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is nuno ever coming to australia??
I’m from Indonesia, i think your skill is so good, so futuristic. i want to know you deepest, cause i really fan to you !!!
oks, guys,
i have a fender 1990 model and lately i found out that the neck has a hollow point, i’ve been to CALI and check out the shops even fender it self, the problem is its expensive, can someone tell me where i can have it fixs? my fender jazz bass is a four string. recently i bought a 5 string ibanez and its doing good so far.
talk to me guys..
I’m a girl from Indonesia…
Oh my god, I can’t say anything, but one thing u should know…
I can touch my guitar when I remember u…
you’re my inspiration, you make me learn every single day, you’re my dream… nuno…you’re the one…
: I’m a girl from Indonesia…
: Oh my god, I can’t say anything, but one thing u should know…
: I can touch my guitar when I remember u…
: you’re my inspiration, you make me learn every single day, you’re my dream… nuno…you’re the one…
Vemmy, i like u’r style…
I want u like to make a touch w/ me…
Just kidding bro. Peace !!
lol !! that s kick ass hi to the bettencourt family from france !!
Written by Killer Kamikaza
[email protected]
Last update : 1th April 2004
CONTENTS
———–
1.0 What is TAB
1.1 What TAB will tell you
1.2 What TAB won’t tell you.
Reading Tab :
————–
2.0 TAB notation – The Basics
2.1 Other symbols used in TAB
2.2 Hammer ons and pull offs
2.3 Bends
2.4 Slides
2.5 Note length information
Writing Tab :
————-
3.0 Getting Started
3.1 To Tab or not to tab
3.2 Things to do when writing TAB
3.3 Things to avoid
—————————————————————————————-
*****************************
*** 1.0 WHAT IS TAB ***
*****************************
TAB or tablature is a method of writing down music played on guitar or bass.
Instead of using symbols like in standard musical notation, it uses ordinary
ASCII characters and numbers, making it ideal for places like the internet
where anybody with any computer can link up, copy a TAB file, and read it.
****************************************
*** 1.1 WHAT TAB WILL TELL YOU ***
****************************************
TAB will tell you what notes to play – it will tell you which string to hit
and which fret to fret it at.
TAB will tell you where hammer-ons, pull-offs, bends, slides, harmonics and
vibrato are used.
TAB will tell you what tuning the piece is in. If this isn’t given
explicitly, assume normal tuning. TAB should also give you information
on use of capos etc.
TAB will give you an indication of the ryhthm of the piece – i.e it will tell
you which are the long notes and which are the short notes.
However it will not tell you exactly how long or how short they are.
This leads me on to …
******************************************
*** 1.2 WHAT TAB WILL NOT TELL YOU ***
******************************************
TAB will (usually) not tell you the note lengths of the notes – so in most
cases you will *have* to listen to the song yourself, with the TAB in front
of you to work out the ryhthm of the notes.
TAB will not tell you which fingers you use to fret which note.
TAB will (usually) not tell you anything about picking and strumming –
you will have to decide for yourself where to use upstrokes/downstrokes
and so on.
*******************************************
*** 2.0 TAB NOTATION – THE BASICS ***
*******************************************
TAB is simple to read, and should be simple to write if you want to submit
a song you have worked out yourself. The idea is this :
You start out with 6 lines (or four for bass). These correspond to the strings
of the instrument. The top line is the highest pitch string, and the bottom
line is the lowest pitch string. Below is a blank bit of TAB with the string
names at the left.
E—————————————————————-
B—————————————————————-
G—————————————————————-
D—————————————————————-
A—————————————————————-
E—————————————————————-
Numbers are written on the lines to show you where to fret the string
with the left hand. If a zero appears , this means play the open string.
Like standard musical notation, you read from left to right to find
out what order to play the notes. The following piece of TAB would mean
play the sequence of notes (E F F# G G# A) on the bottom E string by
moving up a fret at a time, starting with the open string.
E—————————————————————-
B—————————————————————-
G—————————————————————-
D—————————————————————-
A—————————————————————-
E—0–1–2–3–4–5———————————————
OK so far ?
Here we have notes being played one at a time. If two or more notes
are to be played together, they are written on top of one another,
again just like standard notation.
In the next example we have a G bar chord.
E—-3————————————————————
B—-3————————————————————
G—-4————————————————————
D—-5————————————————————
A—-5————————————————————
E—-3————————————————————
So this means play all these notes together as a chord.
You might see the same chord written like this :
E——–3——————————————————–
B——-3———————————————————
G——4———————————————————-
D—–5———————————————————–
A—-5————————————————————
E—3————————————————————-
Which would mean strum the same shape starting at the bottom string, so
that each string is hit slightly later than the last string, but all notes
will ring together. Below is am example of the same shape again, but now
the gaps between the notes are bigger – so you would probably pick the
strings separately instead of slowly strumming the shape.
E——————3———————————————-
B—————3—–3——————————————–
G————4———–4—————————————–
D———5—————–5————————————–
A——5———————–5———————————-
E—3—————————–3——————————–
You might ask – How do I know how fast or slow to play this ?
Are all the notes supposed to be the same length ?
This is where TAB differs from standard notation. Most often TAB
will *not* give you any information on the note lengths. It is usually
left up to you to listen to the song to pick up the rhythm.
However – don’t despair. TAB should give you some indications of
timing. In the example above all the notes are evenly spaced so you
can reasonably assume that the notes are the same length (maybe all
eighth notes or quavers) but this may not always be true – it depends on
who wrote the TAB.
As a general rule, the spacing of the notes on the TAB should tell you
which notes are the long ones, and which are the short and fast ones, but
obviously it won’t tell you if a note is a triplet or anything like
that. Again, this will depend strongly on the person who wrote the
TAB.
As an example, here are the first few notes of the American National
Anthem in TAB. You should see fairly clearly that the different spacing
corresponds to the different note lengths.
E———————–0——–4–2-0————————–
B—0————–0———————————0———–
G——1——1—————————-1—-3—————-
D——–2——————————————————-
A—————————————————————-
E—————————————————————-
Obviously it will be a lot easier to play the TAB for a song you
know well than for a song you’ve never heard of because you will
already be familiar with the ryhthms of the familiar song.
*****************************************
*** 2.1 OTHER SYMBOLS USED IN TAB ***
*****************************************
So far I’ve looked at what notes to play : which string to hit, and
where to fret it. I’ve mentioned how to get an idea of note lengths
by looking at the spaces between notes on the TAB, but this can only
be a rough guide. You will always have to check with the original track
to work out details of the rhythm.
A lot of other imprtant information can be included in a piece of TAB.
This includes hammer-ons, pull offs, slides, bends, vibrato and so on.
The standard practice is to write extra letters or symbols between notes
to indicate how to play them. Here are the letters/symbols most
often used :
h – hammer on
p – pull off
b – bend string up
r – release bend
/ – slide up
– slide down
v – vibrato (sometimes written as ~)
t – right hand tap
x – play ‘note’ with heavy damping
That last one, the x, is used to get a choppy, percussive sound.
You usually use your fretting hand to lightly damp the strings so
that when you pick the note it sounds dead.
Note that the use of ‘x’ is *totally* different from the use of
an ‘x’ when giving chord shapes.
For example if you wrote the chord of D, you would see :
EADGBE
xx0232
where the ‘x’s mean do not play this string.
In tab it is implicitly assumed that a string is not played if it is not
marked. So the same chord in TAB would be :
E—–2———————————————————–
B—–3———————————————————–
G—–2———————————————————–
D—–0———————————————————–
A—————————————————————-
E—————————————————————-
with no ‘x’. The x is is only used in TAB to represent a heavily
muted string which is picked/strummed to give a percussive sound.
There are a number of other symbols for things like whammy bar bends,
pick scrapes and so on. There seems to be no particular standard
way of writing these – details should be given in the TAB to explain
what the symbols mean.
Bass TAB will probably need a few extra symbols to cope with the
different techniques used in bass playing – for example slapping
and ‘popping’ the string with thumb or middle finger.
You could use ‘s’ for slap and ‘p’ for pop as long as you wrote
them *underneath* the lines of tab to distinguish them from slide
and pull off which would be written *on* the lines of tab.
****************************************
*** 2.2 HAMMER ONS AND PULL OFFS ***
****************************************
With hammer-ons and pull-offs you might find things like these :
E—————————————————————-
B—————————————————————-
G—————————————————————-
D—————————————————————-
A———5h7———–5h7————————————–
E—0–0———-0–0——————————————-
which would mean play the open E twice, then hit the A string at the
5th fret and hammer on to the 7th fret.
Pull offs look very similar :
E—-3p0————————————————————
B———3p0——————————————————-
G————–2p0————————————————–
D——————-2———————————————
A—————————————————————-
E—————————————————————-
Here we have a descending blues scale using pull-offs to the open
strings. For each pull off you only pick the first note of the pair
with the right hand – so in this example you would pick all the
notes on the 3rd and 2nd frets, and the open strings would be
sounded by pulling off.
Because you give the string an extra bit of energy when you hammer on
and pull off, you only need to hit the first note with the picking hand.
You could even have a long string of hammer-ons and pull-offs like
this :
E—————————————————————-
B—————————————————————-
G—2h4p2h4p2h4p2h4p2h4p2—————————————-
D—————————————————————-
A—————————————————————-
E—————————————————————-
In this case you only pick the first note.
**********************
*** 2.3 BENDS ***
**********************
When bends are involved you need to know how much to bend the note
up. This is indicated by writing a number after the ‘b’.
For example, if you see this :
E—————————————————————-
B——7b9——————————————————-
G—————————————————————-
D—————————————————————-
A—————————————————————-
E—————————————————————-
it means strike the B string at the 7th fret, then bend the note up
two semitones (one whole step) so that it sounds the same pitch as
a note fretted at the 9th fret would do. (Sometimes the bend is
written with the second part in brackets, like this —7b(9)— )
Something like this :
E—————————————————————-
B——7b9–9r7————————————————–
G—————————————————————-
D—————————————————————-
A—————————————————————-
E—————————————————————-
means play the note at the 7th fret, bend up two semitones, strike the
note again whilst it is still bent, then release the bend so that the
note has it’s normal pitch.
You sometimes get a note which is bent up only a quarter of a tone or so.
In this case it would look a bit strange to write :
B——–7b7.5——–
if you have to bend it up half a fret’s worth.
Instead it’s written as :
bend up 1/4 tone
E—————————————————————-
B——7b——————————————————–
G—————————————————————-
D—————————————————————-
A—————————————————————-
E—————————————————————-
with instructions on how much to bend written above the note.
**********************
*** 2.4 SLIDES ***
**********************
The most common symbols used for slides are / for a slide
up and for a slide down.
You might also see ‘s’ used to mean slide.
You don’t always need separate symbols for ‘up’ and ‘down’ slides
since a line of TAB reading :
E—————————————————————-
B——7/9——————————————————-
G—————————————————————-
D—————————————————————-
A—————————————————————-
E—————————————————————-
is clearly a slide *up* from 7th to 9th fret. However you might
also see things like these :
E—————————————————————-
B——/7-9-7—————————————————
G—————————————————————-
D—————————————————————-
A—————————————————————-
E—————————————————————-
where the exact start or finish of a slide is not given. Here you
have to know whether you’re sliding up or down. In these cases use
your judgement to choose the starting or finishing fret. The effect
usually desired is to have a note ‘swooping in’ from a lower pitch
or dropping suddenly in pitch as the note fades.
You could have a whole series of slides running together, like this
E—————————————————————-
B——7/9/119767——————————————–
G—————————————————————-
D—————————————————————-
A—————————————————————-
E—————————————————————-
which would mean you only strike the first note with the pick using
the sustain to produce the other notes.
***************************************
*** 2.5 NOTE LENGTH INFORMATION ***
***************************************
Occasionally you will find TAB which includes information on all
of the note lengths. There seems to be no particular ‘standard’
way of doing this, but it usually involves a line of letters or
symbols above the TAB.
See below (Section 3.2 part 6) for more details.
If the explanation of the timing symbols is not given in the TAB
then you’ve got a problem !
In this case a quick email to the author to ask for enlightenment
is the only way forward.
*********************************************
*** 3.0 WRITING TAB – GETTING STARTED ***
*********************************************
Perhaps one of the most important things to do before you start
typing up a piece of TAB is to decide exactly how much information
to include in it. The trick is to convey the right amount of
information in a clear, easily readable form.
Questions you can ask yourself are :
– Is the song played using mostly chords ?
– Are there a number of riffs which appear throughout the song ?
– Is there a clear verse/chorus/middle bit structure ?
By planning ahead a little you should be able to produce a clearly
structured TAB which will not only be easier for others to read, but
also easier for you to type in.
There are also choices to be made when deciding what package to use
when typing the TAB in. All you really need is a simple text editor,
however a mouse-driven editor will probably make things easier.
When you start typing in it saves time if you draw out one blank stave
and then make 8 or 10 copies of these before you start typing in
the fret numbers etc.
If you use a more complicated package like Microsoft Word then
make sure that the characters you use are all the same length.
If an ‘m’ character is wider than an ‘i’ character then your TAB
is going to look very strange on another text editor. Choose a font
where all charcters get the same width – Courier usually does the
job.
There are also a number of programs available by ftp which were written
specifically to make TAB writing easier. Details of these programs
including ftp addresses are in the ‘TABBING MADE EASY’ FAQ by John Kean,
along with other useful hints for writing TAB.
*************************************
*** 3.1 TO TAB OR NOT TO TAB ***
*************************************
If a song can be described well with just chords, then it will be
a lot easier to read and write if you just use the chord shapes, rather
than tab out the chords.
BUT – if you do just send in the chords it makes things *much* clearer
if you give the chord shapes as well.
For example, if you wanted to send in Led Zeps ‘Gallows Pole’ you could
write:
Intro : A7 G/A A7 Am7 Dadd4/A A7 G/A A7 Am7 Dadd4/A
Verse : A7 G/A A7 Am7 Dadd4/A A7 G/A A7 Am7 Dadd4/A
A7 G/A A7 Am7 Dadd4/A G D
A7 G/A A7 Am7 Dadd4/A A7 G/A A7 Am7 Dadd4/A
(You should really have the words underneath as well, but I can’t
remember them at the moment !)
Now this is OK, but how many people actually know how to play Dadd4/A
off the top of their heads ?
What you need to do is include some chord shapes like this :
EADGBE EADGBE EADGBE EADGBE EADGBE EADGBE
x02020 x02010 x04035 320033 xx0232 x00000
A7 Am7 Dadd4/A G D G/A
To TAB out these chords will take a lot longer to type in, and
will probably take people a lot longer to read and understand.
Where a chord is based around chords like this, it makes things
much easier if you just give chord shapes and names, then show
where the chords go in relation to the words.
**********************************************
*** 3.2 THINGS TO DO WHEN WRITING TABS ***
**********************************************
One of the most important considerations when typing in TAB is to make
it clear and easily readable.
There are a few simple things you can do to make things work.
— 1 — Use spaces !
It’s amazing the difference it can make if you insert a few blank lines
in the right place. If you are used to writing the words above or below
the lines of TAB make sure you leave a few lines free so that it’s clear
whether the words belong to the line of TAB above or below.
Space out the individual lines of TAB and the whole thing will be a lot
easier for others to understand.
— 2 — Define the symbols you use.
It would make everybody’s life a lot easier if everyone used the same
symbols for hammer ons, bends etc.
BUT – if you are convinced that your particular way of writing bends
and slides makes much more sense than anyone else’s, that’s OK as long
as you tell everybody what system you use. It makes very good sense to
start your TAB file with a list of symbols used.
The list of most commonly used symbols is below :
h – hammer on
p – pull off
b – bend string up
r – release bend
/ – slide up
– slide down
v – vibrato (sometimes written as ~)
t – tap (with strumming hand)
x – muted, struck string
when you get on to harmonics , you might see a variety of symbols
used. Even in standard music notation, an accepted way of writing
natural and artificial harmonics has neverbeen agreed !
However, using brackets is the standard way of writing harmonics,
so a natural harmonic at the 12th fret would be :
E—————————————————————-
B—————————————————————-
G—————————————————————-
D—————————————————————-
A—————————————————————-
E————————————————————
Normal brackets () are sometimes used for grace notes or optional
notes so ‘pointy’ brackets <> is the usual choice for harmonics.
— 3 — Label bits of the TAB
It makes things a lot easier if you can see where the ‘verse’ and
‘chorus’ parts of a song are, so put a few labels in certain places
to guide people through it.
Many songs will have clear ‘verse’ and ‘chorus’ structures – so you
can tab out the riffs/chords or whatever for these just once, and then
indicate where these are repeated. Or there maybe a couple of
important riffs which are used – so TAB these out and label them
‘Riff One’ and ‘Riff Two’ – then when they come up later in the song
you can just say ‘repeat Riff One four times’ instead of tabbing
the whole thing again.
As long as it’s clear which bits of TAB go with which label, you
will save yourself time this way as well as making it easier to
read for others.
— 4 — Include Artist/album
It’s useful for others to know where to find the original song,
so at the beginning of each TAB include some information on
the artists who recorded the original, and the album on which
the song can be found.
— 5 — General comments
It’s also useful to include a few lines at the beginning of the
TAB to explain the style of the song, or to point out important
features such as alternative tunings, use of capos etc.
A few words along the lines of "use a staccato, funky kind
of strumming style for the chords, then change to a sustained
feel for the lead line" will help people to get an idea of
how to approach the playing style.
Information on the type of guitar (electric/acoustic,
6 string/12 string) and effects used would be useful.
One point on the use of capos and alternative tunings :
It’s a lot easier for people to understand chord names etc if
they are written as though played *without* a capo.
For example, if you have a D shape chord played with a capo at
the 2nd fret you should write it as D major even though you will
actually be fretting notes at the 4th and 5th frets.
Also – for TAB using a capo, it’s standard practice to write the
numbers of the frets *relative* to the position of the capo.
So again, if you had a D major chord with a capo at the 2nd fret
the TAB would be :
E—-2———————————————————–
B—-3———————————————————–
G—-2———————————————————–
D—-0———————————————————–
A—————————————————————-
E—————————————————————-
even though you actually fret the notes at the 4th and 5th frets.
It’s similar with TAB for guitars tuned a semitone or tone
lower than usual. If a song should be played with the guitar
tuned to Eb Ab Db Gb Bb Eb, and it has this chord :
Eb—–0——————————————————–
Bb—–0——————————————————–
Gb—–1——————————————————–
Db—–2——————————————————–
Ab—–2——————————————————–
Eb—–0——————————————————–
it makes things a lot easier to understand if the you call the chord
‘E’ rather than Eb.
That way, if you decide to play in standard tuning, you don’t get
confused.
— 6 — Timing information
You may want to get really serious and include details
giving the precise rhythm of the piece. This will involve
a lot more typing, but it means all the information
necessary to play the piece is given explicitly.
One way to approach this is to write a line of dashes
interspersed with numbers which count the beats.
So in 4-4 time, you would have :
1—2—3—4—1—2—3—4— etc
Under this you can write a line of d’s and u’s to represent
down and upstrokes.
Here is a simple example where the rhythm is 2 crotchets
(quarter notes) followed by 4 quavers (8th notes)
1—2—3—4—1—2—3—4— etc
d—d—d-u-d-u-d—d—d-u-d-u-
You could expand on this to use upper and lower case letters
to indicate accents and so on.
If you use this method make sure that you clearly separate the
2 lines of rhythm information from the 6 lines of TAB !!!
One other way of including timing information is to use one
letter/symbol for each note type.
For example use e for 8th note (quaver), s for 16th note (semi-
quaver) and so on. The letters you use may well differ depending
on whether you’re used to the american system of quarter notes,
8th notes etc or the english system of crotchets and quavers ,
but the method is the same.
(If you’re not sure of the ‘translations’ here they are :
whole note – semibreve
half note – minim
quarter note – crotchet
8th note – quaver
16th note – semiquaver
32nd note – demisemiquaver
64th note – hemidemisemiquaver )
Simply write the letters above the corresponding note in the
TAB. (Make sure you define which letters/symbols you use)
Here’s an example of what this looks like :
This is the opening riff from the Beatles’ Ticket To Ride
q e e t t t q e e t t t
E——–0———–0——–0———–0———————-
B———–2—–0————–2—–0————————-
G—2———-2———-2———2—————————-
D—————————————————————-
A—————————————————————-
E—————————————————————-
Here I’ve used q for quarter note, e for 8th note
and t for triplet quarter note.
If you want to send in a TAB with rhythm information like this
then it’s *essential* to explain the system you use. I’ve seen
a lot of different systems of letters and numbers of varying
degrees of simplicity and readability. Whichever you choose to
use, you’ll have to explain all your symbols to make sure others
can work out what the hell you’re on about.
If you want to give a few clues as to the rhythm of the TAB, but
don’t want to get too involved, use of bar lines is an effective
way of conveying timing information.
Simply insert a vertical line of |’s to indicate the end of a
bar. So using the national anthem example I had before, with bar
lines it looks like this :
E——–|—————|0——–4–2-|0————–|——–
B—0—-|———-0—-|————–|—————|0——-
G——1-|—–1———|————–|—–1—-3—-|——–
D——–|2————–|————–|—————|——–
A——–|—————|————–|—————|——–
E——–|—————|————–|—————|——–
— 7 — Lyrics
It’s a lot easier to follow a piece of TAB when you’ve got at least
some of the lyrics to follow, and you can match up the notes/riffs
in the TAB to the lyrics.
Try to include lyrics for at least the first verse and chorus. If
you’re not sure of the words you can ftp cs.uwp.edu – there is a
large collection of song lyrics held there.
Failing that a request to the newsgroups along the lines of
" Please mail me the lyrics to such and such so that I can make
a proper job of the TAB I’m working on"
will usually get a sympathetic response.
As a final note on writing TAB I should say that whenever you post
to the newsgroups ALWAYS cross post to both guitar groups, and also
mail a copy to [email protected] so that it can be included in OLGA.
For more information on posting to the guitar newsgroups and OLGA
see the other FAQs regularly posted to the guitar newsgroups.
********************************
*** 3.3 THINGS TO AVOID ***
********************************
— 1 — Tab Wraparound
One of the most common problems in writing TAB is text wraparound.
This makes the TAB almost impossible to read but is very easily
avoided.
The problem occurs when you write a line of TAB which is maybe 80
or 90 characters long. For a lot of people this is too wide for
their screen, so what should be a single line of tab ends up being
split onto two lines.
Here is what it looks like :
E———————————————0———————————————–
B—————————————2–4—–4–2—————————————–
G——————————1–2–4—————–4–2–1——————————–
D———————1–2–4———————————–4–2–1———————–
A————0–2–4—————————————————–4–2–0—————
E—0–2–4———————————————————————–4–2–0—–
Now this will probably look pretty weird when you see it. When I
wrote it, using Windows ‘Notepad’, it looked fine because I could
fit the whole thing on one screen.
For most newsreaders though, it is too long and you run into
problems.
All you have to do is be careful when you type in TAB so that you
the maximum width of line is say 60 characters.
I’ve tried to do that in this FAQ so that the maximum width is about
<<<——————————————————————>>>
this much. If you limit your TABs in the same way, you should be OK.
Of course, if TAB *does* get wrapped around the author might not realise
because it looked fine on his/her screen when they wrote it. It might be
worth letting them know of the problem, so they can be careful in the
future.
(This includes me ! If parts of this FAQ are too wide for your screen,
please let me know !)
— 2 — Very squashed TAB
It’s amazing how easy it is to ruin an otherwise good piece of TAB by
not spacing it out so that the end result is a mass of cramped TAB,
explanations, labels etc.
When you finish typing up, go back through the TAB and see if you can
insert a few blank lines here and there to separate verse from chorus
or whatever. It really does make it a lot easier for others to read.
It might also be worth considering if you’ve included too much detail
in the TAB. Usually this will not be the case, but I have seen a few
TABs which go into great details, but are extremely off-putting to
try to read because of the sheer quantity of information.
— 3 — Unnecessary repetition
If a line of TAB or a particular riff is repeated a number of times
then save yourself the effort, TAB it once.
It’s also easier to read like this.
That’s all I *think* you need to know about reading and writing TAB.
If there’s anything important you think I’ve left out or if there
are bits of the FAQ which you can’t understand then let me know.
You can contact me at : [email protected]
hello
I’m from Taiwan, and in our Taiwan’s website I can’t get anything about Extreme or Nuno. I hope someone can let me know how to get more information about Nuno, thanks a lot!
nuno just love his guitar playing hope he reads this,just dream of meeting him in a lifetime,i know extreme music backwords i actually breath life into his music and guitar playing,was very upset when extreme broke up however still love nuno/s guitar playing
NUNO whats there to say that hasent already been said about the king the god the greatest renavation in guitar known to the modern man his music has drove me to attempt to prefect the six stringed instrument that i have came to know so well and without nunos music being around i would never had picked it up i remember when i was five or so my dad would always listen to pornograffitti and loved when im president and i wouldent stop listening to that one song till one day when i was about 10 i started to explore the other 12 tracks featured on the cd when i stumbled upon the one riff that would change my life forever the underscribable genuis behind the opening riff to money (in god we trust) drove me to place nuno on the petistal that I reserve for my idol. if you read this nuno i could never thank you enuph you have truly changed my life in so many ways possible keep doin what you are doin cuz when my kids five i want him to get into extreme and more importantly nuno at such a young age.
I agree. I am exactly the same way. To me Nuno is an otherworld musician, not only is he the tie for best guitarist I’ve ever heard (T. with Ed Van Halen) he is an outstanding producer and composer. His orchestrations on III Sides are unmatched. Rise N’ Shine — The greatest song from a rock band I’ll ever hear. Nuno, if you ever read this, I’d just like to say that you touched a soul.
Cody
Keep up with Nuno on my news page, now at http://www.nuno-bettencourt.com (AOL’s server kept crashing).
can i play guitar like you mr nuno
i want to know what nonu is doing now is he in the studio or what? eny one now?
: i ment nuno!!!
Just wanted to say that Nuno is the best guitar player I’ve ever heard in my life – he’s inspired me so much that I’m trying to learn to play it myself (very slowly, of course, but I’m getting there!!!). Plus I think he’s absolutely gorgeous. But I do admire his music skills, honest! Keep up the good work Nuno…even if I can’t find most of it here in England. I’ll get my hands on it somehow!! Take care, love Liz ;o)
Jepp..Your right Liz..He is a fantastic musician!!:)
I’m also a guitar player..I’ve been playing for about 2-3years now..and i’m also getting there..It’s really not that hard,once you get aware of what you are playing!!Nuno is one of my heroes..He is truly one of a kind!!
no one can play like him
I’m very like when i heard your playing guitar with "Extreme band".
To anyone that me be of help. I am desparately seeking Mourning Widows tab. If anyone knows where I can get some
let me know. I would be willing to pay cash for a photocopy of the tab for the solo section of "Love Is A Cigarette".
Ideally, I want to order the tab books for both albums , especially ‘Furnished Souls For Rent’. Anyway, I’m pretty
desparate since Nuno is a Guitar Deity. Please help…
thanks,
Will Fenio
[email protected]
i’d like to ask to nuno bettencourt for give me several t-shirt or free cd
sraniy bik vash bettencourt!!!! sosite vse vmeste dlinniy xuy!!! mikola yanchenko forever!!!!!!! :))
Hey everybody, just to let everybody know about our site http://www.extreme4ever.com !! Come and check it out! And while you’re there, get on our message board and/or sign our guestbook!! 😉
C ya!
HEiii outthere !!
I just saw this link – I´m using some time to find everything I can about this Funky thrilling amazing guitarist which I think is in a class on his own.
i own a N4 signiture Washburn guitar wich everyone I know envy me fore Hehe and do i have to say that I love it like nothing else
just wanted to hear from someone with similar experienses
Take Care
Thomas
were the n2s
made Rick
I’m from Nuno’s Country! 🙂 (Portugal)
I never saw some one like Nuno.
He his fuckin’ beautifull with the guitar! He got a fantastic style, he maybe the best doin’ tapping (just my opinion)
You ‘r’ God, Nuno!!!
ESTOY INTENTANDO ENCONTRAR ALGUNA INFORMACION SOBRE NUNO, EN CASTELLANO, Y ME RESULTA DIFICIL. CASI TODO ESTA MAL TRADUCIDO Y NO SE ENTIENDE DEMASIADO. —-SI ALGUIEN ME PUEDE COMENTAR ALGUNA WEB u otros— SE LO AGRADECERIA. SOBRETODO ME INTERESA TODO LO QUE HA HECHO A PARTIR DEL 1990. GRACIAS.
: ESTOY INTENTANDO ENCONTRAR ALGUNA INFORMACION SOBRE NUNO, EN CASTELLANO, Y ME RESULTA DIFICIL. CASI TODO ESTA MAL TRADUCIDO Y NO SE ENTIENDE DEMASIADO. —-SI ALGUIEN ME PUEDE COMENTAR ALGUNA WEB u otros— SE LO AGRADECERIA. SOBRETODO ME INTERESA TODO LO QUE HA HECHO A PARTIR DEL 1990. GRACIAS.
Hola Pat, soy Federica, soy italiana, pero manejo bien el español y el inglés (estuve viviendo en Inglaterra y en España). Me encanta Nuno y por casualidad me he topado con tu mensaje..además soy estudiante de traducción…total q si tienes problemitos pa’ traducir textos sobre Nuno no demores y mándame un emilio con le q quieres q te traduzcas (italiano, español, inglés, algo de francés y alemán). Un beso, FEDERICA
Hi! This is the first time I´m writing here. You know, when I was younger, I´m turning eighteen soon…so younger=)I remember that I loved your song More Than Words. But that´s your only song I remember. And I don´t remember hearing much of your other songs after that. But recently my brother got hold of one of your(Extreme´s)videos that is called Pornograffitti, or something( forgive me if I wrote it wrong) and I have listened to it a lot lately and I love it! The songs are SO good, I had no idea you guys had so many great songs.It´s funny that now I start listening to Extreme when it doesn´t even exist anymore. What can I say…I was born a little bit too late=) If I had been a little bit older when you made all these great songs, I´m sure I would have been a BIG fan. And I must say that I was really happy when I then started surfing on your websites and found out that you are still making music. Sadly I don´t know what kind of music you are playing nowdays, but I´m gonna find out=) I really loved 80´s music, and also the songs that were played in the early 90´s. Those songs were terrific! I´m getting so sick of todays music. There are few really good bands nowdays. And that´s sad. That´s why I started listening to rockbands like Extreme, Poison, Skid Row, Mötley Crue etc. These bands are GOOD! But again, most of these bands don´t exist anymore, or then they are still playing but not the kind of music they used to play. When I listen to songs like your song Get the funk out or Poisons song Fallen Angel I get happy. These songs make me wanna smile and make me wanna party. Rock songs were so melodic back then. Today "singers" just shout in a microphone and rock songs are depressive and sad. What happened to all the fun?? I hope that 80´s hair-rock will come back. Yeah, that would be good. I was a little too young to appriciate these kinda bands when they were hot, but I sure would appriciate a rock band now who would play great hair-rock! Hope this wasn´t too booring..and if it was..who cares, you don´t have to read this. Gotta go now, Bye
Ps. What happened to your cool long hair??
You rock!
Visit http://www.trafficjamz.co.uk to listen/send Nuno cover versions!
NUNO,
VOCÊ É O MELHOR GUITARRISTA DA FACE DA TERRA, DESDE 1992 O BRASIL SENTE SUA FALTA,
ESPERAMOS TÊ-LO DE VOLTA DE BRAÇOS ABERTOS
TITIAN
Will someone please mail me some info on where Nuno tours. I live in St. Louis. Does he come this far west?
Thanks
CAN ANY1 PLEASE TELL US *WHY* NUNO GOT HIS HAIR CUT!!!!!!!! WE LUVED YOUR HAIR!!!!!!!!!! MORE THAN WORDS ROCK AND SO DO YOU, YOU SEXY BEAST!!!!!!!!!! ROCK LUV YA!!!!!!!!
: CAN ANY1 PLEASE TELL US *WHY* NUNO GOT HIS HAIR CUT!!!!!!!! WE LUVED YOUR HAIR!!!!!!!!!! MORE THAN WORDS ROCK AND SO DO YOU, YOU SEXY BEAST!!!!!!!!!! ROCK LUV YA!!!!!!!!
P.S DO SUM FUCKIN GIGS IN ENGLAND WE’RE GAGGIN 4 EM!!!!!!!
DIVORCE YOUR WIFE AND MARRY US WE LUV YAAAAAA