May 21, 2001 |
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ASK EDLY
QUESTION:
EDLY ANSWERS: As for switching scales within a blues tune, either the minor or major pentatonic scale will sound good over the I and V chord, whereas you might want to be careful of the natural 3rd degree of the major pentatonic scale over the IV chord. (The minor pentatonic will work great though.) For example, in C, the major pentatonic is C D E G A C (and the minor pentatonic is C Eb F G Bb C). The E note will rub in a way that you may not like against the F (IV) chord: F A C (or F A C Eb, if it's F7). Sound confusing? Sorry 'bout that; this is a quicker answer than it would ideally be. Here's a looser answer: Part of what makes the blues sound like the blues is the way the notes of the melody rub up against the notes of the harmony. If they rub in a way that you're used to hearing in bluesy contexts, it will sound bluesy. If it's a rub of a different color, then it may well just sound wrong. There are your yin and yang answers, each incomplete. Like yin and yang, put them together, and you may have a whole...
Edly - Author and publisher of What is music theory, anyway? You hear so much about it, but does anybody really know what it is? Edly does! Scales? Chords? Keys? Ear-training? Modes? Toads? If you need help connecting the musical dots or playing musical works, send your best (or dumbest) questions to Edly: edly@edly.com Edly, one of earth's leading music theory experts, will field the responses. To get your head keyed in the right direction, visit Edly's website - "Musical EdVentures" at http://www.edly.com/ For the most sensible accounting of music theory, get "Edly's Music Theory for Practical People". In theory, it may be the best $25 you'll ever spend. To order, go to http://www.edly.com/buy.html or order from "Play It Again Sam": http://www.guitarsam.com/services/order.htm. |
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