TOTAL NECK COVERAGE (Part 3)
by Will Landrum
http://www.willlandrum.com/
In case you missed parts 1 & 2...
TOTAL NECK COVERAGE (PART 1)
http://www.guitarsite.com/newsletters/010604/10.shtml
TOTAL NECK COVERAGE (Part 2)
http://www.guitarsite.com/newsletters/010618/11.shtml
Now for part 3...
Howdy! This is part three in a series of articles where I
encourage you to become "totally enlightened" about where
all of your modal scales patterns are on the neck.
Just to recap for our new subscribers: (Welcome!)
The ultimate goal is to NEVER be in the dark about what notes
to hit while playing in a particular key.
Until you repeatedly work over the same correct note sequences,
you'll remain in a state of uncertainty about where you are
going on the neck and that uncertainty will result in wrong
notes being played because you'll be guessing instead of
knowing.
I've memorized fourteen different scale patterns in the key of
G that cover the entire neck of the guitar that I'd like to burn
into your brains too. I'm going to give them to you over the
course of a few weeks so you have time to study and really get
involved with this.
As you know with guitar, scale patterns and chord shapes can be
shifted up and down the neck using the same fingering yet
producing different scales and chords.
There's no difference here.
Once you learn all of these mode patterns, you'll be able to play
lead in any key that you need.
I've always been an advocate of knowing what notes are at
what fret. Therefore I've included them in these diagrams as
well as the suggested fingering.
For example, G-2 means that you're playing the note "G" using
your second finger.
Your mission is to not only memorize these patterns, but
play them over and over and over to "brainwash" your mind and
fingers into playing the right patterns without thinking
about it.
------------------------------------------------------------
Also play these chords along with the scale patterns for more
involvement. You may start hearing your music in a different
way as I did and songwriting becomes less frustrating and more fun!
G Major
A minor
B minor
C Major
D Major
E minor
F#dim
You can use any of the above chords with what ever rhythm pattern
you want and play any of the scale patterns you've learned so far
and it will sound great!
Actually, I highly suggest that you do that; Record a rhythm
progression using any of the above chords and practice these
patterns over them. It makes things less boring and aids in your
musicality.
------------------------------------------------------------
By popular request, here are the patterns we've covered so far.
Single Position
G Ionian (Regular Major)
Fret 1| 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 |10 |11 |12 |13 |14 |15 |16 |17 |18
1E|---|F#1|G-2|---|A-4|---|---|---|---|---|---|---|---|F#1|G-2|---|A-4|--
2B|---|---|D-2|---|E-4|---|---|---|---|---|---|---|---|---|D-2|---|E-4|--
3G|---|A-1|---|B-3|C-4|---|---|---|---|---|---|---|---|A-1|---|B-3|C-4|--
4D|---|E-1|---|F#3|G-4|---|---|---|---|---|---|---|---|E-1|---|F#3|G-4|--
5A|---|B-1|C-2|---|D-4|---|---|---|---|---|---|---|---|B-1|C-2|---|D-4|--
6E|---|---|G-2|---|A-4|---|---|---|---|---|---|---|---|---|G-2|---|A-4|--
MultiPosition
G Ionian (Regular Major)
Fret 1| 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 |10 |11 |12 |13 |14 |15 |16 |17 |18
1E|---|---|---|---|A-1|---|B-3|C-4|---|---|---|---|---|---|---|---|---|--
2B|---|---|---|---|E-1|---|F#3|G-4|---|---|---|---|---|---|---|---|---|--
3G|---|---|---|B-1|C-2|---|D-4|---|---|---|---|---|---|---|---|---|---|--
4D|---|---|---|F#1|G-2|---|A-4|---|---|---|---|---|---|---|---|---|---|--
5A|---|---|C-1|---|D-2|---|E-4|---|---|---|---|---|---|---|---|---|---|--
6E|---|---|G-1|---|A-2|---|B-4|---|---|---|---|---|---|---|---|---|---|--
Single Position
A Dorian minor
Fret 1| 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 |10 |11 |12 |13 |14 |15 |16 |17 |18
1E|---|---|---|---|A-1|---|B-3|C-4|---|---|---|---|---|---|---|---|---|--
2B|---|---|---|---|E-1|---|F#3|G-4|---|---|---|---|---|---|---|---|---|--
3G|---|---|---|---|C-1|---|D-3|---|---|---|---|---|---|---|---|---|---|--
4D|---|---|---|---|G-1|---|A-3|---|B-4|---|---|---|---|---|---|---|---|--
5A|---|---|---|---|D-1|---|E-3|---|F#4|---|---|---|---|---|---|---|---|--
6E|---|---|---|---|A-1|---|B-3|C-4|---|---|---|---|---|---|---|---|---|--
MultiPosition
A Dorian minor
Fret 1| 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 |10 |11 |12 |13 |14 |15 |16 |17 |18
1E|---|---|---|---|---|---|B-1|C-2|---|D-4|---|---|---|---|---|---|---|--
2B|---|---|---|---|---|---|F#1|G-2|---|A-4|---|---|---|---|---|---|---|--
3G|---|---|---|---|C-1|---|D-2|---|E-4|---|---|---|---|---|---|---|---|--
4D|---|---|---|---|G-1|---|A-2|---|B-4|---|---|---|---|---|---|---|---|--
5A|---|---|---|---|D-1|---|E-2|---|F#4|---|---|---|---|---|---|---|---|--
6E|---|---|---|---|A-1|---|B-3|C-4|---|---|---|---|---|---|---|---|---|--
Single Position
B Phrygian minor
Fret 1| 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 |10 |11 |12 |13 |14 |15 |16 |17 |18
1E|---|---|---|---|---|---|B-1|C-2|---|D-4|---|---|---|---|---|---|---|--
2B|---|---|---|---|---|---|F#1|G-2|---|A-4|---|---|---|---|---|---|---|--
3G|---|---|---|---|---|---|D-1|---|E-3|---|---|---|---|---|---|---|---|--
4D|---|---|---|---|---|---|A-1|---|B-3|C-4|---|---|---|---|---|---|---|--
5A|---|---|---|---|---|---|E-1|---|F#3|G-4|---|---|---|---|---|---|---|--
6E|---|---|---|---|---|---|B-1|C-2|---|D-4|---|---|---|---|---|---|---|--
MultiPosition
B Phrygian minor
Fret 1| 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 |10 |11 |12 |13 |14 |15 |16 |17 |18
1E|---|---|---|---|---|---|---|C-1|---|D-2|---|E-4|---|---|---|---|---|--
2B|---|---|---|---|---|---|---|G-1|---|A-2|---|B-4|---|---|---|---|---|--
3G|---|---|---|---|---|---|D-1|---|E-2|---|F#4|---|---|---|---|---|---|--
4D|---|---|---|---|---|---|A-1|---|B-3|C-4|---|---|---|---|---|---|---|--
5A|---|---|---|---|---|---|E-1|---|F#3|G-4|---|---|---|---|---|---|---|--
6E|---|---|---|---|---|---|B-1|C-2|---|D-4|---|---|---|---|---|---|---|--
------------------------------------------------------------
Patterns For This Installment:
Single Position
C Lydian Major
Fret 1| 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 |10 |11 |12 |13 |14 |15 |16 |17 |18
1E|---|---|---|---|---|---|B-1|C-2|---|D-4|---|---|---|---|---|---|---|--
2B|---|---|---|---|---|---|F#1|G-2|---|A-4|---|---|---|---|---|---|---|--
3G|---|---|---|---|---|---|D-1|---|E-3|---|---|---|---|---|---|---|---|--
4D|---|---|---|---|---|---|A-1|---|B-3|C-4|---|---|---|---|---|---|---|--
5A|---|---|---|---|---|---|E-1|---|F#3|G-4|---|---|---|---|---|---|---|--
6E|---|---|---|---|---|---|---|C-2|---|D-4|---|---|---|---|---|---|---|--
Yep! The pattern is the same as the Phrygian except the starting note.
MultiPosition
C Lydian Major
Fret 1| 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 |10 |11 |12 |13 |14 |15 |16 |17 |18
1E|---|---|---|---|---|---|---|---|---|D-1|---|E-3|---|F#4|---|---|---|--
2B|---|---|---|---|---|---|---|---|---|A-1|---|B-3|C-4|---|---|---|---|--
3G|---|---|---|---|---|---|---|---|E-1|---|F#3|G-4|---|---|---|---|---|--
4D|---|---|---|---|---|---|---|---|B-1|C-2|---|D-4|---|---|---|---|---|--
5A|---|---|---|---|---|---|---|---|F#1|G-2|---|A-4|---|---|---|---|---|--
6E|---|---|---|---|---|---|---|C-1|---|D-2|---|E-4|---|---|---|---|---|--
Single Position
D Mixolydian Major
Fret 1| 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 |10 |11 |12 |13 |14 |15 |16 |17 |18
1E|---|---|---|---|---|---|---|C-1|---|D-2|---|E-4|---|---|---|---|---|--
2B|---|---|---|---|---|---|---|---|---|A-2|---|B-4|---|---|---|---|---|--
3G|---|---|---|---|---|---|---|---|E-1|---|F#3|G-4|---|---|---|---|---|--
4D|---|---|---|---|---|---|---|---|B-1|C-2|---|D-4|---|---|---|---|---|--
5A|---|---|---|---|---|---|---|---|F#1|G-2|---|A-4|---|---|---|---|---|--
6E|---|---|---|---|---|---|---|---|---|D-2|---|E-4|---|---|---|---|---|--
Three more patterns next time...until then...see ya!
*******
Copyright (C)(P) 2001 Will Landrum and InterFocus Music
Article by Will Landrum of http://www.willlandrum.com
List of other articles by Will Landrum @ GuitarSite.com:
http://www.guitarsite.com/newsletters/010409/8.shtml
*******
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