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Guitar News Weekly
Edition #240

April 14, 2003

WHAT'S HOT WITH JAZZ GUITAR
by Doc Dosco
http://www.docdosco.com

This week we feature jazz guitarist Al Di Meola.

Online Bio:

Born in Jersey City, New Jersey, on July 22, 1954, Al Di Meola grew up with the music of The Ventures, The Beatles and Elvis Presley. Drums were his first instrument, but by age eight he had switched to guitar. By his early teens, Al was already an accomplished player, though he felt somewhat ostracized from the local clique of musicians. "In the '60s, if you didn't play like Eric Clapton or Jimi Hendrix or Jimmy Page, you weren't accepted," he recalls of his high school years in Bergenfield, New Jersey. "So I was never really accepted by that group of so-called friends in Bergenfield because they didn't know what to make of my style. Even though I wanted to learn Beatles and Ventures music when I began taking lessons, my teacher (Bob Aslanian) also made me learn jazz and bossa nova and a little classical, so I had all this technique that my friends couldn't understand. It never fit the kind of music that they were playing. They were interested in my technique, but at the same time they were jealous of it."

A big influence on his music outlook during his formative years was the burgeoning hybrid of rock and jazz that came to be known as fusion music. Guitarist Larry Coryell, whom Al later dubbed "The Father Of Fusion," became a particular focus of interest. "I used to ride the bus from New Jersey to see him play at little clubs in Greenwich Village," he recalls. "Wherever he was playing, I'd be there."

Following an intensive period of woodshedding between his junior and senior years in high school, in which he practiced the guitar from eight to ten hours a day, Al emerged with impressive chops and a clear idea of how to apply them. "I was trying to find myself, or find the kind of music that suited where I was going with the guitar," he told Down Beat. "I had grown up on rock and loved it, but found it a very limited kind of music for expansion on your instrument. I started listening to bluegrass, especially Doc Watson, which really helped me develop my speed. I really dug Tal Farlow and Kenny Burrell at the time, but I also knew that it wasn't what I ultimately wanted to do. I wanted to do something new, something nobody was doing."

In 1971, Al enrolled at the Berklee School of Music in Boston. By the second semester, he was playing in a fusion quartet led by keyboardist Barry Miles. It was in the early part of 1974 that he received the fateful call from Chick Corea. "I was just sitting around my apartment in Boston on a Friday afternoon when Chick called and asked me to come to a rehearsal in New York," he recalls. "I couldn't believe it. It was really a dream come true. In 10 minutes I packed some clothes in a bag, got a ride to New York and never saw that apartment in Boston again." Following a weekend of rehearsals with that band, Return to Forever, Di Meola made his debut with RTF at Carnegie Hall. The next night he played to a crowd of 40,000 in Atlanta. His star quickly ascended.

After three wildly successful landmark fusion albums with Corea on keyboards, Stanley Clarke on bass, Lenny White on drums and Di Meola on guitar-Where Have I Known You Before, the Grammy Award winning No Mystery and Romantic Warrior-RTF disbanded in 1976, effectively launching Al's solo career. He called the breakup a blessing in disguise. "It was probably for the best because we each got a chance to develop our own careers and get to know what it was like to be a leader and producer and just be out on our own."

Read more from Al's website at: http://www.aldimeola.com

Doc Dosco is a jazz guitarist, composer and audio consultant living in Los Angeles, CA. His website is located at http://www.docdosco.com, where you can find more information on the 'What's Hot in Jazz Guitar' columns, audio clips of Doc's playing, and many additional features. Doc endorse Heritage Guitars and is a featured artist on their website. He also endorses the new Pignose Valve Tube Amps -- great for jazz (and anything else!)

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