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Guitar Newsletter 9 - October 2, 1998


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Guitar Newsletter 9 - October 2, 1998

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Welcome to the Guitar Newsletter, from Neil Shedden, the Webmaster of "1000 Great Guitar Sites on the Web". If you missed previous editions, you can see them in the archive

Subscribers get this newsletter first, but each edition will be archived here on the site for general access later, where you may read it as an HTML document.

In this edition:

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1 - *** WIN PRIZES ***
2 - Fixing Scratchy Volume & Tone Controls, by Peter Schmidt
3 - LOW VOLUME TIP
4 - GAIN VERSUS VOLUME - KENNY EXPLAINS THE DIFF
5 - DOWN UNDER
6 - HELPING SONGWRITERS
7 - DAVID WILCOX, Folk Guitarist
8 - CHET ATKINS & RICHARD ALCOY
9 - JOHNNY ASIA
10 - THE MYSTERY RIG by Bri
11 - PLAY IT AGAIN SAM
12 - GERMAN TABLATURE
13 - WHAT's NEW
14 - JOKES

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1 - *** WIN PRIZES ***


OK, here's you chance to help fellow musicians AND help yourself to a valuable prize! All you have to do is either:

A – tell me about a great guitar site
that I don’t already have a link to

OR

B - write something for this Guitar Newsletter
sent to GuitarMaster@hitsquad.com

All entries are eligible for entry to the newsletter at a future date, but the prizes go to the most original / entertaining / interesting / useful article. It can be a funny guitar-related experience, a tip, joke, tab, review - anything fellow guitarists would enjoy reading!

What do you win? You can check out some of the prizes

...but more prizes are being organised as you read this!

(as yet unconfirmed) future prizes are:



ALSO:


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2 - Fixing Scratchy Volume & Tone Controls, by Peter Schmidt

Do you have noisy volume/tone controls?? Is it really annoying every time you turn the volume up or down, and a scratch comes through your amp? Are you afraid to even turn the control now? Or maybe a foot pedal that has a scratchy control (wah pedal for example)? Here's a simple solution to your woes.

Go to your local electronics (Dick Smith / Tandy) store or hi-fi store and ask for an electrical contact cleaner (they should know what you want if you say you're cleaning noisy variable resistors (or potentiometers)). It comes in a tin at around $7 (AUST), and you'll never need to buy another can in your lifetime (it lasts for ages). The cleaner doesn't conduct electricity, and will get rid of dust and dirt etc. It will leave you're pots without that cracking sound when you turn them, and even works with your switches.

Electrical contact cleaner is known as an electric contact lubricant. That is, it cleans and also lubricates to help stop wear of the control. Because dirt and dust (and corrosion build up) get into the control, the wiper doesn't contact the resistive material all that well. By cleaning it with contact cleaner, it helps the wiper to make better contact. Just spray some cleaner into the pot cavity (where the wiper is), and move the control back and forth, and then clean again to remove any residue. It may not eliminate the scratchy sound entirely, but there will be a vast improvement.

If the control still sounds scratchy, the control might need replacing. In that case you have two choices, replacement or fix it.

You can also use this idea to not only guitars, but amplifiers and effects as well.

To find out more on guitar maintenance and repair, visit Ozrock Online Guitar Centre

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3 - LOW VOLUME TIP

"I picked this up after doin' some time repairing amps. If you have to practice or play at low volume levels and just don't get the same great cranked up sound... try using your distortion pedal - as you probably would normally, but lower the pre-amp and tone controls on your amp to 0 or 1, and crank the master up to 11. I have found that most amp guitar combinations respond with a really powerful big sound, kinda like a Santana/Boogie sustain. Have fun!"

Yours truly, Joey da' cap

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4 - GAIN VERSUS VOLUME - KENNY EXPLAINS THE DIFF

The difference between gain and volume can be confusing, because raising the volume OR raising the gain will make things LOUDER (until the point of saturation described below).

Your guitar generates a signal when the strings are struck. This signal can go straight to your amp, or it can go through one or more pedals, and then into your amp. To keep things simple, let's assume you are plugged directly into an amplifier.

The loudness of your guitar signal is governed by the volume setting of your guitar. When the signal enters the amplifier, you can make this signal louder by turning up the volume control on your amp. At this point, you have a clean amplified signal exiting the amp at whatever volume level your guitar and amp are set.

Gain comes into play when you boost or augment the incoming signal to a level that the amp finds 'unacceptable'. Increasing the gain is accomplished by turning up the gain control on your amp. If your amp does not have a gain control, you can boost the gain through any of numerous effects pedals which offer this feature. On an amp, the gain control is located before the volume control so that the guitar signal passes through the gain circuitry before being amplified.

Boosting gain causes a distortion of the guitar signal. The depth of the distortion of the signal depends on the amount of gain being provided. The distortion can range from a warm overdriven sound, to a saturated one. At the point of saturation, the gain continues to increase without a corresponding increase in volume.

From Snarling Dogs Newsletter

Snarling Dogs manufacture "the coolest line of wahs and effects pedals in the music industry. Wahs weigh 6 LBS each, and have the most incredible tone you'll ever hear, lit LED Snarling Dogs eyes, and glow-in-the-dark markings. The footpads are foot-shaped, and colors are in-your-face."

"We are also the source for all Snarling Dogs, Unplugged, Tube-Toned Blues, and Kit Shicker guitar and bass strings. Our newest addition to our string line is the Charlie Stringer's Billy Sheehan Snarling Dogs bass sets - the first bass sets ever to be packaged in cans!"

Check out their site: SnarlingDogs.com

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5 - DOWN UNDER

Though I know many of you are in the States, I live in Melbourne myself, so I have to include some Ozzie stuff!

And from Oz to LA...

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6 - HELPING SONGWRITERS

Songsalive! is a nonprofit organization, based in Australia, but now with an office in Los Angeles. It supports and promotes songwriters. We run FREE songwriting workshops every second week in LA ( donation only) and FREE to members in Sydney. How can you get better than that! It's all about feedback, networking and meeting professionals. The workshops are designed around critiquing songs in an intimate and informal situation. It's not a school, it's a professional environment.

Songsalive! also produces CD Samplers that go to all the music conventions around the world, provide showcase opportunities, offer studio support, and distribute regular newsletters, called Songnotes!, which gives you all the info you need on what's happening in the songwriting business internationally. Check out their web site, email songsalive@hotmail.com or call Sydney 02-9294 2415 or L.A 310-238-0359

Thanks, Gilli Aliotti, President

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7 - DAVID WILCOX, Folk Guitarist

Thanks to Terr Chamberlain for this article:



The following is from All-Music Guide:

  • Official David Wilcox Page

  • Unofficial David Wilcox Page

    He recently played at Bottom Line, New York David's concert schedule can always be accessed by calling 704-298-4322 in Asheville, NC.


    ***************************************

    8 - CHET ATKINS & RICHARD ALCOY

    Chet Atkins Fans Club - Dedicated to the continuation of fingerstyle guitar. Chet Atkins Fans Club is more than just another Chet site... Along with the usual message board, links page, and pretty pictures, we are the place to be on Saturday night for the best live fingerpicking chat on the net! We also update our page regularly with the latest news from the world of fingerstyle guitar...

    Check out the latest on Chet: sites, sounds, tabs, bio, CDs

    Also, thanks to Richard Alcoy for these URLs:
    Association of Fingerstyle Guitarists and Asian Fingerstyle Guitar Association

    Richard Alcoy is completing a book on the music of Chet Atkins, and presently recording a jazz CD project with the Dave Suverkrup Quartet. Richard is available for concerts, recitals, and club dates as a solo guitarist and as a member of the Dave Suverkrup Jazz Quartet, Bill Gallowy Trio, Marco Piali and the Steve Reynolds Duo.

    ***************************************

    9 - JOHNNY ASIA

    My name is Johnny Asia. I'm the next big thing in the guitar world. (I'm serious!!) For Real Audio samples of my "Funk from Pluto" (no overdubs):

    "Johnny's music is universal in the truest sense of the term. It embraces the musics of this world and anticipates those yet to be discovered in the future. In a recent concert at Pauline Oliveros Foundation's Gallery at Deep Listening Space, Johnny's riveting performance transported the audience across time to places MTV can only dream about." - Joe Mc Phee

    Joe McPhee is President of the Board of Directors of The Pauline Oliveros Foundation

    ***************************************

    10 - THE MYSTERY RIG by Bri

    A couple of years ago, I got my first guitar, used, from a guy who had it for a year and didn't play it as much as he thought he would, so I bought it. A year later I bought a decent amp. As I found out more about guitars, I was more interested in the specs of my guitar, especially how much it retails for so I could get an idea of what kind of a deal I got on it. Well the more and more I looked, the harder and harder it was to find anything that looked like mine. Here's what I know about my guitar:



    and here's the kicker....

    I checked it out and as far as anyone has been able to tell, it was made purposely without a pickguard. So that was the defining point that cut my possibilities of it being only a little bit off from an existing model down to zero. The guitar has to be worth at least $350 because the Floyd Rose setup is about $200 itself, plus at least $150 for electronics. The guitar itself is extremely versatile. I have the pick-ups arranged so that my humbucker works like a pre-amp which readily supplies me with ample distortion, my middle pick-up is very, very clean and almost sounds like an acoustic, and my neck pick-up sounds very poppy but it can also be used for some classic rock sounds. If anyone thinks they might have seen something like what I described, please help me out and mail me with what you know about it. I know for a fact that it is NOT, I repeat, NOT a California Fat Strat.

    Now here's the other half of the problem...

    This amp I bought, a Marlboro Soundworks 2-10" combo, is decent; its loud and clear, and I threw in some Carvin Vintage seris speakers in it which helped it out, and it has a gain switch, preamp, hi-low inputs, the usual 3-band eq, and surprisingly enough, reverb, phaser, temelo, and vibrato, but the vibrato and tremelo are bad, but the phaser works, as well as reverb. It's got outputs in the back for headphones, preamp in, extension cab out, and foot switch. All in all, a good setup for the price, and it's versatile, so I'll always have a use for it. The problem with this is that no one has an address or phone number of the company, so, once again, I'd like to find out what the specs are so I can better gauge it against my PA and overall just find out how it stacks up against everything else, but I can't.

    If anyone can help I would greatly appreciate it because this has been bugging me for a bit now. my email is : imuddrumer@aol.com

    *Quick note: I had an old homemade cab from the seventies so I threw the original speakers which the Carvins replaced into it and hooked it up so I have a weak half stack now.

    thanks again... Bri

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    11 - PLAY IT AGAIN SAM

    Play It Again Sam"Bringing Down the Cost of Making Music!" Guitars, banjos, mandolins, dulcimers, ukuleles, hand percussion, drums, accessories, music books and videos. Taylor, Washburn, Epiphone, Tacoma, Tascam, Akai, DOD, Digitech, Pearl, Gibraltor, Deering, Weber and lots more! Great musical stuff at great prices! 1-802-229-0295 66 Main St. Montpelier, VT 05602

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    12 - GERMAN TABLATURE

    Guitar OnlineHere you'll find a small collection of zipped files of sheet music graphic files, midi and lyrics, in English and German, for Beatles, Dylan etc.


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    13 - WHAT's NEW

    Remember to checkout what's new on the "1000 Great Guitar Sites" each day

    Or look at the October entries in the Guitar Database

    also, why not see who is #1 in the Guitar Top 100 site?

    or see latest guitar sites at whatsnew.com

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    14 - JOKES

    Your "reward" for reading through to the end...

    How does a guitar player change a light bulb?
    He lies on the bed so that the room is spinning around it.

    How does a guitar player show up for practice?
    Drunk and late......... as usual

    Thanks to Imuddrumer@aol.com for these, has anyone else got any to share? Just them to me: GuitarMaster@hitsquad.com

    More Guitar & Bass jokes




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    As a visitor to the site, you already know that it aims to showcase the best that the Web has to offer to those interested in the guitar. This newsletter is an extension to that, aiming to review sites and products in an attempt to save your time surfing, letting you know what is new on the site & what is hot on the Net! Entries will be kept short, with references to URLs for further reading, rather that full text articles.

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