Homepage › Forums › Discussion › Monthly Discussion › Guitar Discussion Forum Archive – February, 2001
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November 3, 2011 at 3:11 pm #19238Guitar ExpertKeymaster
Archive for posts from February, 2001
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July 4, 2001 at 2:02 am #35382AnonymousGuest
: Has anyone bought anything from http://www.guitarstop.com? They have some great prices, but I am a little hesitant about buying a guitar over the net. Also I am looking at the Strat ’69 reissue with the tweed case, can it be sent to the U.K. or I’ll get a person in the U.S to send it to me…THANKS
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June 24, 2001 at 7:50 pm #35159AnonymousGuest
you idiot……………how the hell can someone be so fukin stupid you piss smell fuk
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June 24, 2001 at 7:48 pm #35160AnonymousGuest
Dude you are a fucking idiot……no shit WTF asshole can a person be any more stupid than you……………Fuck no you dick sucking cock fucking Dumb mother fucking asshole
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June 24, 2001 at 7:47 pm #35158AnonymousGuest
Dude you are a fucking idiot……no shit WTF asshole can a person be any more stupid than you……………Fuck no you disk sucking cock fucking Dumb mother fuckig asshole
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June 23, 2001 at 9:02 pm #35136AnonymousGuest
best thing about it is the sound..nice power sounding humbuckers but also clean and ringy for chords..nice resonance and timbre on the chord stuff but can also drive and give feedback using the mt-2 pedal..mine had small imperfection on neck bracing but didnt affect playability
12th fret action close maybe 1/16 ..the nut however was a little high..tobacco sunburst is very attractive hard to best this one for 60..compared it to a DeArmond Starfire and chose the Echotone because of the gutsier more colorful sound..the duncan designed pickups are a big plus
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June 12, 2001 at 12:44 am #34844AnonymousGuest
I bought one in the mid 90’s (don’t remember exactly), and all that I can say is that it is a great guitar for the price. Really nice guitar (bird-eye maple top, mahogany body), semi-hollow, really comfortable, and sounds really good. I’m not a pro, but I’m sure I don’t need a better guitar for the moment.
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June 5, 2001 at 3:30 am #34697AnonymousGuest
could you be more specific?
i´m verry intrested in knowing more about bouth. -
June 4, 2001 at 8:25 pm #34693AnonymousGuest
I would like to know how to do cool things with my tremelo bar. Because there isn’t a site out there that deals with how to make different affects they just tell you that it is possable
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June 4, 2001 at 12:52 am #34679AnonymousGuest
It’s a Dutch site, but that doesn’t matter. There’s a godd Metallica patch!!
Look at "patch library"
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June 2, 2001 at 10:49 pm #34662AnonymousGuest
: I want to get a ’96 Gibson Chet Atkins Tennessean fair condition please e-mail me.
I own an old Les Paul gibson and was wondering what its worth is .
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May 31, 2001 at 1:36 am #34587AnonymousGuest
: doe’s anyone know if backing tracks are available for this band?Thanks brad
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May 29, 2001 at 12:05 pm #34547AnonymousGuest
: Help!
some metal heads maybe turned off by the twang, but when it comes to a strong, clear lead.
you can’t beat a Telecaster. So in the realm of the guitar, the tele may not
be the very best, but it is certainly up there.
buddha -
May 27, 2001 at 8:01 am #34496AnonymousGuest
Hey dude….I am in the same situation….I Have a gibson les paul recording 72 and i want to redo all the wiring…..it will be really appreciated if you could send me that shematic……
thanks a lot in advance
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May 26, 2001 at 8:39 am #34475AnonymousGuest
I own both(3 of each,but not reissues))and I have to say I prefer the super reverb,but only by a slim margin.Hey,they are both nice!!!!!
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May 25, 2001 at 9:11 am #34439AnonymousGuest
: Fred Durst Eats the fattest cock imaginable…
If that "Waste of Sperm" puts out another album
somone should honostly consider assassinating that
fucking retard. I would honostly rather tounge
out the inside of a hippo’s errect asshole then
listen to fred durst open his fat hole on stage.
By the way, limp bizkit is NOT metal… not even
close… its sheer rap. and i think the vocalist
from Taproot should go to his house and shatter
his fucking jaw.
If you dont like that blow me… you trendy fuck. -
May 25, 2001 at 6:34 am #34432AnonymousGuest
I have the Takamine GS-330 S and it is a great guitar for the money. I really enjoy playing it and it gives a really nice full and mellow sound. I would certainly buy it again.
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May 22, 2001 at 8:57 am #34336AnonymousGuest
: : someone please help me decide which is the best unit, Korg AX1000G or ZOOM GFX8 in terms of sound (distortions)???
: GFX8 ALL THE WAY MAN!!!!
: Go for GFX8.
: it’s a fuckin ass dude, especially the custom distortion. -
May 21, 2001 at 4:58 pm #34309AnonymousGuest
you can find it at http://www.rawktabs.com
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May 20, 2001 at 1:31 pm #34289AnonymousGuest
:I have a Fender, gemini III,black acoustic. serial Number S00000024. would like to know the year and value please. Thanks ajacs
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February 10, 2002 at 11:16 am #90810AnonymousGuest
: :I have a Fender, gemini III,black acoustic. serial Number S00000024. would like to know the year and value please. Thanks ajacs Gemini III (Black) 1987-1988 $199 to $209 Spruce top, Mahogany back and sides Gemini IV (White) 1987-1990 $220 to $240 Spruce top, Mahogany back and sides
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May 16, 2001 at 4:56 pm #34199AnonymousGuest
Hi, I play a Starfield guitar. It’s an Altair SJ Trad. It was made in Japan, has a solid mahogony body with a bolt on maple neck. It has 2 single coil pickups with a humbucker at the bridge. It has a transparent red finish, similar to a Gibson cherry red. I bought it in 1993 and it has been fantastic. The pickups are particularly brilliant with a big range of tones. I’m surprised Starfields never really caught on, the only proffesional musician I’ve seen playing them is Donald Kinsey from The Kinsey Report.
Anyone know any more?
Ta
Phil.
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May 16, 2001 at 2:13 am #34188AnonymousGuest
Did you ever find a Fender HM strat? I have one for sale on Ebay right now – it is a Japanese, but in very good condition (except for a 1" chip on the body). I am the original owner and have had it since around ’93ish when I bought it brand new.
: Check out eBay. They had one yesterday. Do you know there are both USA and Japan HM Strats? If you want the uSA make sure it’s legit.
: : HI, EVERYONE, I’M LOOKING FOR A FENDER HM STRAT ;DOES ANYONE KNOW WHERE I CAN BUY GUITAR LIKE THAT???
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May 4, 2001 at 5:30 am #34133AnonymousGuest
There are always several GT-3s for auction on eBay. They sell for about 85 on the average. I just bought one from eBay this week. Check it out at http://www.ebay.com
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May 3, 2001 at 11:01 am #34108AnonymousGuest
any ideas yet on Roland MAunals???
im looking for a sde 330 manual, online, downloadable for free. thanks!
: I have worked with the Zoom GFX8. There is a seamless effect that will accomplish this.
: From what I remember, you would have to program the "seamless" effect into the patch that you are going TO and not FROM.
: You can get the pdf Zoom manual (pdf) online at:
: http://www.samsontech.com/zoom/gfx8.html
: Maybe it will give you some clues as to how the Boss unit works. I can’t find any Boss or Roland manuals online anywhere.
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April 29, 2001 at 11:34 am #33940AnonymousGuest
: hello,
Can anyone explain the difference between the wizard ,and wizard 2 guitar necks
Thanks. -
April 28, 2001 at 10:19 am #33920AnonymousGuest
please provide me with tips on how to select a good acoustic guitar within a resonable budget……
like what i should look out for a good guitar…. -
April 25, 2001 at 6:04 pm #33833AnonymousGuest
: THE LIST IS ENDLESS, TRY SOME JEFF BECK,EDDIE VANHALEN,JOE SATRIANI,STEVE VAI, ALBERT LEE,GREG HOWE,ALLAN HOLDSWORTH,DAVE GILMOUR AND LETS NOT FORGET "JIMI HENDRIX".ITS GREAT LEARNING OTHER PEOPLES SOLOS, BUT ITS EVEN BETTER CREATING YOUR OWN. GOOD LUCK. Well babe don’t forget eric clapton, ritchie blackmore.How can be the country rock artist Mark Knopfler be so far away from you
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April 25, 2001 at 6:03 am #33813AnonymousGuest
: is this a good pedal? i want a creamy sustain for pink floydish solos and some smoother distortion.
: thanx for any input
: shawnUNBELIEVEABLE!! I sell them for 89.00 at http://www.jdmusic.com
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April 22, 2001 at 2:27 am #33736AnonymousGuest
: I have a Fender Concert II. Does anybody know where I can get a schematic for that amp.
I have a schematic that I got from Fender back in 1983. It’s a little faded but I think it will scan OK. Send me your email address and I’ll send it to you.
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April 6, 2002 at 9:13 am #93541AnonymousGuest
: : I have a Fender Concert II. Does anybody know where I can get a schematic for that amp. : : I have a schematic that I got from Fender back in 1983. It’s a little faded but I think it will scan OK. Send me your email address and I’ll send it to you. I just bought the same amp and have not been able to find the schematic. I am also looking for info about how to adjust the bias for that amp. If you can email that schematic, I would be very appreciative. ‘ Thanks in advance.
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April 20, 2001 at 6:49 am #33696AnonymousGuest
I have a Roland Re-201 that is presently having some repair work done on it. New transistor and a few other relatively minor things. I bought the unit new in 1975 and it essentially has never been on the road. I always used it for guitar and a few times in a recording situation. It is is excellent shape because I am extremely fussy with my toys. Cleaning etc. Problem I have run into is I cannot find a source for replacement tape which Roland no longer makes. They came in little clear plastic boxes. I tried to find an e-mail address for Roaland U.S. To send a query to them for the purpose of finding out specifically what type of tape they used in there spools. Thought I would make my own. If you have any info on this let me know at the aforementioned e-mail. As far as further info. I loved the unit for over 25 years. They were well constructed and lthough limited in the range of effects for the price you could’nt beat them.
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July 27, 2002 at 3:25 pm #97706AnonymousGuest
Im looking for tape of my roland echo tape does any one know if roland still can get them or has anyone tryed rt1l.com tapes ……im fussy with my machine
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April 20, 2001 at 2:38 am #33688AnonymousGuest
: I am considering buying either a boss ad-5 or the less expensive ad-3 for use with my Taylor 414. Is anyone familier with these units? Why would I want the more expensive one vs. the ad-3? Also, would this unit work for well for my fiddle as well?
Hi,
I have the ad-5 with my Taylor 612c and 614ce. it provides an amazing warmth and infinite tone adjustments with the eq, 2×2 chorus and reverb.I play every week at our church and go directly form the ad-5 stereo to the board. I get nothing but outstanding comments form those who hear the tone. It is easy and intuitive to use and with the addition of the guitar "size" adjuster and the "mic distance" adjuster you can get a lot of great sounds that expand your guitar capabilities.
Add a boss dd-3 dely pedal and you will be very pleased.
Lane
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April 19, 2001 at 10:44 pm #33678AnonymousGuest
: Elliot Easton (formerly of the Cars, now with CCR) has asked me to help find homes for four of his ultra fine guitars! They are all newer (not 80’s era) left handed custom shop intruments. They are also fully authenticated and come with autographed pictures, picks, and stuff. Please email me if you are seriously interested. ([email protected])V
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April 19, 2001 at 5:56 am #33656AnonymousGuest
ththth.com
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April 17, 2001 at 9:22 am #33601AnonymousGuest
: someone please respond explaining about Korean vs US ovations. Less quality? Bad reputation? Please respond. Is it worth buying a Korean Ovation Celebrity Deluxe.
I reecxntly bought a new USA built Balladeer from Mars Music. At the time I also looked over the ones made in Korea.
The cost difference is significant with the USA made ones costing about 00 more. They sound similar but I noted that
one of the Korean made units had cracks between the neck and figure board. It didn’t hurt the
sound and was probably only cosmetic, but if you are buying one check it over carefully.
If you are just playing for fun or as a hobby the Korean made guitars should suit your purpose.
But if you are planning on playing to audiences I’d spend the addtional for the USA ones.
You will have more of a selection of finish and styles. No matter what you buy I don’t thnik
you’ll find a better sounding easier playing guitar. I own three of them.-
February 14, 2002 at 3:07 am #90993AnonymousGuest
The non-USA ones -so I was told- are build -in license- by Takamine guitars. For that sake you wouldn’t buy a bad one anyway (not even for concert purposes) – however, still bought a USA one myself. The difference is indeed hard to hear. Maybe its just a psychological thing to buy a USA built Ovation. Anyway – I enjoy mine for over 9 years already.
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April 15, 2001 at 7:31 pm #33562AnonymousGuest
I was wondering why you want tab to learn a solo?, just play what you feel over it and find your own style. Jimi Page is without a doubt one of the greatest guitarists but what makes him brilliant is his oringinal style of his own influences i.e blues folk/country, let his style inspire you and create your "own" wicked style : I was wondernig if anyone has tab for this great Led Zepplin Cd, because the "Black dog" and "Stairway to heaven" solos are better than solos of the released version, "Led Zepplin IV".
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April 11, 2001 at 4:25 am #33445AnonymousGuest
: By accident I missed the December 2000 and Winter 2000 issues of the english magazine "Guitar Techniques" b.t.w. published by Futurepress.
: Do you have these issues, of course with the accompanying cds, then I am willing to pay you a GOOD price for them.
: Contact me [email protected]
: Cheers,
: Mike
Mike,I had the same problem, requiring the Winter 2000 and January 2001 (for a beginner’s Jazz
series by Dave K). I looked everywhere I could imagine. Finally found that Borders Books in
the U.S. has an on-line magazine service which still had the issues I was missing. I just received
them today. The site is at http://www.borders.megamags.com. Service was prompt, cost was at face
value plus a nominal shipping fee.Hope this helps,
Terry Thompson
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April 6, 2001 at 1:12 pm #33294AnonymousGuest
it will not, its a kind poorly made guitar (made of something like luthite artificial wood used by Ibanez) and the pickups are poor quality (EMG selects) good upgrading guitar tho, change the pickups and pots it’ll do fine but wont beat a les paul
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April 6, 2001 at 12:02 pm #33289AnonymousGuest
: I need to find the best Takamine acoustic guitar for my boyfriends 30th b-day and I don’t know exactly what to get or where to get it. So if someone could help me out and point me in the right direction I would greatly appreciate it!
: ThanksHi Serena: Have you found a guitar for you boyfriend yet. If not write to me I have one for sale and it is a beauty. Cheers Nancy
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April 6, 2001 at 1:05 am #33277AnonymousGuest
: who is the author of the music for the soundtrack on
Roots(tv miniseries) by Alex Hailey? -
April 5, 2001 at 3:13 pm #33263AnonymousGuest
i need do find out where the paint comes from , and what is the impact in the environmental .
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April 5, 2001 at 2:22 pm #33264AnonymousGuest
I’ve heard your song miracle of life…it’s pretty cool I like it very much…the speed and the sound so great…can you inform us the tale of the song??
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April 3, 2001 at 12:56 am #33181AnonymousGuest
johnny smith never claimed to have written the song. he just played it differently and some say better than any other guitarist had played it before. i like it
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April 2, 2001 at 2:51 pm #33164AnonymousGuest
: Players whose instructional videos you should get for right hand technique:Al DiMeola, John Petrucci from Dream Theater, Steve Morse, and Eric Johnson. I recommend using Dunlop Jazz III picks to build up your techinque. I’d stay away from the training picks and get used to using a real pick, and using the same one consistently. Stiff picks are tough to use in the beginning, but with practice you will begin to realize that the stiffness is crucial to making a positive connection with the string when you pick it. E-mail me back with your thoughts.
-Gooz
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April 2, 2001 at 2:51 pm #33166AnonymousGuest
: Players whose instructional videos you should get for right hand technique:Al DiMeola, John Petrucci from Dream Theater, Steve Morse, and Eric Johnson. I recommend using Dunlop Jazz III picks to build up your techinque. I’d stay away from the training picks and get used to using a real pick, and using the same one consistently. Stiff picks are tough to use in the beginning, but with practice you will begin to realize that the stiffness is crucial to making a positive connection with the string when you pick it. E-mail me back with your thoughts.
-Gooz
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July 21, 2001 at 6:52 am #81445AnonymousGuest
Take the most difficult techniques and repeat them until your mucles are burning as much as you can handle.no pain no gain.Try creating your own difficult techniques and do them until your burning.like lifting weights………Dont forget to stretch
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April 2, 2001 at 9:31 am #33158AnonymousGuest
: : Okay, to my knowledge the Duo sonic did not have the slider switches. This would the Mustang. Mustangs were made from the early 60’s right up into the late seventies. Of course the mmodel gained a great deal of popluarity when Cobain played one. I just saw a mustang in Very Good condition, white w/tortoise pickguard for 00. It was a 1966, which I think yours is. The duosonic, had two pu’s but a hardtailpiece and one traditional switch. If the guitar has a whammy, it’s a Mustang.
: The mustang was the # 1 student model along with the Duo Sonic and the Musicmaster. Great, underated vintage fender. you’ve got a keeper I’d say!You are right about the switch. The Duosonic had a toggle switch. I have a 1956 Duosonic purchased in 1956 and it is still a good playing instrument. Bob
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February 24, 2004 at 5:55 am #90022AnonymousGuest
: : : Okay, to my knowledge the Duo sonic did not have the slider switches. This would the Mustang. Mustangs were made from the early 60’s right up into the late seventies. Of course the mmodel gained a great deal of popluarity when Cobain played one. I just saw a mustang in Very Good condition, white w/tortoise pickguard for $800. It was a 1966, which I think yours is. The duosonic, had two pu’s but a hardtailpiece and one traditional switch. If the guitar has a whammy, it’s a Mustang. : : The mustang was the # 1 student model along with the Duo Sonic and the Musicmaster. Great, underated vintage fender. you’ve got a keeper I’d say! : You are right about the switch. The Duosonic had a toggle switch. I have a 1956 Duosonic purchased in 1956 and it is still a good playing instrument. Bob I have a 1967 Fender duo sonic ll my guitar has two toggle switches above the the pick ups that i believe are phasing switches for the two pick ups
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April 2, 2001 at 9:27 am #33156AnonymousGuest
: I have a 1956 Duosonic Ser#12965. It was my first electric guitar ( 1956) and it is still solid and plays well. It was not a full sized neck and thus a little easier for a young kid to handle. I could uase some new tuners as the plastic is cracking off. Try one you will like it. I think 1955 or 56 was the first year for the Duosonic. Bob
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April 2, 2001 at 9:15 am #33157AnonymousGuest
: Anyone has one and want to sell? please contact me.
: Thanks -
April 1, 2001 at 10:40 am #33126AnonymousGuest
: Kay guitars USA were very nice and would be great to learn on but the Japanese Kay were not so good. Keep your hands on it if it is a USA Kay cos its worth some mnoney. Cheers Dave from England
How do you know if it is a USA Kay or a Japanese? -
March 31, 2001 at 10:55 am #33104AnonymousGuest
Hey, go to Yahoo! and look up " talk box"
it’s a lot safer to make your own one too, you can really mess up your amp with a Heil one. -
March 31, 2001 at 10:54 am #33106AnonymousGuest
Hey, go to Yahoo! and look up " talk box"
it’s a lot safer to make your own one too, you can really mess up your amp with a Heil one. -
March 29, 2001 at 4:17 am #33043AnonymousGuest
Im going to play a gig with my rhoads guitar and it sounds pretty good even with its jackson pickups. It is defenatly worthy to be played on stage. And as far as the pull off sound, that has to do with the player and the pickups.
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March 29, 2001 at 2:36 am #33040AnonymousGuest
Hey ganja girl..please send me some info at my email adress about your project..no bullshit here…I’ve toured extensively with Static-x slipknot, diturbed….etc. I prefer to remain anonymous right now but am looking to find the right people for my next project……you seem serious with the right attitude please tell me more and I know I’m a little late with this but if not maybe I can still help!!!!Thanx…soon to be known
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March 27, 2001 at 4:04 am #32943AnonymousGuest
I am not into Korn or Limp Cookies, but I play the 7. I started when Vai came out with passion and warfare. I also have 4 6ers, but am selling them because I view the seven string as having a greater dimension and a better feel on the neck. I also like it because you can harmonize in the lower registers. Its just a way to expand your mind and your playing.
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March 25, 2001 at 3:23 pm #32906AnonymousGuest
I have to agree. The Fender Blues Jr. is an awesome amp for a relatively cheap price. I play a strat through one and it gives the howlingest tones.
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March 23, 2001 at 3:33 am #32850AnonymousGuest
Hope this gets back to jaterz.
Saw your note about owning a 1950 O15 Martin. I Have a 1959 015 and just started looking into history and value. I could not find any reference to 015 model, seems like they all talk about other models. Do you have any info. Am not sure I want to sell yet but am interested in value. -
March 21, 2001 at 8:56 am #32801AnonymousGuest
: I need help setting up the effects to
: sound like my favorite band. If you own
: one of these Korgs please email back>THANXtry visit http://membres.tripod.fr/korgax1000gfx/english/index-us.htm
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March 20, 2001 at 5:12 pm #32772AnonymousGuest
: I seek information, reviews, playing impressions, prices,
: and comparison of and or some or all of the above guitars.
: Thank you.YAMAHA¡£¡£¡£¡£¡£
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March 20, 2001 at 1:44 am #32753AnonymousGuest
: Sorry for the caps, but this needs attention. I am going to sell my Fender DG20CE Acoustic guitar and use that money to buy a electric guitar. I figure i’ll get 00 for it. I want to know if i should which i should spend more money on, an amplifier, or a pedal. I’m a Zepplin fan, so I want to play solo’s like Jimmy Page. I think he uses and overdrive, but should I buy an expenisve amp that has built in distortion, or should i buy a less expensive and amp spend a more of the money on a good pedal? RSVP please!
Buy a nice guitar and amp. You can purchase lots of good guitars for under 00. Forget the pedals and buy a good amp. Pedals are cheap and you can always get them later. Good luck.
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March 20, 2001 at 1:10 am #32746AnonymousGuest
: Ok, I am like, the ultimate metallica/jimi hendrix fan, now ive been playing ugitar for about 2 years and i am now serious about guitar being my like, now, i can get by around 400 to spend on a guitar, i want a guitar that could make the metallica sound, but have jimi hendrix blues to it as well, plz help me about, name the brand and name
It is real hard to get 2 great sounds in one (do it all guitar). You have enough money to buy a metal guitar and a strat or check out the Fender Lonestar Strat. Good luck.
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March 19, 2001 at 5:09 am #32694AnonymousGuest
hi, i had a very similar prob and it was all down to the cheap guitar i had bought.
when i checked the tuning as it stated in the book, i did’nt realise that the strings where actually far to tight so i was playing in a higher scale so to speak. this coupled with a high bridge and top end meant i had to really push hard on the frets causing all the symtoms you have stated.
it was only when a freind called round and picked it up to play that i found this out, he retuned it and a did’nt have to press half as hard on the strings.
hope this helps -
March 18, 2001 at 8:41 pm #32675AnonymousGuest
Does anyone know how much an original EH Big Muff is worth now. I’ve had mine for about 24 years now and it still makes the occasional appearance out of the gig bag. I’ve also still got an original Screaming Tree treble booster and an LPB 2 (Linear Power Booster). The Electric Mistress gave up the ghost years ago with a failed transformer – never got that fixed and it ended up in bits somewhere !
Alyn
Telford England
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March 18, 2001 at 4:55 pm #32669AnonymousGuest
: Anyone has one and want to sell? please contact me.
: Thanksi have a boss GT-3 effect…..please email me .
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March 18, 2001 at 4:49 pm #32670AnonymousGuest
: I need help setting up the effects to
: sound like my favorite band. If you own
: one of these Korgs please email back>THANXhow much it is…i have one ,want to sale.
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November 28, 2001 at 5:39 am #86927AnonymousGuest
well thats a good guitar effect and i program many sounds how dream theater and metallica etc and i can help you i’m a peruvian musician . if you want help reply this mail from my mail. bye
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March 18, 2001 at 4:49 pm #32668AnonymousGuest
: I need help setting up the effects to
: sound like my favorite band. If you own
: one of these Korgs please email back>THANXhow much it is…i have one ,want to sale.
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March 16, 2001 at 11:27 am #32612AnonymousGuest
: Stevie Ray Vaughn comes to mind. The solos on the songs "Crossfire" or "Tightrope" off his "In Step" CD
: are still some of my favorites. Check out the band
: "Dream Theater" too.Hey if you want some excellent solo’s to learn check out Mark Knopfler of Dire straits! Or Brian May has some really creative stuff as well. Clapton’s rediscovery of the blues is also a good listen to learn from……
I’d stay away from Vai/Malmsteen etc. They’re very technical and good players, but in my opinion the best playing comes from within.
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March 15, 2001 at 7:50 am #32585AnonymousGuest
: : been looking cant find a thing.
: : would apreaciate any infowell i was at a store called murch music and a triple rectifier was like 1600 canadian, i don’t know how much cabs are
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March 10, 2001 at 3:37 am #32442AnonymousGuest
I,ve used a Tokai strat for the last 17 years.Gibsons&
Fenders have come and gone,but I’ve kept my Tokai.It’s
white with a superb played to death r/w neck with early Bill Lawrence L220 pickups.Go for earlier models if you can -
March 8, 2001 at 12:37 am #32383AnonymousGuest
Best Guitars in the world. The only thing you can do to improve them is stick a strat pup in the neck. If you get a good, well balanced brdige pickup (ie, Harmonic Design ’54 special), you would be hard-pressed to find a better lead sound.
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March 8, 2001 at 12:22 am #32381AnonymousGuest
Try Out Harmonic Design Pickups. I bet they blow the others out of the water
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March 4, 2001 at 9:56 pm #32265AnonymousGuest
: I’m interested in some pickups mentioned to me by a colleague. Some of the brands I’m looking at are the "Dimazzio blue velvets", "Rio Grande", "Halfbreeds" "Tallboys" pickups…any comments on these pickups in terms of sound flexibility,good combinatios of one or two of these together, testimonials. The objective is to maintain flexibility across most of the music genre, with a need to ensure that tone and separations is maximised especially in a variety of venues eg. outdoor, indoor, dull, bright.
: Current set up – Fender Strat lace sensors (gold neck silver mid and bridge) Twin ’72-ish, Boss ME10 FX unit
: Style: live clubs funk, blues, 80’s Pop: Thanks look forward to some of your thoughts
: Ashton
si habla español porfavor mandame todo sobre pastillas y como hacerlas estoy intentando hacerlas.GRACIAS
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March 4, 2001 at 8:50 pm #32266AnonymousGuest
I own a 6 string Lyle that a friend gave me back in 1971 and it has mellowed beautifully with the years. I use it now for altered tuning, but for years it was my only guitar. As to the price, well, you could probably do a little better, but if it plays well and sounds good and doesn’t have any problems, then I’d say that 00 is not a bad price. I did but a Takamine 12 at a pawn shop for the same price though. Course I might just be a tad sentimental about Lyle guitars, but, I would buy it myself if it did what a guitar should do. whimsmith
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March 4, 2001 at 8:49 pm #32261AnonymousGuest
I own a 6 string Lyle that a friend gave me back in 1971 and it has mellowed beautifully with the years. I use it now for altered tuning, but for years it was my only guitar. As to the price, well, you could probably do a little better, but if it plays well and sounds good and doesn’t have any problems, then I’d say that 00 is not a bad price. I did but a Takamine 12 at a pawn shop for the same price though. Course I might just be a tad sentimental about Lyle guitars, but, I would buy it myself if it did what a guitar should do. whimsmith
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March 3, 2001 at 8:34 pm #32241AnonymousGuest
: The pickups are microphonic. You have 2 options: Replace them or have them wax potted. Wax potting is cheaper, especially if you are happy with the sound. Find a repair shop that will do this for you.
Thank you Im2 for the input !
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March 3, 2001 at 2:39 am #32223AnonymousGuest
In order to tune to baritone, you’ll need a scale length of at least 27". A strat type guitar will work much better than say a Les Paul type because the les paul is only about 25.5".
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March 2, 2001 at 10:36 pm #32220AnonymousGuest
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March 2, 2001 at 12:00 pm #32212AnonymousGuest
: I’m looking for a tremelo, bigsby-style for a fender telecaster does anybody know where i might find one? does fender make one? please help.
: thanks
: big eSorry this is a late follow up but, I just found this site. If you still need a Bigsby for your Tele check allparts.com they have them. They are expensive though, about 35.00 the part # is TP 3640. You’ll also need to change your bridge plate to a flat plate the part # is BP 051 and is about 2.00. You will probably need to change the bridge also. I don’t think the bridge that comes with the Bigsby will work on the bridge plate. You’ll need a bridge with "cups" like on a Jaguar, the part # for the bridge you need is SB 210 about 0.00 I hope this helps. I have a Bigsby on one of my Teles, they actually help in keeping your guitar in tune. I also have a Bigsby B-Bender (also known as a palm pedal) installed on another Tele. These are hard to come by but, if you ever find one don’t pass it up.
Fender does make one but, they are only available if you have a guitar Master Built. Also check e-bay
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March 2, 2001 at 10:59 am #32208AnonymousGuest
his solo is mostly not so fast. downlaod the tab and "study" them~
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March 2, 2001 at 4:26 am #32189AnonymousGuest
If your talking about using the outlet labeled "External Speaker" to run to a board or whatever, then absolutly not! It is for exactly what it says, a speaker cabinet. You can fry your shit if you try plugging that into a low level input.
-Ben
: CAn I
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March 2, 2001 at 4:16 am #32190AnonymousGuest
: man, if distortion is what you’re looking for, get a Digitech 2101
Gt-3’s distortions sucks -
March 2, 2001 at 4:14 am #32187AnonymousGuest
Thank you, I appreciate the feedback (and to the other’s that replied). This, as with everything else I learn about music, brings up more questions. But, I do like the attitude to forget the theory while playing. I just needed someone else out there to say it. Take Care, keep playin!
-Ben
: Have you ever seen the circle of 4ths (circle of 5ths if you go the other way around the circle).
: C
: F G
: Bb/A# D
: Eb/D# A
: Ab/G# E
: Db/C# B
: Gb/F#: If you go around clockwise it’s 5ths, counterclockwise is 4ths. The relative minor is 3 clockwise steps around the circle.
: Furthermore, from a key signature/scale standpoint, as you go clockwise, you’re adding a sharp to the scale, as you go counterclockwise, you’re adding a flat to the scale…to wit: the key signature for C is blank…no sharps, no flats, G is one sharp, D is two sharps, etc. F is one flat, Bb is two flats etc. The sharps and flats meet at Gb/F# which is six flats or six sharps, either way you want to make your eyes burn (that also means that legally, you could use 7 flats to denote the key of B, but while legal, it’s probably immoral).
: Now, what you’re talking about is another way of speaking of "Modes." I can’t tell you one mode from another, but I do know that in essence, a mode is a scale, for example C-D-E-F-G-A-B-C is C Major, also known as C Lydian (? I think that’s the right mode). There are other modes such as Mixolydian, Aeolian and a bunch of others. If you play C-D-E-F-G-A-Bb-C it makes it a C Mixolydian (? maybe), in actuality of course it’s either an F major that starts and stops on the 5th, or a D minor that starts and stops on the 7th, depending on what you want to call it.
: They’re all just different ways of describing the scales. The Key signatures tell you what notes of the scale are flatted/sharped.
: When I’m soloing I think very little about scales, and modes. I do try to remember what key we’re in and the chord that’s being played, but I don’t really specifically think about it, it’s more of a thing to keep in the back of your mind as you’re playing.
: Theory should free up your playing, not clutter it with cumbersome rules….practice theory at home and play from the ears and the gut when you’re on a job.
: I hope this gives you something to use.
:
: : I would like to know if anyone has approached the guitar this way. I am self-taught so I don’t know ALL the lingo. Anyway I have a question on improvisational soloing. Say we are playing in A Major, I am playing in an AMaj Scale, then the song goes to a F#m (the vi chord in the key). The minor scale in F#m are the same notes as in AMaj. Now say that the chord changes to a DMaj (the IV chord) I notice that all the notes are the same except there is a flat 7. Also if the chord changed to a ii (Bm) the minor scale would be just the same as the A Major scale except for a flat 7. Then there is the iii and V chords (C#m and EMaj). The only difference in these scales are a sharp 4. (ie. E Major scale, C# Minor scale). Has anyone else noticed this (I’m sure it’s in a book somewhere on this planet). I am wondering if an experienced player out there uses this to their advantage (like when the "chord of the moment" changes to a V chord, you would move all of your 4’s sharp, then switch back to normal after you get back to the Root chord). I don’t know if any of this makes sense to anyone else but myself, but if it does, I would like to hear how others use this to play, or if I’m missing something. Thanks,: : -Ben
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March 1, 2001 at 10:25 pm #32176AnonymousGuest
Check http://www.harmony-central.com Lots of reviews of all kinds of gear.
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March 1, 2001 at 3:31 pm #32171AnonymousGuest
: I just paid 15 bucks for it and I think the production was pretty horrible considering he has his own studio now and everything. I can understand his preference to
: stay in the rhythm pickup mode but he probably forgot to turn up the treble on the final mix down. I fail to understand how such a huge influence on todays shredders chose not to be more innovative in recent productions. I’ve heard his reggae and blues improvisations live that were absolutely astonishing!
: Good thing I also bought Dave Brubeck "Time Out", so I didn’t feel to jipped.I agree, it is yet another disappointing Yngwie album. He’s lost it, and can’t seem to get it back.
Its been that way for some time now, though. I have also heard that live, he is better than ever, which is why
I had big hopes for this album.oh well.
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March 1, 2001 at 12:23 pm #32170AnonymousGuest
Hmm.Interesting.My theory is kinda rusty,but I’ll give it a shot.When the tune moves to F#m,Bm,C#min I’d try to stay aware of this key change.Being already familiar
with this type of transition,I’ll stay away from the unstable tones and hangout in the F#min(Pentatonic)zone.Until I hear the V chord turn-around,then I know it’s O.K. to return to the Amaj scale(pure).So be aware when the chord tones change, that will dictate your approach(choice of tones).The F#m,Bm,C#m is a 1,4,5,as you know.So why not handle it like an F# Blues??This transition opens up a lot of other options!
But for now,never mind the theory! When improvising,use
your ears and pick your tones smartly.The F#m is the minor 6 chord in Amaj.Whos relative major is Amaj!
Hope this helps. -
March 1, 2001 at 11:00 am #32169AnonymousGuest
I own a Marshall super lead 100 watt head made in 1978 I want to get ahold of a manual for this amp. Also how about any leads for purchasing Celestion 25 watt greenbacks(16 ohms) for my cabinet?
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March 1, 2001 at 10:23 am #32166AnonymousGuest
I want to paint a scene (mural) on one of my acoustics. Can’t find on info,
>on rather or not this is a good idea or some precautions to take. I have
>seen many acoustic painted, though I don’t recall ever hearing one played.
>Please direct me to some info. My step-dad is a professional artist, who
>used to build movie sets and such –he knows materials, but I just want to
>find out and info possible, as he as never painted an acoustic guitar
>before. -
March 1, 2001 at 9:48 am #32165AnonymousGuest
CAn I
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March 1, 2001 at 9:32 am #32167AnonymousGuest
Help! The nut on my cheapo Karera PB-32 electric bass is missing (may have been removed intentionally) and I am trying to find a replacement.. our local music store had some generic nut that just plain didn’t fit (it’s way too wide)….where on-line could I find the right one????
Thanks in advance for any help rendered. -
March 1, 2001 at 9:30 am #32164AnonymousGuest
: I’ve been goofing around trying to figure out the main rhythm riff…but I can’t seem to get it right…anyone know it? Thanks
You can find the riff online at http://www.freshtabs.com
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March 1, 2001 at 9:11 am #32163AnonymousGuest
I am interested in buying a Lyle 12-string acoustic guitar from a friend for 00. The guitar is in really good condition. I was wondering if anyone could tell me a little more about this guitar and its value. thanks a lot.
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March 1, 2001 at 9:09 am #32162AnonymousGuest
I live in the Bay Area(CA) and am looking for a GOOD guitar repair shop or someone to modify my Marshall 100 watt head. Need help as I really love my equipment and would hate to see it treated badly. Thank you
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March 1, 2001 at 8:55 am #32160AnonymousGuest
🙂
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March 1, 2001 at 8:34 am #32161AnonymousGuest
After listening and loving John’s music, check out his official site:
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March 1, 2001 at 8:01 am #32159AnonymousGuest
I seek information, reviews, playing impressions, prices,
and comparison of and or some or all of the above guitars.
Thank you.-
July 9, 2001 at 11:25 pm #80877AnonymousGuest
recently bought the as 80. love it. feels and sounds great and is worth double what i payed(500)
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March 1, 2001 at 7:23 am #32157AnonymousGuest
Seek reviews and facts aboutimport: Hamer Echotone
Dean del Sol and Dean Sarasota. thank you. -
March 1, 2001 at 5:37 am #32156AnonymousGuest
: I’m looking to buy an amp any suggestions???
Not know ing what you intend to use it for makes it difficult, but if I had to have one amp to play and lug around it would be a Fender Blues Jr. – usually available for 250 bux American on ebay.
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March 1, 2001 at 4:06 am #32153AnonymousGuest
: : I think that you and I both know, that if you are even remotely attractive, it will be your band in every one of your fans’ minds. See No Doubt.
: That’s coming from someone who has played in many co-ed situations.:Nice replies Ganja. Just don’t "do it" w/the lead player. It usually happens…trust me. Then someone gets jealous,etc.
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January 24, 2002 at 7:21 am #90039AnonymousGuest
Don’t you wish guys would quit thinking will there dick and just listen to you.
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February 28, 2001 at 11:11 pm #32150AnonymousGuest
i want some onfo of my ibanez rg100
is describe below "ibanez rg100"
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February 28, 2001 at 11:01 pm #32151AnonymousGuest
This popular thread has been given its own page : ibanez rg100
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February 28, 2001 at 8:08 pm #32148AnonymousGuest
If all else fails, you can shave down the frets themselves as a last resort. Better consult a professional guitar repair shop first. Don’t try to pull this off yourself! Once you go to far down there is no real turning back!
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February 28, 2001 at 7:15 pm #32149AnonymousGuest
I don’t think there’s a way of eliminating the hum of a older single-coils entirely, but…
You should try and glue tinfoil on the inside of your guitar and the backside of your pickguard. That should take some of the hum.
You could also chek the soldering of he earth cable on the backside of the bridge. The soldering shuld be shiny. If they’re not then replase them. -
February 28, 2001 at 2:47 pm #32147AnonymousGuest
ive got a reissue danelectro. and every time i lower the strings it gets real buzzy. the action is still fairly high. and the neck looks fairly straight. what should i do to get low action and no buzz?
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February 28, 2001 at 1:26 pm #32145AnonymousGuest
I was wondering if a standard guiatr may be tuned as a baritone? If so, what are the tunings of each chord? If anyone has knowledge to share, it will be appreciated. E-mail [email protected]
Thanks,
Sarge -
February 28, 2001 at 11:33 am #32146AnonymousGuest
HELLLLLLP!! I have a 1995 Gretsch Tennessee Rose (piece of Crap) The serial number reads "9512119-1219"
Now,,,am i mistaken ,,or shouldn’t that number read:
95 (year) 1 (january?) 6119 (model number) 1219,,(number made to that date) i think the number should read 9516119-1219,,what gives ?? is this a factory second ?? somebody PLEASE EMAIL ME if you have any info
[email protected] thanks !!-
September 6, 2001 at 7:17 pm #83565AnonymousGuest
i have a 76’or 78, grestch expander-b bass head and box, its 200 watts and my dad has owned since new and he used it twice a week in a pub band since buying it,and knowone seems to know anything about it.so if you could give me any info, on it that would be good. if you need the serial no. just tell me were to look. also if i can get parts for it,that would be great. andrew.
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February 28, 2001 at 7:58 am #32142AnonymousGuest
To Record Water for Only Ten Days
Chheck out the new solo release at house of blues:
http://www.hob.com/live/cdpreviews/010206johnfrusciante/
I think it’s the purest stuff out there now!!!!-
August 25, 2001 at 1:25 am #82653AnonymousGuest
JOHN IS THE BEST!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
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February 28, 2001 at 6:42 am #32135AnonymousGuest
: Hi from England. You must be really upset to have sold such a treasured guitar. It’s something I worry about my kids doing, having a Lowden and an old Dobro Squareneck but I’m sure you’ll find a quality Martin if you look around. If you want one that’s old you will be paying lots of 4164380$’s (or ££££’s over here) but I was really knocked out recently when I tried a Martin 000-15s Mahogany. I was at a trade show in England when a friend told me to try this little gem. When I saw it I said I don’t like Mahogany guitars but as soon as I played it I simply could not put it down. I bought the guitar after about an hour of strumming and plucking the little beauty and still can’t put it down 4 months later. If, as I imagine, your dad bought the guitar originally because it played and sounded so great, why don’t you simply do the same. You will never replace the same guitar so go for the reasons why it was bought in the first place, sound and quality. I payed £650.00 for it so I think it retails for around 000.00 in the US Regards, Dave
:
: : : Jaterz, thanks for the info. I will try that website. I know I won’t be able to replace, but hopefully I will come close. My pop is 83 now, and I didn’t realize the family value. Trust me, I am sick about the situation! I have several pix of the guitar and plan to take them to a local music shop for better ID. When you say BIG 4164380$, are we talking ,000 or so?????-
February 4, 2002 at 7:56 pm #90516AnonymousGuest
I FOUND A DOBRO THAT A GUY BOUGHT FROM MONTGOMERY WARD IN 1940 AND HE PLAYED IT FOR 61 YEARS ALL OVER THIS REGION IN A TWO PERSON BAND WITH HIS WIFE AS THE BACKUP ON AN ANCIENT ACORDION…BEAUTIFUL….SHE WON’T PART WITH IT, OF OCURSE, BUT I WOULD LIKE TO HAVE HER KNOW WHAT IT IS WORTH. DOES ANYONE KNOW? thanks
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February 28, 2001 at 6:39 am #32136AnonymousGuest
Hi from England. You must be really upset to have sold such a treasured guitar. It’s something I worry about my kids doing, having a Lowden and an old Dobro Squareneck but I’m sure you’ll find a quality Martin if you look around. If you want one that’s old you will be paying lots of 4164380$’s (or ££££’s over here) but I was really knocked out recently when I tried a Martin 000-15s Mahogany. I was at a trade show in England when a friend told me to try this little gem. When I saw it I said I don’t like Mahogany guitars but as soon as I played it I simply could not put it down. I bought the guitar after about an hour of strumming and plucking the little beauty and still can’t put it down 4 months later. If, as I imagine, your dad bought the guitar originally because it played and sounded so great, why don’t you simply do the same. You will never replace the same guitar so go for the reasons why it was bought in the first place, sound and quality. Regards, Dave
: : Jaterz, thanks for the info. I will try that website. I know I won’t be able to replace, but hopefully I will come close. My pop is 83 now, and I didn’t realize the family value. Trust me, I am sick about the situation! I have several pix of the guitar and plan to take them to a local music shop for better ID. When you say BIG 4164380$, are we talking ,000 or so?????
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February 28, 2001 at 6:22 am #32137AnonymousGuest
Has anyone out there successfuly fitted a Fishman Matrix acoustic pickup with perfect string balance/output on every string.
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November 12, 2001 at 6:20 pm #86196AnonymousGuest
I intend to build a preamplifier for my acoustic guitar by myself. If you Know about some schematic, please contact me.
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February 28, 2001 at 5:11 am #32133AnonymousGuest
The thing to do with a wah wah is to keep rocking it back and forth in time with the music, it’s more of a feel thing than anything else….listen to Voodoo Chile (Slight Return) by Hendrix, then listen to Stevie Ray Vaughan (live and studio versions), you’ll see they don’t play it the same way….a good rule of thumb is to be pushing it down at the toe on the beat, at the heel on the upbeat, of course rules are meant to be broken, so do whatever you want as you go.
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May 24, 2003 at 8:51 pm #108153AnonymousGuest
where can i find a good wah pedal in australia. im looking for the kirt hammet signature wah wah. hmm.. thankx
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February 28, 2001 at 5:06 am #32134AnonymousGuest
Floyd Rose’s are great, but they’re extraordinarily annoying to adjust. You have to remove the string to adjust the intonation (do this only one string at a time or you’ll really play hob putting it back together). With the string removed there should be either an allen screw in front of the saddle. You have to loosen it and move the saddle where you want it. If it won’t move far enough you have to remove the screw and put it in another screw slot, there are two or three in the bridge itself. What a pain in the neck it all is.
: I got myself an Ibanez RG270DX the other day and it’s got
: that (copy of) a Floyd Rose bridge. On my other guitar
: I can simply turn screws on the back of the bridge to move the
: blocks where the strings run over back and forth, but how do I do
: that with this kind of bridge? It seems turning the tubes holding the
: strings at the back of the bridge only moves the string w.r.t. the block
: and not the block itself…some advice would be welcome.-
August 1, 2003 at 8:03 pm #89341AnonymousGuest
Floyd Rose bridges are not that hard to adjust if you follow this procedure. Tune the guitar and balance the bridge so that it is level when tuned. This is done with the springs in the back. Check intonation. If a note is sharp, loosen that string quite a bit, then using a 2mm allen wrench and a flat blade screwdriver, loosen the screw holding down the saddle enough that you can push it back about 1/16" with the screwdriver, then retighten the saddle while holding it in position with the screwdriver. If you run out of range on a hold down screw, you will have to loosen the string to slack to move it back one position. PS this technique does require some coordination, if you don’t have good hand tool skills, it’s a good way to scratch your guitar, procede with caution, 😉
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February 28, 2001 at 4:59 am #32132AnonymousGuest
I looked it up on http://www.allmusic.com
Best I can tell is that it was written by Blackburn/Suessdorf, it doesn’t say who wrote which part, but it shows Johnny Smith as having recorded it.
I’m sure the sheet music is correct
: I have a very old copy (sheet)of this song and the copyright is dated 1944-1945.According to my sheet,the words were written by John Blackburn and the music written by Karl Suessdorf.Could someone please tell me which is correct.
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February 28, 2001 at 4:52 am #32131AnonymousGuest
Alright, this stupid program screwed up my circle…it won’t let me put in the spaces….I’ll use dots now.
………C
…….F….G
…..Bb/A#….D
…Eb/D#…….A
…..Ab/G#….E
……Db/C#..B
………Gb/F# -
February 28, 2001 at 4:46 am #32129AnonymousGuest
Have you ever seen the circle of 4ths (circle of 5ths if you go the other way around the circle).
C
F G
Bb/A# D
Eb/D# A
Ab/G# E
Db/C# B
Gb/F#If you go around clockwise it’s 5ths, counterclockwise is 4ths. The relative minor is 3 clockwise steps around the circle.
Furthermore, from a key signature/scale standpoint, as you go clockwise, you’re adding a sharp to the scale, as you go counterclockwise, you’re adding a flat to the scale…to wit: the key signature for C is blank…no sharps, no flats, G is one sharp, D is two sharps, etc. F is one flat, Bb is two flats etc. The sharps and flats meet at Gb/F# which is six flats or six sharps, either way you want to make your eyes burn (that also means that legally, you could use 7 flats to denote the key of B, but while legal, it’s probably immoral).
Now, what you’re talking about is another way of speaking of "Modes." I can’t tell you one mode from another, but I do know that in essence, a mode is a scale, for example C-D-E-F-G-A-B-C is C Major, also known as C Lydian (? I think that’s the right mode). There are other modes such as Mixolydian, Aeolian and a bunch of others. If you play C-D-E-F-G-A-Bb-C it makes it a C Mixolydian (? maybe), in actuality of course it’s either an F major that starts and stops on the 5th, or a D minor that starts and stops on the 7th, depending on what you want to call it.
They’re all just different ways of describing the scales. The Key signatures tell you what notes of the scale are flatted/sharped.
When I’m soloing I think very little about scales, and modes. I do try to remember what key we’re in and the chord that’s being played, but I don’t really specifically think about it, it’s more of a thing to keep in the back of your mind as you’re playing.
Theory should free up your playing, not clutter it with cumbersome rules….practice theory at home and play from the ears and the gut when you’re on a job.
I hope this gives you something to use.
: I would like to know if anyone has approached the guitar this way. I am self-taught so I don’t know ALL the lingo. Anyway I have a question on improvisational soloing. Say we are playing in A Major, I am playing in an AMaj Scale, then the song goes to a F#m (the vi chord in the key). The minor scale in F#m are the same notes as in AMaj. Now say that the chord changes to a DMaj (the IV chord) I notice that all the notes are the same except there is a flat 7. Also if the chord changed to a ii (Bm) the minor scale would be just the same as the A Major scale except for a flat 7. Then there is the iii and V chords (C#m and EMaj). The only difference in these scales are a sharp 4. (ie. E Major scale, C# Minor scale). Has anyone else noticed this (I’m sure it’s in a book somewhere on this planet). I am wondering if an experienced player out there uses this to their advantage (like when the "chord of the moment" changes to a V chord, you would move all of your 4’s sharp, then switch back to normal after you get back to the Root chord). I don’t know if any of this makes sense to anyone else but myself, but if it does, I would like to hear how others use this to play, or if I’m missing something. Thanks,
: -Ben
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February 28, 2001 at 4:41 am #32130AnonymousGuest
: I have a Boss GT-3 and that is not a problem since you can use the manual function which is controlled bu tre "control" pedal. This makes all the other pedals in the board control single effects while being in the same patch- so it would be just like using stomp boxes…. The GT-3 doesn’t have such a noticible delay between patches eather, and i know there is a way to make delay effect not cut when changing patches ( it says on the manual ) but i still haven’t had the time to figure it out.– I also use single pedals along with my multi-effects, it doesn’t change sound quality….the GT-3 also gives you the option of adding your own distortion pedal in the chain.
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February 28, 2001 at 4:24 am #32128AnonymousGuest
If you have access to a high speed internet connection try out GuitarMania at http://www.digevent.com
Marc Seal hosts this FREE weekly on-line interactive lesson on Fridays. Archives are also available but still require the ability to transmit streaming audio/video.
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February 28, 2001 at 4:23 am #32127AnonymousGuest
I just paid 15 bucks for it and I think the production was pretty horrible considering he has his own studio now and everything. I can understand his preference to
stay in the rhythm pickup mode but he probably forgot to turn up the treble on the final mix down. I fail to understand how such a huge influence on todays shredders chose not to be more innovative in recent productions. I’ve heard his reggae and blues improvisations live that were absolutely astonishing!
Good thing I also bought Dave Brubeck "Time Out", so I didn’t feel to jipped. -
February 28, 2001 at 4:18 am #32126AnonymousGuest
I started with an Epiphone 12-string acoustic from my local music shop.
You should get a model with a solid spruce top.
I now own two more Epiphones.
A 6-string cutaway acoustic-electric from http://www.musiciansfriend.com and an Archtop from http://www.bethesdamusic.com. -
February 28, 2001 at 4:09 am #32125AnonymousGuest
: Made by Ibanez in the mid-90’s Starfield tried to expand upon proven themes while making their guitars.
I’ve seen Tele-type guitars(hollow and solid) and a wierd squat shaped start copy. They came and went like many companies. -
February 28, 2001 at 4:08 am #32123AnonymousGuest
I would like to know if anyone has approached the guitar this way. I am self-taught so I don’t know ALL the lingo. Anyway I have a question on improvisational soloing. Say we are playing in A Major, I am playing in an AMaj Scale, then the song goes to a F#m (the vi chord in the key). The minor scale in F#m are the same notes as in AMaj. Now say that the chord changes to a DMaj (the IV chord) I notice that all the notes are the same except there is a flat 7. Also if the chord changed to a ii (Bm) the minor scale would be just the same as the A Major scale except for a flat 7. Then there is the iii and V chords (C#m and EMaj). The only difference in these scales are a sharp 4. (ie. E Major scale, C# Minor scale). Has anyone else noticed this (I’m sure it’s in a book somewhere on this planet). I am wondering if an experienced player out there uses this to their advantage (like when the "chord of the moment" changes to a V chord, you would move all of your 4’s sharp, then switch back to normal after you get back to the Root chord). I don’t know if any of this makes sense to anyone else but myself, but if it does, I would like to hear how others use this to play, or if I’m missing something. Thanks,
-Ben
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February 28, 2001 at 4:06 am #32121AnonymousGuest
: I forget what the exact name of this axe is, but sure enough Gibson made a thinline, hollowbody, double cut Les Paul in the 70’s(LP Signature?). It has a Les Paul Cutaway on the bottom and an Es cut on the top. I think they have somekind of special PU’s on them. They came in gold and tobacco sunburst(there could be more but I’ve seen these at shows). They weren’t real popular(everyone wanted Standards) and were discontiued inthe late 70’s. Michael Ward of the Wallflowers and School of Fish swears by them.
Epiphone reissued them in the late 90’s.
Probably a half decent guitar if the price is right. -
February 28, 2001 at 4:01 am #32120AnonymousGuest
1992 wine red les paul standard for sale,with case. good condition (few small scratches) £900 ono
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February 28, 2001 at 3:58 am #32122AnonymousGuest
anyone in the uk who will sell me one of these distortion pedals?
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February 28, 2001 at 3:24 am #32117AnonymousGuest
: :If its not moveable then your learning only open string scales. Buy a scale encyclopedia by a reputable
: arthur. I just purchased the Guitar Grimore Exercise book. It has every scale I ever heard in existance within about 200 pages. This guy has more than several publications on the market dealing with all methods of theory, including chords, voicings and arpeggios. Don Latarski also has some very usable and compressed versions not so bulky for convience. If you play the pattern you should be able to move it. Personally, I recommend learning the 8 Western Diatonic scales after you have mastered the pentatonic blues scale. This is the basis for all of our music that covers the 8 modes
: used by most accomplished guitar players and their constituents. It may seem a little challenging but once
: you’ve mastered this pattern all you will have to do is change the root notes to change scales!:Excuse me. I believe that was the 7 diatonic modes. 8 makes an octave! Email me for any questions. I’ll be glad to help.
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February 28, 2001 at 3:02 am #32119AnonymousGuest
I have seen a gold top 335 with the Les Paul logo on it. Who has some info on this guitar?
Joe
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February 28, 2001 at 2:25 am #32118AnonymousGuest
:If its not moveable then your learning only open string scales. Buy a scale encyclopedia by a reputable
arthur. I just purchased the Guitar Grimore Exercise book. It has every scale I ever heard in existance within about 200 pages. This guy has more than several publications on the market dealing with all methods of theory, including chords, voicings and arpeggios. Don Latarski also has some very usable and compressed versions not so bulky for convience. If you play the pattern you should be able to move it. Personally, I recommend learning the 8 Western Diatonic scales after you have mastered the pentatonic blues scale. This is the basis for all of our music that covers the 8 modes
used by most accomplished guitar players and their constituents. It may seem a little challenging but once
you’ve mastered this pattern all you will have to do is change the root notes to change scales!-
July 18, 2002 at 5:44 am #97488AnonymousGuest
I agree! this book will change everything about your playing and understanding of the guitar. go get it!
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February 28, 2001 at 2:08 am #32114AnonymousGuest
Sorry, I’m totally in the wrong place, but this is the first musician forum I’ve found that actually has posts…
I’m am looking for a forum for vocalists. I study pop style vocals and want to connect with other musicians on thet net. So far, no luck finding an active forum that isn’t for opera. If anyone knows of a decent forum could you reply here or at my email with a link?
Sorry to interrupt and thanks for the info…
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February 28, 2001 at 2:06 am #32116AnonymousGuest
: Jaterz, thanks for the info. I will try that website. I know I won’t be able to replace, but hopefully I will come close. My pop is 83 now, and I didn’t realize the family value. Trust me, I am sick about the situation! I have several pix of the guitar and plan to take them to a local music shop for better ID. When you say BIG 4164380$, are we talking ,000 or so?????
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February 28, 2001 at 1:37 am #32115AnonymousGuest
I’m glad that you took my post okay. I thought my post was harsh, but unfortunately, I have had that experience with co-ed situations. It’s just common fact, a good looking lady out front is going to get the attention. It’s hard to stick with the "all for one attitude" when everyone cares about one person(male or female, ask Bush). But anyway, good luck!
You seem really cool. Hope it works out! -
February 28, 2001 at 12:00 am #32113AnonymousGuest
peole use wah pedal (toe…heel) by simply step it up and down, or they really concentrate on the exact way they want the wah sounds like?
for example- enter sandman, it’s hard to get 100% wah with the solo. neither do kirt hammet play 100% in the live ( i mean the wah…) -
February 27, 2001 at 11:06 pm #32112AnonymousGuest
The noise you are experiencing is a common side effect of single coil pickups. Also called 60
cycle hum. Sometimes you can eliminate the noise with a noise gate, changing cables, or
moving aroung the room till you find a spot that’s quieter. You can also replace the pickups
with hum-eliminating single coils. -
February 27, 2001 at 10:40 pm #32110AnonymousGuest
I have not played a Tak, but I have played the big baby. I was impressed with the sound for the $. It sounds good but not as full as a full size acoustic would. The neck is bolt on and would easily allow for a change if need be. Taylors in my experience tend to have skinnk necks. What you should do is decide which one you feel more comfortable with. Have someone else play them for you so you can hear how the guitar sounds to others as they would be listening to you play. Don’t buy on others recommendations because only you knows what works for you. You are the one who will be miserable if you get something you really don’t wind up liking.
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February 27, 2001 at 10:14 pm #32108AnonymousGuest
I need pop arrangement scores for my collection.
If you have it, please give me information.
And I have some song, I arranged myself. If you interest for my arrangement please e-mail me.
Thank’s. -
February 27, 2001 at 8:10 pm #32105AnonymousGuest
technical differences between boss gt-3 and boss gt-5
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November 18, 2001 at 7:50 pm #86395AnonymousGuest
how to setting BOSS metal zone n distortion for best sound quality.also how to set on amp(ashton) and the arrangement of the instruments in jamming room.
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February 27, 2001 at 8:00 pm #32106AnonymousGuest
i use a stock 1976 Strat along with a Marshall JCM-800 Combo. I have always experienced excessive "hum" and various types of "noise". do you have any suggestions i can try to reduce this occurance>
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February 27, 2001 at 7:12 pm #32107AnonymousGuest
I have a very old copy (sheet)of this song and the copyright is dated 1944-1945.According to my sheet,the words were written by John Blackburn and the music written by Karl Suessdorf.Could someone please tell me which is correct.
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March 1, 2002 at 2:07 am #110078AnonymousGuest
John Blackburn is my grandfather and as was usual in those days, many pieces were collaborations. The sheet music is correct. interestingly, "Moonlight in Vermont" is also called "the blue Haiku" because of the lyric structure.
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February 27, 2001 at 3:07 pm #32103AnonymousGuest
How to play solo like Slash? So quick, fast and
with emocions? -
February 27, 2001 at 9:57 am #32104AnonymousGuest
No, they are not hard to use at all. You just have to get used to them. Yes, you must use the pedal to get the wah effect. By rocking the pedal you get the wah-wah sound. With your heel down the guitars low frequencies are emphasized, with your toe down the high frequencies are emphasized. Also, if you want to obtain a constant wah tone you can activate the pedal and leave it in any position and that tone will remain constant. That is very useful for getting a cool mid-rangy nasal tone to give some character to your solo’s. As a side note, MXR (I believe it’s MXR), makes an effect pedal that does that very thing. Instead of a wah pedal, it is a stompbox that has a couple of tone knobs that you set to emphasize a certain frequency, very cool. Anyway, I hope this helps. If you have any more questions, please post them.
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February 27, 2001 at 9:57 am #32099AnonymousGuest
Bummer. It will be VERY difficult to replace, especially since you don’t know what model. a 30’s or 40’s vintage Martin will cost BIG 4164380$ in decent shape, IF you can find one. I live in the Minneapolis area, you might try http://www.williesguitars.com They specialize in vintage american guitars in my area. They may know some other possibilities if they can’t help. By the way, I own a 1950 Martin 0-15. Like most vintage Martin owners, I would never sell it. Thats going to be the hard part. Sorry.
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February 27, 2001 at 9:40 am #32101AnonymousGuest
Everyone is looking for a certain sound. A lot of amps either tube or solid state may not give you the distortion sound you’re looking for. My Fender Princeton has a great clean sound, but I use a multi effects pedal for distortions, delay, chorus etc… to get the exact sound I want.
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February 27, 2001 at 9:14 am #32100AnonymousGuest
I am very entry level and am looking for my first guitar…I don’t want to go too much above 00, and would like folks’ advice on acoustics in that range. One place was pushing the Takamine GS 330 S real hard, and I’ve seen very good reviews on them on the Web.
Another place downplayed the Taks and said the Taylor Big Baby was the best in that price range. I took a look at the Big Babys, and my first impression was that they seemed light (too light?), the neck seemed a bit narrow (high and low E strings seemed to want to fall off the neck), and it seemed a bit quieter than others I strummed. Also wasn’t too pleased with the exposed bolts in the fretboard used to bolt the neck to the body.
BUT, what do I know? Maybe I don’t know how to evaluate a guitar properly. I mean, it is a Taylor. Several places said it was hands down the best guitar for the money. What do you think?
Any comments on the Tak, Big Baby, and others in the 00 price range would be appreciated.
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February 27, 2001 at 8:48 am #65216AnonymousGuest
?
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February 27, 2001 at 8:49 am #80287AnonymousGuest
: ?
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February 27, 2001 at 8:35 am #32094AnonymousGuest
The sixth track to be "Weekly Improv" is up now at my
mp3 page mp3.com/jimgraham . Every week the track at that title gets replaced
with a new fingerstyle improvisation. Feedback is welcome.Jim in Canada
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February 27, 2001 at 8:02 am #32093AnonymousGuest
We are a Singer, Drummer, and Guitarist looking for a bassist. We need a dependable, responsible person with own ride. We are based in Burlington County, NJ. Our sound is Creed meets Tool, with korn, Godsmack, and Stabbing Westward.
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February 27, 2001 at 7:44 am #32090AnonymousGuest
HELP!!! I did a dumb thing and sold my father’s guitar Martin. I am not sure of the exact year, however, he did take with him when he served in WWII (1940’s). I have extreme guilt over this, and need to replace it as best as I can. Any suggestions?? I live in Sacramento, CA
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February 27, 2001 at 7:29 am #32091AnonymousGuest
check out Doyle Bramball II, an amazing guitarist on tour with Eric Clapton. You can download his latest single "Green Light Girl" at http://www.dbramhall.com. peace!
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February 27, 2001 at 6:49 am #32089AnonymousGuest
Do you have to press down on the pedal as your playing to get the wa wa sound out?
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February 27, 2001 at 6:35 am #32088AnonymousGuest
A POD an amp modeling system, I’m sure you’ve heard of those, they are the "newest thing". The POD’s, however, are not part of a amplifier, they are seperate. They look kind of like a small effects processor. A speaker "cab" is simply a speaker cabinet. You know, the big box that your speaker is in. That’s it!
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February 27, 2001 at 6:23 am #32087AnonymousGuest
I got myself an Ibanez RG270DX the other day and it’s got
that (copy of) a Floyd Rose bridge. On my other guitar
I can simply turn screws on the back of the bridge to move the
blocks where the strings run over back and forth, but how do I do
that with this kind of bridge? It seems turning the tubes holding the
strings at the back of the bridge only moves the string w.r.t. the block
and not the block itself…some advice would be welcome. -
February 27, 2001 at 6:17 am #32084AnonymousGuest
What are the advantages and disadvantages of the floyd rose locking bridge mounts in comparison to a normal bridge without? please mail me at [email protected]
cause I can’t check the archive thanks -
February 27, 2001 at 6:13 am #32085AnonymousGuest
I would recommend a Boss Blues Driver for the warm, overdriven stuff and an Electro-Harmonix Big Muff or the ProCo Rat for the big distortion effects. Also, for the Nirvana style, a good Chorus pedal. The Boss Chorus Ensemble is very cool. And for the RATM stuff, the Digitech Whammy pedal IS A MUST!!!. I hope this helps.
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February 27, 2001 at 5:53 am #32083AnonymousGuest
Please help.
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February 27, 2001 at 5:50 am #32082AnonymousGuest
: I AM INTERESTED IN BUYING A TASCAM 424MKIII RECORDER
: BUT I’VE SEEN SOME POST THAT PEOPLE HAVE TROUBLE GETTING
: A GOOD TAPE PLAYBACK. SOMETHING TO DO WITH YOU CANT TAKE THE TAPE FROM THE
: 424 AND PLAY IT BACK ON A NORMAL CASSETTE DECK.
: DO YOU HAVE TO DO MIXING DONE BEFORE YOU CAN LISTEN TO
: IT ON A NORMAL RECORDER ? WHATS UP WITH THAT ??that goes for any multi track recorder……if your using allfour tracks then only two will play……because the other two are on the flip side of the tape…….and if you flip it youll hear those two in reverse…….if you only use two tracks then youll hear it all…….now to the speed thing ……multitrackers record at twice the speed….for better fidelity….. so it plays back at half the speed if on a normal cassette deck……but there is a way……because even my lowly 424mkII has a switch that allows you to record at high or low speed and the low one is normal cassette speed…..Im sure that the newer model allows the same thing
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February 27, 2001 at 5:49 am #32081AnonymousGuest
I’m interested in some pickups mentioned to me by a colleague. Some of the brands I’m looking at are the "Dimazzio blue velvets", "Rio Grande", "Halfbreeds" "Tallboys" pickups…any comments on these pickups in terms of sound flexibility,good combinatios of one or two of these together, testimonials. The objective is to maintain flexibility across most of the music genre, with a need to ensure that tone and separations is maximised especially in a variety of venues eg. outdoor, indoor, dull, bright.
Current set up – Fender Strat lace sensors (gold neck silver mid and bridge) Twin ’72-ish, Boss ME10 FX unit
Style: live clubs funk, blues, 80’s PopThanks look forward to some of your thoughts
Ashton
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February 27, 2001 at 5:05 am #32078AnonymousGuest
just put all your effort and time into learnign the major scale!!! because every other scale is based off of that one, i.e.: pentatonics, all your minors, and all of your modes(mixolydian, phrygian, and so on). so really if you ask me, learn your major scale, its the basis for everything else.good luck,
mario: i’ve recently started learning scales and have noticed an improvement. but i know absolutely nothing about them. i learned the E Minor Blues scale and a E Minor pentatonic. but i want to learn more and found a lot of scales in books and on the net that aren’t moveable and just don’t sound any good. any suggestions on what scales are good?
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February 27, 2001 at 4:44 am #32079AnonymousGuest
Is it posibble to change a right handed Epiphone Gibson model nr.AJ15VSB over to be use for a lefty ? And if so is changing the sattle and nut around enough ?
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February 27, 2001 at 4:11 am #32080AnonymousGuest
Does anyone have any information on the Starfield Guitars ???
Thanks !!!
Michael-
February 2, 2002 at 5:21 pm #90510AnonymousGuest
: Does anyone have any information on the Starfield Guitars ??? : Thanks !!! : Michael I’m looking for information on Starfield guitars also,everything I’ve found so far refers to electrics.I have a 22 yr old acoustic.I’ve been told its Gibson copy,jumbo-J body- any body know about the history of the old acoustics,who the hell made these ??
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July 5, 2001 at 9:33 pm #80538AnonymousGuest
Hi Mike, I am not sure. I am also interested in this topic, I own a Starfield Teak Custom built in the beginning of the 90’s (made in Japan). It has a well crafted two piece teak wood body. The finish is natural and waxed. This guitar is absolutely great. The only thing I modified were the pickups. Originally it was equipped with two lipsticks but I made a new pickguard and put a Fender Gold Lace Sensor and a DiMarzio Fast Track in. It sounds dry and crystal clear. A little bit like a Tele. Good for blues and funk. This guitar is a killer. Now, to you question: Starfield Guitars were a subsidiary (daughter company) of Ibanez. I heard it was founded because Ibanez had too much employees and few work at this time. So the instruments were built by the Ibanez Custom Shop (I am not really sure about this) for a cheaper price. Two Series: The more expensive American Series (made in USA) and the Japan Series (made in Japan). But the models where not the same. My Teak Starfield was only available in the Japan Series. The quality was very good. Good value for money. I cannot compain about my guitar (it is not my main axe, I prefer my extremely customized Fender Strat Plus) and I will probably never sell it. I play in an ELvis Cover Band and it perfeclty suits the 70’s where James Burton played. I play it over a Peavey 5150 and a Custom Hiwatt 100. More, I don’t know at the moment. Cheers, Dominic
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February 27, 2001 at 4:05 am #32077AnonymousGuest
: Personally, the Big Muff is the best pedal distortion available. Because it is simple, it allows the guitar and amp to come through or it can be a tone generator giving you gobs of gain/distortion.
Just remember that for best results, your guitar should be in tune(I find that even the slightest tuning problem can make evil overtones with the muff) and don’t turn it all the way up. I could never get a decent sound with it dimed. Try putting the volume half way up and the sustain(distortion) half way, then play with the tone knob to add treble. I recommend a tube amp with it since a tube amp usually reacts musically to input gain(ie a pedal)rather than a solid state amp. I’ve played and owned most of the classic pedals and the Big Muff is my favorite. -
February 27, 2001 at 3:54 am #32075AnonymousGuest
: I bought a Copicat in 1995 because I just had to have a tape echo. With the tape and heads etc. it was a pain to keep running. I had always heard the Space Echo was great, so I bought one. I think it has many more features as well as a clearer sound and is much more reliable. I don’t have the Copicat to A/B, but given the choice, I’d take the Roland. If you are a hardcore tape head, it may leave a bit to be desired.But I bet it’ll work a lot more.
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February 27, 2001 at 3:11 am #32076AnonymousGuest
is this a good pedal? i want a creamy sustain for pink floydish solos and some smoother distortion.
thanx for any input
shawn -
February 27, 2001 at 2:52 am #32074AnonymousGuest
Dude the pedal rocks! I use it for my overdrive. I can’t afford a big tube amp yet cuz i’m in college. But it has got so major balls, great for fast alternate picking and ect. Only disatvantage, its a pain to get a good lead setting! Also buy a Boss & band EQ for it. It will really help dail in the tone, i never shut off my eq ever! Good settings are:
LEVEL 70% Treble 50%, BASS 60% Mid 60%, MID Freq 40% I believe… or i might have to to mids switched.. sorry. Also get a Ibenaz tube screamer, that pedal will really add to your rythem and lead tone. Give you that warm tone. Its a great pedal, but i’d trade it for a tube amp with a kilker OD any day, i think everyone would. Get it!
nick
http://www.geocities.com/shreddzone-
May 10, 2003 at 9:04 am #85865AnonymousGuest
What is a good setting for pantera to a chimaira or a good full not muddy tone tone? O rjust a good loud heavy setting. And don’t refer me to other equipment thank you
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February 27, 2001 at 2:52 am #32072AnonymousGuest
Dude the pedal rocks! I use it for my overdrive. I can’t afford a big tube amp yet cuz i’m in college. But it has got so major balls, great for fast alternate picking and ect. Only disatvantage, its a pain to get a good lead setting! Also buy a Boss & band EQ for it. It will really help dail in the tone, i never shut off my eq ever! Good settings are:
LEVEL 70% Treble 50%, BASS 60% Mid 60%, MID Freq 40% I believe… or i might have to to mids switched.. sorry. Also get a Ibenaz tube screamer, that pedal will really add to your rythem and lead tone. Give you that warm tone. Its a great pedal, but i’d trade it for a tube amp with a kilker OD any day, i think everyone would. Get it!
: Brandon -
February 27, 2001 at 2:47 am #32073AnonymousGuest
This popular thread has been given its own page : setting up a midi controller with a rack processor???
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February 27, 2001 at 1:35 am #32071AnonymousGuest
Well, have you seen it?
First off, is it all original? If not start shaving money off. If it doesn’t have the original PU’s take even more off. Does it have a lot of flame in the finish? The more flame, the more $ it’s worth.
Your friend’s guitar is worth anywhere from 0K to 5 k depending on condition and originality. If it’s mint maybe more….Take it to a music store and watch them either: A) shit twice and die or
B) try to shaft you out of it -
February 27, 2001 at 12:55 am #32066AnonymousGuest
Listen & Compare 17 classics in your own home with this unique tone reference audio cd,genuine rare vox,
marshall,selmer and watkins amps superbly recorded to give the listener the clearest sound picture you will
find of true classic amps vox ac10,ac15,ac15twin,ac30,ac30st,ac3topboost,ac100,
supreme,1063 metal logo marshall,jtm45,bluesbreaker combo,plexi 50,plexi pa 50 and more:email for more info
or to order-
December 16, 2001 at 12:45 pm #87808AnonymousGuest
Salude you Marshall maniacs worldwide, I’m looking for somebody who can tell me more about the serialnumbers used by Marshall in the seventies and specialy the JMP Mk. II series … Thank already, Harmen Jan Nuesink Netherlands
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February 27, 2001 at 12:48 am #32065AnonymousGuest
: I think that you and I both know, that if you are even remotely attractive, it will be your band in every one of your fans’ minds. See No Doubt.
That’s coming from someone who has played in many co-ed situations. -
February 27, 2001 at 12:18 am #32063AnonymousGuest
This popular thread has been given its own page : Korg A5 Effects Pedal
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February 27, 2001 at 12:17 am #32064AnonymousGuest
I picked up a used Korg A5 effects Pedal that did not come with instructions. Can anyone help me out with basic instructions via email?
Kirk Creswell
http://www.mp3.com/resair-
November 13, 2002 at 9:16 pm #102667AnonymousGuest
I no longer have the KORG A5 or the instructions. The response to this posting was great. I suggest anyone looking for KORG A5 instructions post a similar message on this page. Kirk http://www.mp3.com/resair : Kirk Creswell : http://www.mp3.com/resair
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April 15, 2003 at 10:58 pm #107184AnonymousGuest
I purchased a used A5 and find I don’t have the patience to figure it out by "fiddling" with it. It’s frustrating the fire out of me. I’d LOVE to have the manual; pdf, word doc, xerox, ANYTHING.
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January 15, 2003 at 5:45 pm #104641AnonymousGuest
I could use some instructions if anyone has any thanks Rob
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November 26, 2001 at 10:20 am #86764AnonymousGuest
: I picked up a used Korg A5 effects Pedal that did not come with instructions. Can anyone help me out with basic instructions i have to korg a5 bass effects Pedal and i like to know if it work no guitar and how to work it thank you : Kirk Creswell : http://www.mp3.com/resair
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November 6, 2001 at 3:03 am #85902AnonymousGuest
: I picked up a used Korg A5 effects Pedal that did not come with instructions. Can anyone help me out with basic instructions via email? Brandon Shilts
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October 13, 2001 at 8:36 pm #84874AnonymousGuest
: I picked up a used Korg A5 effects Pedal that did not come with instructions. Can anyone help me out with basic instructions via email? Andrej
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February 27, 2001 at 12:12 am #32062AnonymousGuest
HELP! I HAVE AN ASSIGNMENT TO DO FOR COLLEGE AND NEED SOME HELP WITH THIS SUBJECT. COULD ANYONE POINT ME IN THE RIGHT DIRECTION I.E WEBSITES, BOOKS ETC. MANY THANKS!
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February 26, 2001 at 11:55 pm #32061AnonymousGuest
I’d learn the extended minor pentatonic, the major scale, the blues scale should be moveable to any position, I ‘d also learn the modes. That should cover most stuff.
-Rick -
February 26, 2001 at 11:08 pm #32060AnonymousGuest
If you live in the Virginia/Tennessee area, this is for you! Think of a cross between Kittie, Scratching Post, Sheryl Crow, Alanis Morrisett, Slipknot, KoRn, Static-X, and whatever else you feel like adding into the mosh pit! ‘Cause anything goes, that’s what makes it so original!! How is that original?? ‘Cause no matter who you are, or where you go, you will always have someone to look up to, or give credit for their help in your inspiration! The band name I’ve got in mind is only a suggestion, and this will not be MY band, it will be OUR band!
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February 26, 2001 at 10:04 pm #32059AnonymousGuest
The pickups are microphonic. You have 2 options: Replace them or have them wax potted. Wax potting is cheaper, especially if you are happy with the sound. Find a repair shop that will do this for you.
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February 26, 2001 at 9:23 pm #32058AnonymousGuest
you’re right, I think that those may be wrong. I’ll try to tab it out and send it to you.
-Rick -
February 26, 2001 at 9:16 pm #32054AnonymousGuest
Can you play barre/power chords yet?
You can find diagrams at lots of websites, and powerchords are pretty do-able for beginners if you practice them. Once you know powerchords, almost all punk songs will be within your grasp. Send me an e-mail if you’d like and I can either send you some tabs or direct you to a place with some.
-Rick -
February 26, 2001 at 9:11 pm #32056AnonymousGuest
Is it a bolt-on neck? You’re probably going to have to get someone who can look at it to help you. I’d check the manufacturer, too.
-Rick -
February 26, 2001 at 9:00 pm #32055AnonymousGuest
I am considering buying either a boss ad-5 or the less expensive ad-3 for use with my Taylor 414. Is anyone familier with these units? Why would I want the more expensive one vs. the ad-3? Also, would this unit work for well for my fiddle as well?
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February 26, 2001 at 8:48 pm #32051AnonymousGuest
Hi Folks; If anyone has a wireing diagram or can help me please let me know something.Fax 757 824 2411 or email at [email protected]
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February 26, 2001 at 8:28 pm #32052AnonymousGuest
I have a Les Paul style guitar with a broken neck. Where would I go to find a replacement?
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February 26, 2001 at 6:36 pm #65175AnonymousGuest
How do you get off this crappy mailing list? It stinks.
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February 26, 2001 at 2:53 pm #32049AnonymousGuest
This popular thread has been given its own page : Sigma DR-28 or Martin D-15
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February 26, 2001 at 12:32 pm #32048AnonymousGuest
: I’m searching for Schematic wiring for a Lespaul recording, could you help me
: Thank you very very muchI may have a schematic at home, send me an email and I’ll check on it….
Doug
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February 26, 2001 at 11:08 am #32045AnonymousGuest
Yeah,
Jake E Lee uses Charvels, Deep Purple and David Gilmore are about as heavy as Bon Jovi(another strat user), Yngwie and Maiden are far from being grindcore/death metal. NO death metal guitarist uses single coil pickups. They are not hot enough. -
February 26, 2001 at 10:57 am #32047AnonymousGuest
there’s delay when swtiching from clean to dist or ryth dist to solo dist. is this happend to all multi-effect? how to overcome it? i used to use pedals and have no such problems.
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February 26, 2001 at 10:53 am #32046AnonymousGuest
i understand, when i was 14 there’s noone outthere giving me advise on how to play a guitar.
1.how long it would take? one of my friend made it in 2 weeks to master all the basic rythm, and some of them never make it.
2.metalica use ESP guitars. however,gibson is more all rounded. at least u can play matal and hard rock.gibson epiphone sounds pretty ok now (relatively cheap)i will recommend u to go for mutli-effect(rp-100,zoom505II….cheaper one), pedals is kinda expensive for a beginner, and u dont have enought experience to adjust the tone.
or just use the dist channer on the amp. it sounds pretty good also.
anyway, it’s just my own opinion for a beginner…good luck.
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February 26, 2001 at 10:33 am #32044AnonymousGuest
This popular thread has been given its own page : Ovation replacement parts?
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February 26, 2001 at 10:29 am #32043AnonymousGuest
http://www.hamptonplace.com/tonedepot/bossmt2.htm
hope this help -
February 26, 2001 at 9:14 am #32042AnonymousGuest
10 bucks
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February 26, 2001 at 8:05 am #32041AnonymousGuest
I am going to learn to play the guitar. I found a Kay guitar in the attic. It has metal strings. I don’t know if it is a good guitar or what. Would it be a good guitar to learn on?
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February 28, 2001 at 6:48 am #80267AnonymousGuest
Kay guitars USA were very nice and would be great to learn on but the Japanese Kay were not so good. Keep your hands on it if it is a USA Kay cos its worth some mnoney. Cheers Dave from England
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February 26, 2001 at 8:02 am #32040AnonymousGuest
In case anyone is interested, I have a 1978 Left-Handed Strat for sale on ebay (Item #1411460429). The auction ends 3/1/01. The reserve is 00. Thanks.
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February 26, 2001 at 7:58 am #32039AnonymousGuest
someone please respond explaining about Korean vs US ovations. Less quality? Bad reputation? Please respond. Is it worth buying a Korean Ovation Celebrity Deluxe.
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August 25, 2001 at 9:55 pm #105765AnonymousGuest
please, need more details about my OVATION acoustic limited edition 1986. Thank you.
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February 26, 2001 at 7:35 am #32036AnonymousGuest
This popular thread has been given its own page : Mesa/Boogie Studio .22 Pricing
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February 26, 2001 at 7:20 am #32038AnonymousGuest
the thing is metallica dont use MT-2.
Mt-2 will sound like shit without a good amp -
February 26, 2001 at 6:47 am #32037AnonymousGuest
I puschased this model for 00.00 Aussie dollars and considering the playability and tone its a good buy. Can anybody tell me some details of this model (woods,year,type of transducer)as I can find Jack on the net,not even a Suzuki site, unless I want to ride the thing !!! Any info will be helpfull, thanks.
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February 26, 2001 at 6:02 am #32033AnonymousGuest
: Ok, I am like, the ultimate metallica/jimi hendrix fan, now ive been playing ugitar for about 2 years and i am now serious about guitar being my like, now, i can get by around 400 to spend on a guitar, i want a guitar that could make the metallica sound, but have jimi hendrix blues to it as well, plz help me about, name the brand and name
well if youve been playing for 2 years you should know the difference between a great feeling guitar and a mediocre one……now go try every brand out there in your price range and you can narrow down to what FEELS the best……my choice just happeneed to be a Les Paul…..which also holds its value…..but it is also heavy as hell……..with the technology today youll be able to get any sound you want with the flip of a switch on a nice processor….or by changing the pickups
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February 26, 2001 at 5:38 am #32035AnonymousGuest
What are your thought’s on it if you own the pedal? I most likely will be getting this pedal. Also if you own this pedal i want to get a Metallica sound out of it if you have some cool settings for this sound please post them thanks
Brandon-
January 25, 2002 at 11:11 pm #90037AnonymousGuest
The MT-2 is quickly becoming my favorite distortion pedal… I preferred the blues driver because I have a Marshall amp that has a great distortion tone but the MT-2 is the most versatile distortion I have found. It can give tones from a warm distortion to a nasty grundge distortion… anything you want i run the level a little high to overdrive my pre amp but the pedal itself has a great tone if you have a good amp try these settings: level 12 o’clock bass: almost all the way up high: 2 o’clock mids level:2 o’clock and pan the mids freq for tone to the far left is a heavy tone and to the far right is a bright distortion…. the pedal is great my only complaint is that it is a littlr heavy if you ever want a clean lead… i switch to my blues driver to play lead and still match the level of my MT-2 Have fun with it, Ben
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February 26, 2001 at 5:19 am #32031AnonymousGuest
Hi,
I am just learning how to play the guitar, and I would like to learn some songs, playing scales and chords by themselves is getting boring. Any suggestions for easy songs to learn? I especially like punk but will learn anything…
Thanks-
September 20, 2003 at 5:28 am #93141AnonymousGuest
: Hi my name is jess and, : I am just learning how to play the guitar, and I would like to learn some songs, playing scales and chords by themselves is getting boring. Any suggestions for easy songs to learn? I especially like pop but will learn anything… : Thanks
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November 26, 2002 at 4:49 am #103177AnonymousGuest
: Hi, : I am just learning how to play the guitar, and I would like to learn some songs, playing scales and chords by themselves is getting boring. Any suggestions for easy songs to learn? I especially like grunge (nirvana, creed, pearl jam etc) but will learn anything… : Thanks Leroy Wilson
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February 26, 2001 at 3:51 am #32030AnonymousGuest
Could anyone give me any info on the Roland Space Echo? and its different models (201 etc) also I already own two watkins copicats 1 ’65ish and 1 ’76ish, is it worth upgrading to the space echo(the 65 Copicat is for sale or trade for other vintage units if anyone is interested!)
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November 30, 2001 at 5:23 pm #87063AnonymousGuest
please help, I have the above unit and trying to sell it. Any advise on how much should I go for?
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October 11, 2001 at 7:44 pm #84780AnonymousGuest
: Could anyone give me any info on the Roland Space Echo? and its different models (201 etc) also I already own two watkins copicats 1 ’65ish and 1 ’76ish, is it worth upgrading to the space echo(the 65 Copicat is for sale or trade for other vintage units if anyone is interested!) Just look at URL, you are going to find all the information for a Roland Re 201 http://www.btinternet.com/~waveviolator/re201.html
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February 26, 2001 at 3:08 am #32029AnonymousGuest
i’ve recently started learning scales and have noticed an improvement. but i know absolutely nothing about them. i learned the E Minor Blues scale and a E Minor pentatonic. but i want to learn more and found a lot of scales in books and on the net that aren’t moveable and just don’t sound any good. any suggestions on what scales are good?
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February 25, 2001 at 10:12 pm #32024AnonymousGuest
I’m looking to buy an amp any suggestions???
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February 25, 2001 at 8:57 pm #32026AnonymousGuest
: : is teh fender hot rod deville a good amp? which is better: the 212 or 410 speaker configuration??
: : alex: It’s a great amp. I say that with 30 years experience. I bought a used 410 model. It sounded fair. I put in new Svetlana 6L6GC power tubes and Sovtek 12AXLPS preamp tubes and it became a great amp with big fat rich TONE!
: rl
Got one ,(HOT ROD 60w deville 212) and it sounds awsome with GROOVE TUBES , and celestions -
February 25, 2001 at 6:31 pm #32023AnonymousGuest
I have to decide between a new Taylor 514 CE and used Lowden O32C made in Northern Ireland, which are all great. I play fingerstyle. If anyone get use to these 2 guitars, please tell me.
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October 6, 2001 at 5:10 am #84431AnonymousGuest
: I have to decide between a new Taylor 514 CE and used Lowden O32C made in Northern Ireland, which are all great. I play fingerstyle. If anyone get use to these 2 guitars, please tell me. I would like to but the Lowden how much are you thinking
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February 25, 2001 at 10:23 am #32019AnonymousGuest
i forgot my email here it is [email protected]
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February 25, 2001 at 10:17 am #32018AnonymousGuest
uh…it looks like this board stopped in december…maybe not
Anyway, ok i wanna learn how to play electric guitar (metal & hard rock stuff) and i basically know nothing. and i was just wondering how long it would take to be able to play (the tabs & stuff that are on bands websites) and i also need advice on buying first guitar. i sound like an idiot cuz most of you seen to know what youre talking about, but help me please! -
February 25, 2001 at 9:27 am #32020AnonymousGuest
i’ve been looking for an easy tab to purple haze by jimi hendrix. the one on olga doesnt sound right. if anybody has a tab send it to [email protected] or point me in the right direction
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February 25, 2001 at 9:10 am #32015AnonymousGuest
i’ve been looking for an easy tab to purple haze by jimi hendrix. the one on olga doesnt sound right. if anybody has a tab send it to [email protected] or point me in the right direction
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February 25, 2001 at 8:56 am #32017AnonymousGuest
with a double locking tremlo how would you change the strings
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February 25, 2001 at 7:28 am #32012AnonymousGuest
I need help setting up the effects to
sound like my favorite band. If you own
one of these Korgs please email back>THANX-
July 17, 2001 at 11:47 pm #81289AnonymousGuest
: I need price and photo of ax 1000 : sound like my favorite band. If you own : one of these Korgs please email back>THANX
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February 25, 2001 at 6:23 am #32013AnonymousGuest
Hi,
I have an EMG in the neck and a passive DiMarzio X2N humbucker in the bridge. This works fine but you are unable to ground your passive pickups when installed. This causes a hum when using the pickup. It isn’t bad with a humbucker but when using a passive single coil, it gets noisy. If you want to have two independent volumes than you can ground the pickup. You are unable to use the pickups at the same time though.Jj
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February 25, 2001 at 6:12 am #32014AnonymousGuest
Hi,
sus stands for suspended. A suspended chord replaces the third with a fourth, a sixth or a ninth(which is a 2nd an octave up.) They sound as if they are neither major nor minor. Like they are suspended. If you are familiar with Queensryche they use suspended chords quite a bit.
Tabs for some common sus chords(starting from low e):Asus2: x 0 2 2 0 0
Dsus2: x x 0 2 3 0
Dsus4: x x 0 2 3 3Hope this helps!
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February 25, 2001 at 5:47 am #75656AnonymousGuest
Hi, I have a soundcity tour head and am looking to purchase a footpedal for it. Thanks alot. Anyone know how many whats this thing is? Any Questions please email. THANKS
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February 25, 2001 at 4:53 am #65204AnonymousGuest
ive been lookin at tabs and there are certain chords with sus behind them. i have a chord chart and it doesnt say anything about sus. What is it?? sean
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February 25, 2001 at 2:07 am #32008AnonymousGuest
After the burial of my father I discovered a semi-hollow electric guitar in his closet. Sunburst in color and in decent condition the products name was removed from the headstock. No other dentifying labels other than the serial number bolted on a plate on the back of the neck.
# 2119123
How do I getinformation on this guitar?-
February 28, 2001 at 6:50 am #80294AnonymousGuest
Very difficult if not impossible from your description. Send me a photograph and I’ll see what I can come up with. No promises here. Regards. Dave from England
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February 25, 2001 at 1:32 am #32003AnonymousGuest
I have perchased a FENDER HOTROD DEVILLE AMP, and i have a WASHBURN MG-42 , NUNO BETTENCOURT signature axe,it’s white with EXTREM insignia on it , but the pick-ups are Wasburn factory , now my Q is when i crank my fender amp, it begins to feedback and tweek like crazy, as if i derect my mic into monitors , it does the unwanted feedback sound , even when i am far away and face back from my amp?????now my belief is that my pick -ups are to cheap , or too loud for size of room 20×20 ft.???? can anybody fill me in here with a suggestion or remedy please.
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March 15, 2004 at 11:48 pm #91901AnonymousGuest
yea man u need new pick ups
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February 25, 2001 at 1:24 am #32004AnonymousGuest
Anyone has one and want to sell? please contact me.
Thanks -
February 25, 2001 at 1:09 am #32005AnonymousGuest
It’d be usefull for people to know where you are geographically, otherwise they won’t know if they can jam with you or not. I’m guessing that the TX in your ID thing means you’re in Texas, in which case I can’t.
-Rick -
February 24, 2001 at 10:56 pm #32002AnonymousGuest
There is a used fender twin reverb at a local music store where i live. It seems in OK condition. There is some rust on the top, and it just looks old (obviously). I havnt played it. I wanted to know if it is worth buying this amp (only clean channels) for 99.99??
thanks
matt-
October 31, 2001 at 3:56 pm #85713AnonymousGuest
Help I’m looking for a manual of thefender amplifier "The Twin" USA with tubes (no red color)
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February 25, 2001 at 1:04 am #80275AnonymousGuest
Definatly check the amp out first.When you turn it on the tubes should glow blueish color.Crank it for a few minutes,make sure it doesn’t cut-off or get shitty.It should keep it’s clear tone at high volumes.Look at the speakers,you’ll want the original fender speakers in there.Also,check each channel and the bright switch, make sure they’re functioning right.$699 seems kinda high,so try to check out other stores before you buy. $550-$650 is about right.If you really want it,DON’T BULLSHIT.Throw what ya’ got right on the counter! If it works well, your money will be well spent. Good Luck
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February 25, 2001 at 12:12 am #80293AnonymousGuest
If it works well, and the tubes are OK (should play loud) Twins range from $450-$650. Remember, tubes cost$ to replace and can be a hassle to get, but the sound a Twin can get can be worth it. If you really want it, offer them less. $699 seems on the high side to me?? But I’m cheap.
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February 24, 2001 at 10:20 pm #32001AnonymousGuest
Ok, I love playing Nirvana, Rage Against The Machine And almost any alternative. I have a Aria Pro II guitar and a Fender Eighty-Five amp. I need 2 know whats a good pedal(s) to get the effects. (No cheap S#)
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February 24, 2001 at 5:19 pm #31998AnonymousGuest
My friend claims that he’s got a late 50’s Les Paul. His father gave it to him years ago. If it really is an original (flame top) Les Paul 1959 how much would it be worth?
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February 24, 2001 at 4:41 pm #31997AnonymousGuest
May I know if I can mix an EMG81 with passive pickups? Any spacial configuaration needed? "H/S/EMG81"
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February 24, 2001 at 3:39 pm #31994AnonymousGuest
hammett uses dean markely blue steels 10-52 guage.
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February 24, 2001 at 3:38 pm #31996AnonymousGuest
: I have Fender powerhouse stratocaster and line 6 flextone 2 xl and I play progressive metal. Fender has a poplar body and a place for a humbucker. Is the SD custom (SH-5) good choice for this quitar and music I play. I need humbucker with clarity for special chords. I’m tired because when I hit minor A add9 I can’t hear every note so…. is this a good choice or something else. I like new petrucci’s sound (dream theater) / and old romeo’s sound (symphony X)
: -
February 24, 2001 at 3:35 pm #75699AnonymousGuest
i just recieved this cd in the mail yesterday, and i was wondering if anyone could give me some tips on how to get a lead guitar tone like on the songs "world beyond", "when the sun burns red" and "coma of souls". it sounds to me like effect pedals of some sort, but which ones? and what settings could get me close?
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February 24, 2001 at 3:35 pm #126668AnonymousGuest
i just recieved this cd in the mail yesterday, and i was wondering if anyone could give me some tips on how to get a lead guitar tone like on the songs "world beyond", "when the sun burns red" and "coma of souls". it sounds to me like effect pedals of some sort, but which ones? and what settings could get me close?
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February 24, 2001 at 12:44 pm #31990AnonymousGuest
Back in ’81,I was shopping for a high output pickup with good tone.I nearly bought the Schecter Super Rock
pickup,be the dealer refused to sell it to me.His words
were,"Super Rock my balls!!" "Van Halen uses the SH-5".
So I installed them in my ’77 LES PAUL.The other guitar player in my group was using the DiMarzio X2N. AT high volumes the SH-5 kept it’s tonal integrity, while the X2N turned to SHIT!! I was using a DOD overdrive 250,a cranked Twin Reverb and a Cry-baby. I’ve been chasing that sound for years!! The SH-5 is about 14.5 ohms with a ceramic magnet.It’s got high output with classic tone!
Thanx for listening to my story. -
February 24, 2001 at 10:59 am #31988AnonymousGuest
I’m starting out with the guitar and I have no clue what to get anyone wanna lead me in the right direction?
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February 25, 2001 at 12:05 am #80283AnonymousGuest
More specific. Electric? Acoustic? Price range? Style of music?
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February 24, 2001 at 4:02 am #31985AnonymousGuest
: I would appreciate any suggetions for a good make and model of guitar for a begginner.
: I have a buget of 00-500. I want a rich sounding guitar that is not too deep. I do not plan to amplify it in any way
: Since you won’t be amplifying and can only spend 500,find a GOYA acoustic. Generally a guitar made in the 40’s-60’s,VERY under priced.
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February 24, 2001 at 1:35 am #31982AnonymousGuest
Hey, If any body’s intrested. Im a virgin guitarist, but,i’m looking for someone to jam with, And maybe even start a band If intrested email,okay
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March 23, 2002 at 1:27 am #92933AnonymousGuest
: Hey, If any body’s intrested. Im a virgin guitarist, but,i’m looking for someone to jam with, And maybe even start a band If intrested email,okay
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March 23, 2002 at 1:30 am #110158AnonymousGuest
Been playing Guitar for 6 mths > looking for someone to learn with and some jam sessions
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January 27, 2002 at 1:58 am #90217AnonymousGuest
base player needed for band in bromley kent called Kronicle. Male or female. Age from 11 to 14. Dosen’t matter if just starting.
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January 3, 2002 at 8:58 pm #88766AnonymousGuest
: Hey, If any body’s intrested. Im a virgin guitarist, but,i’m looking for someone to jam with, And maybe even start a band If intrested email,okay i live in niles ohio 23 male played 7 years
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February 24, 2001 at 12:59 am #31979AnonymousGuest
This popular thread has been given its own page : digitech RP-1
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February 23, 2001 at 11:30 pm #31980AnonymousGuest
:The bronco was a single PU, student guitar offered by Fender from the late 60′ sinto the seventies. I think they were made in Red or Black with a rosewood board and mustang type tuners. Price now: no more than 00.
all original, great condition. -
February 23, 2001 at 10:57 pm #31977AnonymousGuest
This popular thread has been given its own page : valuing a martin guitar
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February 23, 2001 at 4:06 pm #31976AnonymousGuest
whats the difference between lo trs and lo pro edge in terms of functionality/quality?
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February 23, 2001 at 3:42 pm #31978AnonymousGuest
Sorry I said wrong i meant SD Custom NOT CUSTOM CUSTOM.
I have heard good things about JB too but I think
I need a little more bass… Many have said that custom sound pretty same as JB but it hasmore bass -
February 23, 2001 at 1:48 pm #31974AnonymousGuest
who plays all those ‘smooth blues’ guitar licks
on that stupid sitcom ‘becker’?
any CD’s by this player? -
February 23, 2001 at 11:33 am #31973AnonymousGuest
Just want to know exactly what is a preamp and what does it do for you ?
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May 12, 2004 at 5:27 pm #96456AnonymousGuest
I would also like to know what it is, but from what i’ve picked up its an amplifier used to boost the line signal from very quiet/small to much larger, i read its generally for microphones; why do you hear how so many guitarists have them then? I’ve studied some popular artists rigs and find they plug their guitar into a preamp then into several further ‘poweramps’ then into cabinets; that’s about all i know so anyone else?
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February 23, 2001 at 5:53 am #31972AnonymousGuest
I need information about Fender Broncos. Values, Years, Colors, Original Cost Etc. Or any information where I could find it would be great.
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February 23, 2001 at 5:40 am #31970AnonymousGuest
SPAM ME !
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February 23, 2001 at 5:33 am #31969AnonymousGuest
Why don’t you try a Boss heavy metal pedal(or other brand) through a medium priced amp at the music store ? Since you want to play at lower volumes, a good distortion pedal may be all you need.
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February 23, 2001 at 5:27 am #31967AnonymousGuest
Martin makes a DM series acoustic that sounds great. I think Guitar Center has them for 00-600. Guild makes good acoustics in your price range, (though I personally don’t care for Guilds) Might want to check out an Alvarez too. Pick one that YOU like, not what everybody else says you should buy. Good luck.
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February 23, 2001 at 3:27 am #31964AnonymousGuest
SERIOUSLY NO SCAMS! LOTS OF CASH, FAST AND COMPLETELY LEGAL,
THIS REALLY WORKS!! THIS REALLY CAN MAKE YOU EASY MONEY!! IT
WORKS!!! BUT YOU HAVE TO FOLLOW IT TO A LETTER FOR IT TO WORK!
ALL THIS TAKES IS .00 NO FURTHER RISK. IT JUST MIGHT BE WORTH
LOOKING AT.
A little while back, I was browsing through newsgroups, just like you are now, and came
across an article similar to this that said you could make thousands of dollars within weeks
with only an initial investment of .00! So I thought," Yeah, right, this must be a scam",
but like most of us, I was curious, so I kept reading. Anyway, it said that you send .00
to each of the 6 names and address stated in the article. You then place your own name
and address in the bottom of the list at #6, and post the article in at least 200 newsgroups.
(There are thousands) No catch, that was it. So after thinking it over, and talking to a few
people first, I thought about trying it. I figured what have I got to lose except 6 stamps
and .00, right? Like most of us I was a little skeptical and a little worried about the legal
aspects of it all. So I checked it out with the U.S. Post Office (1-800-725-2161) and they
confirmed that it is indeed legal! Then I invested the measly .00. Well GUESS
WHAT!!… within 7 days, I started getting money in the mail! I was shocked! I figured it
would end soon, but the money just kept coming in. In my first week, I made about
5.00. By the end of the second week I had made a total of over ,000.00! In the third
week I had over 0,000.00 and it’s still growing. This is now my fourth week and I have
made a total of just over 2,000.00 and it’s still coming in rapidly. It’s certainly worth
.00, and 6 stamps. Let me tell you how this works and most importantly, why it
works….also, make sure you print a copy of this article NOW, so you can get the
information off of it as you need it. STEP 1: Get 6 separate pieces of paper and write the
following on each piece of paper "PLEASE PUT ME ON YOUR MAILING LIST." Now
get 6 US .00 bills and place ONE inside EACH of the 6 pieces of paper so the bill will
not be seen through the envelope to prevent thievery. Next, place one paper in each of the
6 envelopes and seal them. You should now have 6 sealed envelopes, each with a piece of
paper stating the above phrase, your name and address, and a .00 bill. What you are
doing is creating a service by this. THIS IS ABSOLUTELY LEGAL! Mail the 6
envelopes to the following addresses:
1) Randall Hickman New Market, TN 37820
2) Jack 6342 S.E.83rd Portland, OR.97266
3) Ben Spyrison 3175 West Forest Rd. Freeport, Il. 61032
4) C Bare 2965 Leawood Dr Anchorage AK 99515
5) J. G. Dysarczyk 3508 Paseo De Los Americanos 82 Oceanside, CA 92056
6) PUT YOUR NAME HERE and forward
STEP 2: Now take the #1 name off the list that you see above, move the other names up
(6 becomes 5, 5
becomes 4, etc…) and add YOUR Name as number 6 on the list. STEP 3: Change
anything you need to, but try to keep this article as close to original as possible. Now, post
your amended article to at least 200 newsgroups. (I think there are close to 24,000
groups) All you need is 200, but remember, the more you post, the more money you
make!
—DIRECTIONS —HOW TO POST TO NEWSGROUPS—- Step 1) You do not need
to re-type this entire letter to do your own posting. Simply put your cursor at the
beginning of this letter and drag your cursor to the bottom of this document, and select
‘copy’ from the edit menu. This will copy the entire letter into the computers memory. Step
2) Open a blank "notepad" file under accessories in windows and place your cursor at the
top of the blank page. From the ‘edit’ menu select ‘paste’. This will paste a copy of the
letter into notepad so that you can add your name to the list. Step 3) Save your new
notepad file as a .txt file. If you want to do your postings in different sittings, you’ll always
have this file to go back to. Step 4) Use Netscape or Internet explorer and try searching
for various newsgroups (on-line forums, message boards, chat sites, discussions.) Step 5)
Visit these message boards and post this article as a new message by highlighting the text
of this letter and selecting paste from the edit menu. Fill in the Subject, this will be the
header that everyone sees as they scroll through the list of postings in a particular group,
click the post message button. You’re done with your first one! Congratulations…THAT’S
IT! All you have to do is jump to different newsgroupes and post away, after you get the
hang of it, it will take about 30 seconds for each newsgroup! **REMEMBER,
THE MORE NEWSGROUPS YOU POST IN, THE MORE MONEY YOU WILL
MAKE!! BUT YOU HAVE TO POST A MINIMUM OF 200** That’s it! You will begin
reciving money from around the world within days! You may eventually wany to rent a
P.O.Box due to the large amount of mail you will receive. If you wish to stay anonymous,
you can invent a name to use, as long as the postman will deliver it. **JUST MAKE
SURE ALL THE ADDRESSES ARE CORRECT.** Now the WHY part: Out of 200
postings, say I receive only 5 replies (a very low example). So then I made .00 with my
name at #6 on the letter. Now, each of the 5 persons who just sent me .00 make the
MINIMUM 200 postings, each with my name at #5 and only 5 persons respond to each of
the original 5, that is another 5.00 for me, now those 25 each make 200 MINIMUM
posts with my name at #4 and only 5 replies each, I will bring in an additional 25.00!
Now, those 125 persons turn around and post the MINIMUM 200 with my name at #3
and only receive 5 replies each, I will make an additional 26.00! OK, now here is the
fun part, each of those 625 persons post a MINIMUM 200 letters with my name at #2 and
they each only receive 5 replies, that just made me ,125.00!!! Those 3,125 persons will
all deliver this message to 200 newsgroups with my name at #1 and if still 5 persons per
200 newsgroups react I will receive 5,625,00! With a original investment of only .00!
AMAZING! When your name is no longer on the list, you just take the latest posting in
the newsgroups, and send out another .00 to names on the list, putting your name at
number 6 again. And start posting again. The thing to remember is, do you realize that
thousands of people all over the world are joining the internet and reading these articles
everyday, JUST LIKE YOU are now!! So can you afford .00 and see if it really
works??
I think so… People have said, "what if the plan is played out and no one sends you the
money? So what! What are the chances of that happening when there are tons of new
honest users and new honest people who are joining the internet and newsgroups everyday
and are willing to give it a try? Estimates are at 20,000 to 50,000 new users, every day,
with thousands of those joining the actual internet. Remember, play FAIRLY and
HONESTLY and this will work. thanks for participating -
February 23, 2001 at 3:04 am #31965AnonymousGuest
i think it´s cause of sound , the 7-th b string gives more poverfull crunchy sound that´s 1. reason the second is hehehe , you can play change of seasons from dream theater ….. 🙂
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February 23, 2001 at 2:54 am #31962AnonymousGuest
i think you should try another pickup …. maybe emg 81 or 85 and tune youre guitar 2 steps down on ´d´and you will get crounch fat distorted sound and of course , play that loud and proud .
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February 23, 2001 at 2:46 am #31963AnonymousGuest
: i am currently using a 100 Watt Jcm 900 hundred converted to sound more like an JCM 800 a boss metal zone and a boss eqaulizer pedal and a strat with adimarzio tone zone pipck up. Just wondering if anyone knows of any good settings i could use to get a reall heavy sound but no so heavy if you know what i mean
: -
February 23, 2001 at 1:03 am #31961AnonymousGuest
I have heard good things about the Duncan CUSTOM CUSTOM model. I have not heard this pickup personally, but I know of someone who swears by them. He plays a lot of Queensryce stuff and has them in an ESP I believe.
I have used their JB pickup. A lot of heavy metal players use them. Very versital pickup. SOme say they are bright but I have used several in differnt guitars and they crunch up nice and sound good clean too.
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February 23, 2001 at 12:42 am #31960AnonymousGuest
I want to buy a new acoustic guitar, however, I am not sure what I want. I looking to spend no more than 00-00, if anyone has any suggestions, that would be greatly appreciated.
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February 23, 2001 at 12:37 am #31958AnonymousGuest
I have Fender powerhouse stratocaster and line 6 flextone 2 xl and I play progressive metal. Fender has a poplar body and a place for a humbucker. Is the SD custom (SH-5) good choice for this quitar and music I play. I need humbucker with clarity for special chords. I’m tired because when I hit minor A add9 I can’t hear every note so…. is this a good choice or something else. I like new petrucci’s sound (dream theater) / and old romeo’s sound (symphony X)
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February 23, 2001 at 12:04 am #31955AnonymousGuest
Does anyone know how to tell how old the solid state Copicats are and how much they are worth?
Is it possible to tell from the serial numbers or components inside the machine?-
July 18, 2003 at 8:20 pm #88529AnonymousGuest
: That is exactly what I want to know! I paid £200 for my solid state WEM copicat super-IC ( serial no. 2561), and I don’t have a clue how old the thing is!! Its in good condition, but I’d like to get a sense of it’s history.
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February 22, 2001 at 11:06 pm #31956AnonymousGuest
i used to use those with needle ,but it’s not so good…the LED one ok,but more expensive,.
now i just use the tuner on the multieffect-rp-100, easy to use, no extra money spent, yet chromatic tuner…
somore, mutlieffect come with noise gate,amp simulater,pickup simulator. i used it as a preamp with my pedals -
February 22, 2001 at 9:48 pm #31954AnonymousGuest
I’ve heard something about a new amp-simulator called the ‘Podlayer’. Is it any good?
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February 22, 2001 at 6:22 pm #31952AnonymousGuest
What’s the principle behind diagonal patching on
a 4 input valve amp (two by two inputs)? Are
there limitations on when and with what it can
be done? -
February 22, 2001 at 1:38 pm #31949AnonymousGuest
I would appreciate any suggetions for a good make and model of guitar for a begginner.
I have a buget of 00-500. I want a rich sounding guitar that is not too deep. I do not plan to amplify it in any way
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August 15, 2002 at 4:13 am #98433AnonymousGuest
: I would appreciate any suggetions for a good make and model of guitar for a begginner. : I have a buget of under $200. I am a teenager and I don’t have a lot of money, but I want a good sounding guitar.
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February 22, 2001 at 11:43 am #31947AnonymousGuest
Elliot Easton (formerly of the Cars, now with CCR) has asked me to help find homes for four of his ultra fine guitars! They are all newer (not 80’s era) left handed custom shop intruments. They are also fully authenticated and come with autographed pictures, picks, and stuff. Please email me if you are seriously interested. ([email protected])V
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February 22, 2001 at 9:09 am #31948AnonymousGuest
I am trying to remember the make and model of a particular guitar I played a couple of times in a shop back in the mid 80’s. It was a *solid-body* nylon string guitar, totally electric, but shaped like a single cutaway classical guitar, complete with spruce (or spruce-like) top and classical guitar-style tuning heads. It even had a round "hole"-shaped depression in the solid body under the strings. Two more things I remember but are unsure of: that it may have been a Yamaha, and that it may have been called an "Andy Summers Model".
If anyone can, please name that guitar’s make and model. Thanks!
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February 22, 2001 at 8:49 am #31945AnonymousGuest
Looking for Schaller three by three tuners. Gold with pearl buttons for a beauty of a guitar i have that someone was knid enough to break the button off of one of the gears if you have any leads on how to get them who to contact would make my millenium
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February 22, 2001 at 8:17 am #31943AnonymousGuest
Play them big thick ‘uns.
If you can play on them and get used to them, they’re much better. They sound better and last longer.
-Rick -
February 22, 2001 at 6:37 am #31940AnonymousGuest
Please tell me your honost opions about the
Jackson Randy Rhoads RR1T
and the
SL-1 Soloist USATell me some of the advantages and Disadvantages, Would the soloist and rr1t be good enough guitars to perform infront of audiances, concerts, gigs, which one would be ebtter for the pull offs, bends, i’ve narrowed my dicission to the Randy Rhoads RR1T and the SL-1 Soloist
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December 16, 2003 at 1:57 am #80261AnonymousGuest
: Please tell me your honost opions about the : Jackson Randy Rhoads RR1T : and the : SL-1 Soloist USA : Tell me some of the advantages and Disadvantages, Would the soloist and rr1t be good enough guitars to perform infront of audiances, concerts, gigs, which one would be ebtter for the pull offs, bends, i’ve narrowed my dicission to the Randy Rhoads RR1T and the SL-1 Soloist Both guitars are excellent, and you couldnt go wrong. However you have take notice of the body style, and the RR1s are hard to play sitting down in my opinion while the sl 1 is versatile enough for standing or sitting and you have to notice the difference in pickups with only one humbucker being present on the soloist. Wish I had a tough decision like this make, too expensive for my blood man. I learned alot time ago, if your good enough it dont matter what your playing on. Peace
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March 31, 2002 at 1:39 pm #93225AnonymousGuest
I own both, they are both great guitars. THe neck of the rr-1 nd the soloist is the same so pull offs and bends are no different on them. The only disadvantage with the rr-1 is it only has 22 frets and is a little harder to sit down and play it. Although, using a strap it makes it easy to sit down and play, just a little different then when sitting and playing a strat type guitar, like the soloist : Please tell me your honost opions about the : Jackson Randy Rhoads RR1T : and the : SL-1 Soloist USA : Tell me some of the advantages and Disadvantages, Would the soloist and rr1t be good enough guitars to perform infront of audiances, concerts, gigs, which one would be ebtter for the pull offs, bends, i’ve narrowed my dicission to the Randy Rhoads RR1T and the SL-1 Soloist
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February 23, 2002 at 4:29 am #109950AnonymousGuest
: Please tell me your honost opions about the : Jackson Randy Rhoads RR1T : and the : SL-1 Soloist USA : Tell me some of the advantages and Disadvantages, Would the soloist and rr1t be good enough guitars to perform infront of audiances, concerts, gigs, which one would be ebtter for the pull offs, bends, i’ve narrowed my dicission to the Randy Rhoads RR1T and the SL-1 Soloist the rr1t is a kick-ass guitar! it was the model used by Kirk Hammet (lead guitarist for metallica) for several years (on stage)
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February 22, 2001 at 4:08 am #31937AnonymousGuest
I play metal music mostly Metallica and was wondering what is the best size strings? and name brand if you got one??
Thanks
Brandon -
February 22, 2001 at 3:23 am #31935AnonymousGuest
wheere the fuck are the tabs
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February 22, 2001 at 2:44 am #31934AnonymousGuest
: You’ve got some cash to spend! I think you should buy two guitars. A Fender Stratocaster(for 50-900 you could get an American Hendrix Model) and a humbucker equipt axe like an ESP for your Kirk Hammett jones. 1400 is enough to buy one really nice guitar or two nice guitars that do different things. Check Gbase.com. Type in what you want and sit back!
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February 22, 2001 at 1:40 am #31931AnonymousGuest
: Could anyone tell me how much it costs to have a guitar painted (single color). I guess it depends on the type of paint but perhaps someone could give me a price range. It’s a midnight blue Fender strat. It looks however more like midnight purple to me, so I would like to make it actually look blue.
: I don’t know if this exists or not, but if there is some kind of see through paint to tint it blue (filter away the red), that should be enough. Thanks.: Mike
T
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March 23, 2004 at 1:55 am #92383AnonymousGuest
: : Could anyone tell me how much it costs to have a guitar painted (single color). I guess it depends on the type of paint but perhaps someone could give me a price range. It’s a midnight blue Fender strat. It looks however more like midnight purple to me, so I would like to make it actually look blue. : : I don’t know if this exists or not, but if there is some kind of see through paint to tint it blue (filter away the red), that should be enough. Thanks. : : Mike : T I paint custom cars! Send me your guitar striipped of all electronics,neck and everything else.Go to an automotive paint store and pick out the color you want.It must be PPG paint. get a pint of base coat if the paint you have is in good shape and pint of sealer,and a gallon of reducer. A quart or clear 2042, hardner, and anything else he says. I’ll make that guitar look like its wet!! Around $200.00
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February 22, 2001 at 1:02 am #31933AnonymousGuest
I was looking for the same sound for a while. So I started playing around with a few stomp boxes. I play on a combo amp, a marshall vs265r the distortion is nice and all but sometimes I needed more out of it. I use the following to get that sound. I put jim dunlop fuzz face (the one hendrix use to use) that goes into a lovetone brown source pedal to get the thick bass feel to it and then an eq set to a smiley face type of setting it works wonders. The lovetone’s gonna set you back a couple hundred but believe me it is very worth the price!!!!! Hit me back and let me know what you think.
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February 21, 2001 at 11:39 pm #31928AnonymousGuest
Could anyone tell me how much it costs to have a guitar painted (single color). I guess it depends on the type of paint but perhaps someone could give me a price range. It’s a midnight blue Fender strat. It looks however more like midnight purple to me, so I would like to make it actually look blue.
I don’t know if this exists or not, but if there is some kind of see through paint to tint it blue (filter away the red), that should be enough. Thanks.Mike
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February 21, 2001 at 11:38 pm #31930AnonymousGuest
Check out Doug Cerrito and Terrance Hobbs of Suffocation. Though they are disbanded pick up thier Pierced From Within cd, try to ignore the death metal vocals and just listen to the guitar guitar work. They are the total extremity of killer technical guitar work. They seem to never use the same riff and the time changes and chord structuring is just absolutely the finest I have ever heard. When I saw them live a few years back the guitar playing was so excellent, I thought they were just faking it and air-guitarring it to the cd, but they were playing it and I couldn’t believe their precision and technicality. Throughout the whole set not once did I see one of them even look at thier fretboards and the riffs and solos were right on dead perfect. They are tied at the no.1 spot in my book.
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February 21, 2001 at 11:25 pm #31929AnonymousGuest
: : Hmm.Take your time and make sure your fingers are properly curled over the fret board.Position your left hand so that only the tips of your fingers are pressing
: : the notes.Then strum up and down,just brushing the strings.Try not to press the strings too hard,you only need a little presure to ring the notes.Playing clean chords will take some practice.So,put in at least two hours a day doing just that.You’ll get it.
: : Good Luckevery guitar player has gone thru the same problem. Icould give you a million sugestions but practice is the answer… try curling your fingers like a cat claw, hit each string one at a time and get a clear note from each string…don’t be afraid to move your fingers around till you get the sound you are looking for…a buddy of mine says you aren’t a real musician untill you’ve played a million notes…best of luck …don’t get discouraged… you never feel worse after you put your guitar down…wavey!
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February 21, 2001 at 9:29 pm #31927AnonymousGuest
There are many to choose from. I personally like the ones with LED lights instead of the needle display. Don’t spend more than 0 – 0. Boss makes good ones as well as Sabine. Make sure that you get a chromatic tuner. This type will allow you to tune to any note. Some guitar tuners only allow for standard tuning EADGBE.
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February 21, 2001 at 9:08 pm #31926AnonymousGuest
The string trees have caused tuning problems for me in the past. You might try graphtech trees, I love them. Or You try not running any trees at all. The nut might also cause some binding. If it is bone or plastic, try using graphite from a penci. If You hear any noises(ticcks & pings) when tremming thats noot a good thing . GOD LUCK
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February 21, 2001 at 8:56 pm #31925AnonymousGuest
: Mesa/Boogie makes ultra high quality, awesome sounding amplifiers. You can get just about any tone you want, and if it breaks (how far did you drop it to break it anyway? They’re built like tanks) they have great service. They have one of the best customer service departments I’ve ever dealt with.
: You can check out reviews at http://www.harmony-central.com/ All sorts of players rate equipment.
I’ve been playing a mark IV for a few years and it does everything I want. Everyone I know that uses Mesa Boogie is real happy with them. Top notch equipment.
:
: : Hello,
: :
: : May I have some oppinions on the Mesa/boogie Amps? Very general question, Not looking to buy one,just want some thoughts please
: :
: : Thanks,
: : Purpledude -
February 21, 2001 at 6:02 pm #31924AnonymousGuest
i forgot to mention that i want the heavy distortion(metallica pantera) but i want it for home use and i mean by that that i don’t need a huge amp…. but an amp that can provide me VERY HEAVY distortion without setting it too much loud….
: The ravager
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February 21, 2001 at 10:35 pm #80281AnonymousGuest
: i forgot to mention that i want the heavy distortion(metallica pantera) but i want it for home use and i mean by that that i don’t need a huge amp…. but an amp that can provide me VERY HEAVY distortion without setting it too much loud…. : : The ravager :I highly recommend contacting Fargen Amplification. Fargenamps.homestead.com. He makes a 30 watt Plexi head at a REASONABLE price. That is, if you’re not in a hurry. I got my combo from him 2 weeks ago.He built this amp from ideas’ I had in my head,and made it work! You can read reviews of other amps he built for people on Harmony Central review section. Good luck.
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February 21, 2001 at 4:47 pm #31922AnonymousGuest
i will swap for a good loud combo,prefer valve.
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September 11, 2002 at 9:50 am #99878AnonymousGuest
: i will swap for a good loud combo,prefer valve. I have a 300 watt Fender Bass amp with a 15" speaker that you might like the sound of. It has a four band (low, mid, mid freq, high) EQ, low and high enhancement buttons, and a built in DeltaComp Compressor. Email me if you’re interested! Even if your not interested, please email me anyways. I’d like to hear your review of the Velocity 120 and how much you paid for it… Thanks
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February 21, 2001 at 4:13 pm #31921AnonymousGuest
i want to buy an amp…i have near 000 to spend but i can find what i want…I want really heavy distortion .Ihave tryied a marshall valvestate but it was not whati wanted.I have tryied the tour reverb by hughes and kettner and it seemed good but please tell me if it is worth buying….Also what about trademark 10 by TECH-21…is it any good?…
is there anything else i shoulf try?…The ravager
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February 28, 2002 at 9:47 pm #91734AnonymousGuest
Go and find a shop with a Tech21 trademark 60 and try it out or better still get one of the assistants to demo it for you. Gaz
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February 21, 2001 at 1:10 pm #31920AnonymousGuest
i have been playing guitar for years [50]mainly for pleasure,but recently have started experimenting with open tuning and bottleneck. the old ears are not as good as they used to be,i think i need a electronic tuner. can anyone advise me of the best brand to buy.
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February 21, 2001 at 12:41 pm #31916AnonymousGuest
I am looking to buy a new accoustic guitar and am not sure what I want. I am not looking to spend more than 00-500, so I was just curious if anyone had any suggestions. Thanks.
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December 10, 2001 at 12:17 pm #87516AnonymousGuest
Get yourself a Seagull S6 or M6 . Its the best sounding guitar below $ 400, hands down. I have one and it easily keeps up with the cheapo Martins. Ask anyone who knows both, you’ll be excited.
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February 21, 2001 at 10:26 am #31918AnonymousGuest
Ok, I am like, the ultimate metallica/jimi hendrix fan, now ive been playing ugitar for about 2 years and i am now serious about guitar being my like, now, i can get by around 400 to spend on a guitar, i want a guitar that could make the metallica sound, but have jimi hendrix blues to it as well, plz help me about, name the brand and name
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February 25, 2001 at 8:29 pm #80296AnonymousGuest
O>K well with that kind of cash , you can by a nice PRS guitar that will give you both worlds and i am sure you’ll have about 2-300$ left rig it withone humbucker and two single coils, preferably (seymour duncans) and voila you will have an awsome axe dude.
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February 21, 2001 at 10:28 pm #80278AnonymousGuest
: Ok, I am like, the ultimate metallica/jimi hendrix fan, now ive been playing ugitar for about 2 years and i am now serious about guitar being my like, now, i can get by around $1400 to spend on a guitar, i want a guitar that could make the metallica sound, but have jimi hendrix blues to it as well, plz help me about, name the brand and name :!st. The amp you ultimately use will have a lot to do w/the sound. Metallica drop tunes 1/2 step, which affects the overall sound of them. Hendrix "mainly" used a Strat through Marshalls. But,TO ME, he sounded lousy live. You can go with a Strat that offers some sort of Humbucker at the bridge position, or IMHO,better yet, a PRS Custom 24,or, better YET, a McInturff Polaris Pro. The PRS is the most expensive, a nice axe,but I don’t like the pups. The McInturff has a LOT going for it in this price range. Hope this helped.
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February 21, 2001 at 9:19 am #31915AnonymousGuest
yeah your right with what im looking for but it seems to become too muddy and not quite enough distirtion when i use the just the marshall sound although i was thinking of using just the marshall sound and the eqaulizer or maybe getting just an overdrive pedal to just put a little bit of extra distortion into the sound. What do you think ?
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February 21, 2001 at 9:05 am #31913AnonymousGuest
: someone please help me decide which is the best unit, Korg AX1000G or ZOOM GFX8 in terms of sound (distortions)???
Go for GFX8.
it’s a fuckin ass dude, especially the custom distortion. -
February 21, 2001 at 8:33 am #31914AnonymousGuest
Brand New!
Black face Cosmetics
22 watts(w/Groove Tubes)
1/12" Eminence Speaker
2-Channels (Normal and Vibrato)
2-Button Footswitch for Reverb & Vibrato
MINT!!Newer than New!
50/including shipping-
August 21, 2001 at 5:20 am #82505AnonymousGuest
I am looking for that amp. Can you send me a picture of it?
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April 28, 2001 at 2:00 pm #80416AnonymousGuest
Do You ship in Italy? wich is the cost?: Brand New! : Black face Cosmetics : 22 watts(w/Groove Tubes) : 1/12" Eminence Speaker : 2-Channels (Normal and Vibrato) : 2-Button Footswitch for Reverb & Vibrato : MINT!!Newer than New! : $550/including shipping
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February 21, 2001 at 7:27 am #75618AnonymousGuest
This popular thread has been given its own page : kustom amplifiers
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February 21, 2001 at 7:18 am #75608AnonymousGuest
I’m searching for Schematic wiring for a Lespaul recording, could you help me Thank you very very much
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March 4, 2002 at 10:42 am #110061AnonymousGuest
: I’m searching for Schematic wiring for a Lespaul recording, could you help me : Thank you very very much Cant help you with the wiring but i do have a 71 recording for sale ,, $1000 cash
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February 21, 2001 at 6:35 am #31907AnonymousGuest
Please,
i’m searching for the schematic cablage for a "Gibson Lespaul recording" if you have that, can you E-mail it to me -
February 21, 2001 at 4:50 am #31909AnonymousGuest
Don’t forget fingerstylists either. Chet Atkins, Merle Travis and Jerry Reed.
In fact, if you want to hear something that’ll make your hair curl, go to http://www.ubl.com, search on Chet Atkins, and buy the CD that’s a double album with him and Jerry Reed. Also check out the one that’s Chet and Les Paul.They’ll either inspire you to practice or to smash your guitar.
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February 21, 2001 at 4:41 am #31908AnonymousGuest
Mesa/Boogie makes ultra high quality, awesome sounding amplifiers. You can get just about any tone you want, and if it breaks (how far did you drop it to break it anyway? They’re built like tanks) they have great service. They have one of the best customer service departments I’ve ever dealt with.
You can check out reviews at http://www.harmony-central.com/ All sorts of players rate equipment.
: Hello,
:
: May I have some oppinions on the Mesa/boogie Amps? Very general question, Not looking to buy one,just want some thoughts please
:
: Thanks,
: Purpledude -
February 21, 2001 at 3:59 am #31906AnonymousGuest
This popular thread has been given its own page : Thin Picks, Thick picks? Sweep picking.
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February 21, 2001 at 1:57 am #31903AnonymousGuest
: Okay, to my knowledge the Duo sonic did not have the slider switches. This would the Mustang. Mustangs were made from the early 60’s right up into the late seventies. Of course the mmodel gained a great deal of popluarity when Cobain played one. I just saw a mustang in Very Good condition, white w/tortoise pickguard for 00. It was a 1966, which I think yours is. The duosonic, had two pu’s but a hardtailpiece and one traditional switch. If the guitar has a whammy, it’s a Mustang.
The mustang was the # 1 student model along with the Duo Sonic and the Musicmaster. Great, underated vintage fender. you’ve got a keeper I’d say! -
February 21, 2001 at 1:50 am #31899AnonymousGuest
: I think you are going to be ditching the pedals. I know what you are looking for, all out crunch with some defining cleaness to make it more massive. I think you should try going straight into your amp and playing with the other channels. Your Marshall should be able to get thi sound. you’ll have to play with it though. And expect to find this sound at an extemely high volume when the tubes are working hard.
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February 21, 2001 at 12:49 am #31898AnonymousGuest
Hello,
May I have some oppinions on the Mesa/boogie Amps? Very general question, Not looking to buy one,just want some thoughts please
Thanks,
Purpledude -
February 20, 2001 at 11:44 pm #31900AnonymousGuest
?
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February 20, 2001 at 11:36 pm #31896AnonymousGuest
Here is a diagram of a guitar
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February 20, 2001 at 11:34 pm #31897AnonymousGuest
This site sucks.Get a beter site
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February 20, 2001 at 9:36 pm #31893AnonymousGuest
What would a preamp do for my sound ???
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February 20, 2001 at 9:31 pm #31892AnonymousGuest
?
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February 20, 2001 at 9:31 pm #31890AnonymousGuest
?
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February 20, 2001 at 9:05 pm #31891AnonymousGuest
last night, as i was washing joe’s hairy sack, he jumped up and said how much he would like to stick his ibanez up brian mays ass and play him arpeggio style. i told joe that brian only has eyes for steve and no amount of chrome scratchplates could ever change that. your all gay
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February 20, 2001 at 8:58 pm #31889AnonymousGuest
From everything I’ve heard, an Invader is really dark loud but dark and will sound like mud in a dark wood. I’d go with a seymour duncan JB (Dwarves, older punk)or a DiMarzio PAF Pro(works well for bad religion, wizo, etc.)
Sorry I didn’t help sooner.
-Rick -
February 20, 2001 at 8:36 pm #31887AnonymousGuest
i am currently using a 100 Watt Jcm 900 hundred converted to sound more like an JCM 800 a boss metal zone and a boss eqaulizer pedal and a strat with adimarzio tone zone pipck up. Just wondering if anyone knows of any good settings i could use to get a reall heavy sound but no so heavy if you know what i mean
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February 20, 2001 at 8:07 pm #31888AnonymousGuest
I recently acquired a Tacoma Chief, and am wondering
if anyone has advice on a humidifier. I would normally
get one that fits in the sound hole, but unless Tacoma
makes one especially for the Chief, I don’t think that’s
possible. Would appreciate advice and your experience. -
February 20, 2001 at 5:18 pm #31884AnonymousGuest
Hi,
Visit http://www.guitar-resource.co.uk for on-line and PC software chord and scale generators. Mail charts to friends, save and print. Many instruments, tunings and chords.
Cheers,
Liam Redmond.
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February 20, 2001 at 4:37 pm #31885AnonymousGuest
Hello Death Metal fellow!
The best guitars for death grind are Jackson\Charvel or BC Rich. You also need nice and hot pick ups. (The X2N will do great!) You also need a gainey amp.
Death Metal needs sustain which bolt on guitars(like the strat) don’t do well. Idealy you want a neck through axe with a pair of humbuckers. A mahogony or koa body would help also.Let the metal flow!!!!!!!!!!!!!!!!
Jj
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February 20, 2001 at 4:06 pm #31881AnonymousGuest
if you use a vintage style tremolo (wilkenson/fender etc) with locking tuners will it still go out of tune after doing tons of dive bombs? what exactly causes a vintage style tremolo to go out of tune? and do locking tuners like sperzel or schaller do anything to prevent it from going out of tune?
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February 20, 2001 at 12:06 pm #31880AnonymousGuest
What style are you looking for? Do you want stuff that is technically difficult to improve you picking or some interesting phrasing and such?
As for difficult stuff to learn to improve your playing the Satrianis Zappas and Vai’s are ok. I prefer to learn Chuck Schundler(Death) and Fredrik Thordendal(Meshugga) to improve my chops.
As for original interesting playing to improve you creativity, Ty Tabor(Kings X), Denis D’Amore(Voivod), Andy Cohen(Silkworm), and Page Hamilton(Helmet) will teach ya some cool playing.Jj
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February 20, 2001 at 11:07 am #31877AnonymousGuest
I noticed on my 7 string washburn it has floyd rose fine tunning and stuff, but anyway, i noticed that the strings are in standard tunning (440) and the strings are almost unbarbly to bend, i try to be solo’s that have bendings in them and i noticed when i release they practicly snap right down and somtimes gettin stuck between my fingernail (Owwwwwww!!) anyway what do u guys recommend? also, This is a pretty good guitar, paid around 70-20 for it, and also, im gonna be probley playing in gigs and infront of our school and i was wondering what would be a good reomendation for good pick-ups? well, i just need to know if i can just lossin the strings alittle w/o the bridge goin way in the geetar
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February 20, 2001 at 8:26 am #31874AnonymousGuest
My friend asked me about this guitar he bought back in the sixties. It is a Fender Duosonic (ser# 01966), anybody have any info on this. White w/red mother of pearl pickguard, 2 single coil p/u’s, 2 slide switches, tone and volume knobs. Age, value, quality? Any info would be welcome, thanks. Skip
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August 3, 2001 at 8:47 pm #81734AnonymousGuest
I picked up a 1962 Fender Duosonic about 10 years ago for around £200 (about $280), which wasn’t in great condition but sounded fine with the volume cranked right up! Still plays OK, but I think the neck is a little twisted as the low E never seems to tune up correctly. Is there a way to fix this?
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February 20, 2001 at 6:14 am #31873AnonymousGuest
I was wondering wher one might go to get a value for a guitar onthe internet. It is used and has a few blemishes. Is thee anything like Kelly’s Blue Book or Edmunds for musical instruments. If I take it to the local guitar shop, how do I know if I am getting a fair price. Thanks in advance for your help in this matter.
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February 20, 2001 at 5:41 am #31872AnonymousGuest
I want to get a ’96 Gibson Chet Atkins Tennessean fair condition please e-mail me.
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February 24, 2002 at 2:04 am #91563AnonymousGuest
Jon, I have a ’96 Gibson Chet Atkins Tennessean (wine red) in excellent condition I am considering selling. Would you be interested? Please email me if you have any questions. : I want to get a ’96 Gibson Chet Atkins Tennessean fair condition please e-mail me.
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February 20, 2001 at 5:32 am #31871AnonymousGuest
This popular thread has been given its own page : Contessa Guitars by Hohner
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February 20, 2001 at 5:27 am #31869AnonymousGuest
i am looking for a marshall g15 RCD, but dont know what theyre like. im only a beginner and dont have much money, so i would be very grateful if any1 could tell me about their performance and generally their price. thanx
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February 20, 2001 at 5:01 am #31868AnonymousGuest
REALLY THANKS FOR YOU HELP!!!!!!! I APPRECIATE..
I found help elsewhere and I’m going to buy a Seymour Duncan Invader i’ve tried one and sound very hot..
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February 20, 2001 at 4:58 am #31870AnonymousGuest
: been looking cant find a thing.
: would apreaciate any infoAt Richard Gendreault Musique, they quote me 2300$ for a DUAL rectifier (the new three channel) they can’t have the price for the new three channel triple rectifier but the difference between the old dual and the old triple was 1000$.. 3300$ for the 3 channel tripe rectifier + 1500$ for the 4×12" cab.
All price are in Canadian.
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March 1, 2002 at 10:12 pm #91715AnonymousGuest
: : been looking cant find a thing. : : would apreaciate any info : At Richard Gendreault Musique, they quote me 2300$ for a DUAL rectifier (the new three channel) they can’t have the price for the new three channel triple rectifier but the difference between the old dual and the old triple was 1000$.. 3300$ for the 3 channel tripe rectifier + 1500$ for the 4×12" cab. : All price are in Canadian.
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February 20, 2001 at 4:01 am #31867AnonymousGuest
Does anyone know of an Elementary School Guitar Method with a Teacher Manual for the non-music (though certified) teacher to develop Guitar Bands in the Elementary School?
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February 20, 2001 at 3:29 am #31865AnonymousGuest
Can anyone suggest a good guitar mixer for under 00.00, and
why it’s a good buy?
Thanks, Joan -
February 20, 2001 at 3:14 am #31863AnonymousGuest
Yes I totally agree, I suppose things do become popular because many jump on the bandwagon. Personaly I don’t think I could handle another string, I have enough trouble with the 6. But I still think I can be useful for more classical music, I am not a fan of limp, to me it’s pants. Plus wasn’t there a saying about adding strings to your bow being a good thing. Perhaps it’s popular in rock for many different reasons than in classical of some jazz. Cheers, Phil
: : Let’s be honest. There are only two reasons that 7 strings are popular again(George Van Eps fans notwithstanding): KORN AND LIMP BIZKIT.
: Steve Vai repopularized it to some extent, but it took those twoto blow it up. Now most manufacturers sell at least seven string models. -
February 20, 2001 at 3:11 am #31860AnonymousGuest
been looking cant find a thing.
would apreaciate any info -
February 19, 2001 at 10:46 pm #31858AnonymousGuest
: Let’s be honest. There are only two reasons that 7 strings are popular again(George Van Eps fans notwithstanding): KORN AND LIMP BIZKIT.
Steve Vai repopularized it to some extent, but it took those twoto blow it up. Now most manufacturers sell at least seven string models. -
February 19, 2001 at 10:45 pm #31854AnonymousGuest
: Let’s be honest. There is only two reasons that 7 strings are popular again(George Van Eps fans notwithstanding): KORN AND LIMP BIZKIT.
Steve Vai repopularized it to some extent, but it took those twoto blow it up. Now most manufacturers sell at least seven string models. -
February 19, 2001 at 10:41 pm #31853AnonymousGuest
: Hi Tara. Couldn’t find a tougher song to cover eh?
Really, I remember reading that James Iha did the solo on that song and used a detuning harmony patch on his digitech IP-333. You couild probably get close with an octave pedal and a whammy pedal. No whammy? Use a slide and whiz it up the strings with some delay.
Good luck. Tell me how it works out. -
February 19, 2001 at 9:27 pm #31855AnonymousGuest
je cherche un site ou je peut trouver des tabs guitare de james brown ou Maze etc…… Merci@+
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February 19, 2001 at 5:00 pm #31852AnonymousGuest
someone please help me decide which is the best unit, Korg AX1000G or ZOOM GFX8 in terms of sound (distortions)???
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February 19, 2001 at 3:08 pm #31851AnonymousGuest
Help, I have a Tokai acoustic (CAT EYES C400)from the late 70:s anbody know anything??tonewoods etc, etc, Thanks Don
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July 23, 2004 at 8:51 am #101420AnonymousGuest
: Help, I have a Tokai acoustic model no.7645 anyone no any information on this guitar
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February 19, 2001 at 2:35 pm #31848AnonymousGuest
: is teh fender hot rod deville a good amp? which is better: the 212 or 410 speaker configuration??
: alexIt’s a great amp. I say that with 30 years experience. I bought a used 410 model. It sounded fair. I put in new Svetlana 6L6GC power tubes and Sovtek 12AXLPS preamp tubes and it became a great amp with big fat rich TONE!
rl -
February 19, 2001 at 11:23 am #31847AnonymousGuest
Anyone have any experience with these? I understand stability
is very good, as well as tonal consistancy. Any comments? -
February 19, 2001 at 9:00 am #31844AnonymousGuest
I’ve had mine for a while and I’m still digging it. Heard some bad thing but I don’t seem to be having much of a problem. Check out my tune and wait for that guitar solo.
Anyone else got one?
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February 19, 2001 at 8:41 am #31843AnonymousGuest
i’m thinking of getting a used ibanez rg550 or 570 which have edge tremolos. is it a good idea to get a tremolo equipped guitar to learn on for a beginner? is it that hard to restring them and tune ’em up? does anyone know of any websites that explain restringing a recessed tremolo equipped guitar? thanks for any help!
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February 19, 2001 at 8:25 am #31842AnonymousGuest
I think the pickup cavity is already routed out so you
can use humbuckers,I’m not sure.But if not,try some high-output stacked pickups before you chop up your axe.Duncan "Screamin’ Demons",Dmarzio HS-3’s, are pretty cool.There are others that you might want to try.
Good Luck -
February 19, 2001 at 8:14 am #31838AnonymousGuest
Ray Gomez was a Fusion cat back in the day.He did work
with Stanley Clarke,Lenny White,Narada Walden and a host of others.I think he’s been out of circulation these days,but he was a huge influence on me.Steve Khan
John Tropea,Cornell Dupree,Icarus Johnson and Lee Ritenour(Captain Fingers)were also big names of 70’s fusion.Most of the stuff Ray Gomez played on was some
baddass fusion classics.He also did guitar tracks for
Cat Steven’s "Was dog a Dounut",a big Funk/Disco hit.-
February 23, 2002 at 5:44 am #91431AnonymousGuest
Ray Gomez… surely the most ignored guitar player, among the great ones! I think he is one of the best, I’d say… Beck, Santana, Van Halen… and Ray Gomez, among others, of course. Or should I say Ray Gomez in first place? I’ve been looking for records with his playing in for years, I’ve been at some gigs… emotion at its maximum level. He impressed me so much that i was for one or two hours after the gig wandering around the city, trying to recover.. serious! He’s the essence, the heart of the real thing in rock, jazz, soul, r’n’b… energy!!!
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February 19, 2001 at 7:31 am #31840AnonymousGuest
i have a ibanez rg100 so i want to know everything about it, like year it was made, price, pickups brand and model, wood of the body, wood of the neck, model of the brige, the guitar have a H,H pickups config, is "made in korea" it says, have 21 frets, one volume control and one tone control, is black, and the serial #p706801 i cant find this guitar on the internet neither on the oficial page :((
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March 7, 2002 at 4:45 am #92074AnonymousGuest
I also have one of these, but it is solid white – the action is great, and it plays beautifully! I would also like the info. requested below! : i have a ibanez rg100 so i want to know everything about it, like year it was made, price, pickups brand and model, wood of the body, wood of the neck, model of the brige, the guitar have a H,H pickups config, is "made in korea" it says, have 21 frets, one volume control and one tone control, is black, and the serial #p706801 i cant find this guitar on the internet neither on the oficial page :((
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February 19, 2001 at 6:43 am #31839AnonymousGuest
I don’t know what you mean by "twisting" the arm. You should either push the arm down towards the body, or pull it up to change the note or chord (or go back and forth for a tremolo sound). The arm shouldn’t be screwed in tight. It should just hang there until you want to use it. It sounds like to me that you are trying to screw it in farther to use it, instead of pushing down or pulling up ??
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February 19, 2001 at 6:32 am #31837AnonymousGuest
Eddie G is right. But if your not going to take lessons, a good place to start is to try and mimic your favorite songs, not just the notes and chords, but the sound as well. It is always good to practice scales, but don’t limit yourself to just pentatonic scales. If you don’t read tab , learn it.
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February 19, 2001 at 5:05 am #31835AnonymousGuest
I’ve find the Seymour Duncan Custom SH-5.. does it’s a good pickup for punkrock, hardcore, ska? The D.C. Resistance is 14.1k.. if I found another pickup with 14.1k of D.C. Resistance, does it will have the same sound?
Thanks!!
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February 19, 2001 at 4:07 am #31834AnonymousGuest
A really nice song by the Mudrakers (When I fall). Seems to be easy fingerpicking but having trouble with chords in the intro. Could someone with a better ear than me tell me their take on it….I have Cadd9, C(?)…Thanx
Here is the Link you need a MP3 player to hear it
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February 19, 2001 at 3:00 am #31833AnonymousGuest
I have a Fender Concert II. Does anybody know where I can get a schematic for that amp.
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February 19, 2001 at 2:39 am #31831AnonymousGuest
: Hi, my name’s Tara. My band want to cover Zero by Smashing Pumpkins, but have no idea what to do with teh solo. Any ideas on what he’s actually playing during that part? It’s really urgent, so please help!
: Tara
Hey Ive been coverin that song for a while, and I had your very problam. The solo is frightning and strange so you should just do what I do and blab somethn out on the guitar with loadsa tremelo, chorus and wah, it should sound the same. (make sure you have a bass or a guitar keepin rythm) -
February 18, 2001 at 11:53 pm #31829AnonymousGuest
Hi, my name’s Tara. My band want to cover Zero by Smashing Pumpkins, but have no idea what to do with teh solo. Any ideas on what he’s actually playing during that part? It’s really urgent, so please help!
Tara
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February 18, 2001 at 11:07 pm #31827AnonymousGuest
Teles rule.
I played a strat for years, had a go on a mates Tele, and was totally converted. bolocks you can’t get a beast beefy tone out of them, stick a set of 11’s on, and it sounds awesome, just look at Keef. Bombproof too, no trems or delicate bridge set ups…..Teles are the best guitar out there.: Help!
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February 18, 2001 at 5:12 pm #31825AnonymousGuest
Eddie who is Ray Gomez, how old is he, & what is his style of playing. I have over 1300 albums but I have never heard of this guy. I am only asking because I am interesed in having a listen, but I wouldn’t want to get the ablum if it was a mix of indian dog culture, crossed with icelandic folk dance, if you know what I mean. If you could give a bit of backround & maybe what albums to look out for. Cheers mate Phil G
: Ray Gomez,"School Days"(Stanley Clarke),The guitar dual
: between Neil Schon and Ray Gomez,"And We Meet Again"
: (Lenny White).Tommy Bolin,"Quadrant 4"(Billy Cobham).
: I really like Mike Hampton’s solo on the Live Dr.Funkenstein,well constructed,kinda bluesy and kinda
: pretty in section 2.My favorite solo’s are the simple ones,so I didn’t list them.
: Thanx -
February 18, 2001 at 5:10 pm #31824AnonymousGuest
: i just got a LP epiphone, do i need to register to get the warranthy or something?
Go to http://www.gibson.com, scroll down to the bottom of the page and they have a link for
registering Epiphone warranty. Big question why they don’t have the same link on the
epiphone page :^)….Doug
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February 18, 2001 at 4:57 pm #31822AnonymousGuest
I get a great maiden sound out of my strat (Phantom, Aces, 2mins etc). I use a mashall jackhammer distortion pedal, touch of reverb, & the secret weapon, a pitch shifter (very different to chorus). If used correctly a pitch shifter is awesome for thicking sounds, what I do is send the right channel down a 10th of a semitone & the left up a 10th. I am not a great lover of expensive guitars, look at it his way man went to the moon on technology that was weaker than a scientific calculator which was placed in a washing machine, but look at the pc’s we have today. The same is for guitars on the whole £250 get’s you a great guitar. I am sure many of the older players would agree that us babies are very spoilt for choice. SO on that note, just think of how many FX units are out there, today you can get almost any sound these units & of course you ears. However the only sound that I think a strat just can’t get, or any other guitar for that matter is the gibson SG, if I ever get rich I am going to by me a few of these. See YA phil
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February 18, 2001 at 4:46 pm #31821AnonymousGuest
Look at it this way, Keith Richards would say why do people play a 6 string when they can’t master a 5? Personaly I think an extra string can be very useful ie in bass runs, finger picking or thicking chords, listen to a bit of Egberto Gismonti it’s a mix of very complicate jazz with a touch of classical & brazilian styles thrown in, he plays a 7, 9, 13 string it’s a very different sound, sounds like 3-4 seperate instruments. Well that’s what I think, I suppose there are many other styles & sounds other than blues, rock & metal.
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February 18, 2001 at 3:19 pm #31820AnonymousGuest
THE LIST IS ENDLESS, TRY SOME JEFF BECK,EDDIE VANHALEN,JOE SATRIANI,STEVE VAI, ALBERT LEE,GREG HOWE,ALLAN HOLDSWORTH,DAVE GILMOUR AND LETS NOT FORGET "JIMI HENDRIX".ITS GREAT LEARNING OTHER PEOPLES SOLOS, BUT ITS EVEN BETTER CREATING YOUR OWN. GOOD LUCK. TOM
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February 18, 2001 at 3:10 pm #31819AnonymousGuest
i just got a LP epiphone, do i need to register to get the warranthy or something?
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August 12, 2002 at 5:06 am #98309AnonymousGuest
serial number U00122276: i just got a LP epiphone, do i need to register to get the warranthy or something?
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February 18, 2001 at 3:04 pm #31817AnonymousGuest
?
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February 18, 2001 at 2:59 pm #31814AnonymousGuest
: when i use a acoustic my right fingers are too bad, and my sound is very weird but in the electric i dont have problems, is bad that?
I can play the best Martin they ever made and make it sound like crap; I just have nothing going on an acoustic. I got over it a long time ago….
Doug
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February 18, 2001 at 2:34 pm #31816AnonymousGuest
My bad – Darren I mean..
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February 18, 2001 at 2:34 pm #31815AnonymousGuest
You are kidding Darell Right? please??
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February 18, 2001 at 2:30 pm #31813AnonymousGuest
The Voodoo Labs will power anything supposedly according to the company- I haven’;t come across one pedal it hasn’t – I use it on EH Small Clone and MY EH Bad Stone-(Battery Clip) You may have to buy a different adpaptor as the ones they give most of are for the boss Style adpators- Open the box when you buy one and you’lls ee what I mean- but a very worthwhile investment overall- made my life 100.000000000X easier.
Rai
http://www.SimpLe168.com -
February 18, 2001 at 2:23 pm #31812AnonymousGuest
What is the stylus trick where you "feel" the tip of the pick- thanx..
Rai
http://www.simple168.com -
February 18, 2001 at 2:20 pm #31811AnonymousGuest
i have a chance to buy my friend’s white mexican strat for a good price. i mainly play heavy metal along the lines of iced earth, iron maiden and megadeth. with some death metal/grindcore sometimes. if i replaced the stock single coils with two humbuckers can it get beefy sounding? i’m thinking of getting a dimarzio x2n at the bridge, and a dimarzio air norton at the neck. and some graph tech saddles and nut. maybe some sperzel locking tuners.
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November 7, 2001 at 5:04 pm #85872AnonymousGuest
yea iron maiden used a fender strat but japan made.If ur lookin to sound like heavy like cannibal corpse or six feet under if u know who they are there heavy but guitars for that music is like a jackson or esp.Id say the fender would be good enough If you get them pups in it for iron maiden and megadeath stuff like that.
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February 25, 2001 at 8:41 pm #80276AnonymousGuest
Have you ever listened to , RITCHIE BLACKMORE FROM DEEP PURPLE < OR YNGWIE MALMSTEEN OR IRON MAIDEN OR JAKE E. LEE FROM OZZY OSBOURNE or DAVID GILMOUR AND 10000 of other master metal and heavy souding players , they all play STRATS.
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February 18, 2001 at 12:12 pm #31809AnonymousGuest
Hi everybody! I would like to have some advice on what kind of humbucker pickup to choose to play punkrock! and If you can have it, please tell me the d.c. resistance.
Anyone know the dc resistance of the humbucker used by a big punkrock band? Like millencolin, NOFX or something else!!!!
Sincerly Thanks! Hopefully waiting for an answer!!
You can send the answer by email at [email protected]
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February 18, 2001 at 10:09 am #31806AnonymousGuest
I have been searching for a set of 50’s era goldtone Grover Imperial Tuners for a Gibson L5C with no luck.
Does anybody have these or know where I might find them ?-
August 29, 2002 at 10:14 pm #99085AnonymousGuest
: I have been searching for a set of 50’s era goldtone Grover Imperial Tuners for a Gibson L5C with no luck. : Does anybody have these or know where I might find them ? Try stewmac.com
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February 18, 2001 at 8:02 am #31807AnonymousGuest
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February 18, 2001 at 7:59 am #31805AnonymousGuest
guitar begginers try this out i foound it cool and it’s free
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August 3, 2001 at 11:05 am #81759AnonymousGuest
i have just bought a guitar never played before and want todownload some tuition
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February 18, 2001 at 6:37 am #31802AnonymousGuest
I dont know what a la Trey Azagoth is but I know one thing. Speed picking is in the elbow not the hand. Use heavy gauge pick and use the elbow. NO WRIST!!!!
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September 1, 2001 at 1:54 am #83151AnonymousGuest
: I dont know what a la Trey Azagoth is but I know one thing. Speed picking is in the elbow not the hand. Use heavy gauge pick and use the elbow. NO WRIST!!!! Speed picking can be developed by many ways. The elbow only coment is somewhat unfounded. However if you want speed the elbow should function like where a ROD is connected to a crankshaft and your pick is the piston. The wrist will help a great deal when it comes to string skipping. Also to better define my argument watch EVH when he does his tremelo/speed picking its almost all wrist and trying to emulate that will drive ya crazy. GET a metronome and practice chromatic and scalular exercises using down, up picking. Also make sure you can move from string to string fluintly. K. Hammett would just sit and watch TV while playing open strings. Developing skills like Trey’s is admirable but find your own voice because music will come out of you then.
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July 8, 2001 at 2:20 am #80667AnonymousGuest
I spent a little time with Al Dimeola just before I left to attend Berklee and he held my wrist and hand and showed me how his picking technique is derived 100% from the wrist. No elbow. Onthe other hand, I took several lessons from Harry Leahey and he showed me how his technique is derived 100% from the elbow. The point is that no one technique is correct for everyone. You can read more about this in the Stylus Pick method which you can get at http://www.styluspick.com. Great posts, everyone, Rock On!
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February 18, 2001 at 5:39 am #31804AnonymousGuest
I play Blues, already have a Deluxe, and got a serious jones for that Bassman. I just hope I don’t miss that reverb. Anyone own both? Which do you prefer and why?
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January 9, 2003 at 5:57 am #80742AnonymousGuest
Hiya from Ireland, Did you ever get that bassman and if so how did you get on without the reverb and single channel. I’ve almost decided to break the bank and buy one! I’d really appreciate any feedback if you can. Thanks : I play Blues, already have a Deluxe, and got a serious jones for that Bassman. I just hope I don’t miss that reverb. Anyone own both? Which do you prefer and why? : http://artists.mp3s.com/artists/144/oscar_jordan.html
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February 18, 2001 at 5:12 am #31799AnonymousGuest
http://www.geocities.com/Athens/Olympus/6220/noframe.htm
Go here, the about the guitar has changing the strings and other basics. The other areas get more advanced.
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February 18, 2001 at 3:45 am #31796AnonymousGuest
I got a Fender Stratocaster an just got new strings.this is my first time changing strings on my own i usually pay an have it done. can somebody please help me?
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March 7, 2004 at 7:29 am #115657AnonymousGuest
: how many times a year do i change my strings?
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January 25, 2004 at 11:09 am #85924AnonymousGuest
: I got a Fender Stratocaster an just got new strings.this is my first time changing strings on my own i usually pay an have it done. can somebody please help me?
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February 1, 2004 at 9:49 am #86888AnonymousGuest
this is my first time changing my guitar strings and i can’t find any help.
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July 1, 2003 at 9:12 pm #87886AnonymousGuest
Im a new guitarist i have a electric fender guitar(squier)i broke a string but dont know how to replace it.Help
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February 28, 2004 at 11:45 pm #90455AnonymousGuest
I’m trying to change the strings in my Fender Stat but I cannot get the strings to come out the back of the guitar. This is my first time changing the strings. Thank you for any help.
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September 12, 2003 at 8:33 am #92590AnonymousGuest
Im a new guitarist i have an electric ibanez guitar. i broke a string but dont know how to replace it. Thanx
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January 1, 2004 at 11:06 pm #114703AnonymousGuest
: Im a new guitarist i have an electric encore guitar. i broke a string but dont know how to replace it. Thanx
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February 18, 2001 at 2:30 am #31793AnonymousGuest
I know what the arm does but , mine just drives me mad. I would hold a note , twist the arm but nothing much would happen. But the strings will change pitch if I tighten it very hard, but then I cant use it during solos , PLease help
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December 8, 2001 at 12:25 am #108466AnonymousGuest
buy an Ibanez edge or lo-pro edge, that would be your best option. You will not have this problem anymore.
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February 18, 2001 at 1:02 am #31795AnonymousGuest
Hmm.Take your time and make sure your fingers are properly curled over the fret board.Position your left hand so that only the tips of your fingers are pressing
the notes.Then strum up and down,just brushing the strings.Try not to press the strings too hard,you only need a little presure to ring the notes.Playing clean chords will take some practice.So,put in at least two hours a day doing just that.You’ll get it.
Good Luck-
February 21, 2001 at 11:17 pm #80290AnonymousGuest
: Hmm.Take your time and make sure your fingers are properly curled over the fret board.Position your left hand so that only the tips of your fingers are pressing : the notes.Then strum up and down,just brushing the strings.Try not to press the strings too hard,you only need a little presure to ring the notes.Playing clean chords will take some practice.So,put in at least two hours a day doing just that.You’ll get it. : Good Luck
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February 18, 2001 at 12:47 am #31794AnonymousGuest
I would find a teacher,someone you feel comfortable with and who’ll teach you what you need to know.You’ll
progress rapidly and he/she can point out your weak spots and help you develope them.
Good Luck -
February 18, 2001 at 12:40 am #31790AnonymousGuest
I’d wait a little while and let the pickups get broken in a bit before i change ’em. If your having trouble staying in tune,check with your guitar tech. It could be the tremelo,neck setup,or mechine heads.
Good Luck -
February 18, 2001 at 12:35 am #31791AnonymousGuest
Ray Gomez,"School Days"(Stanley Clarke),The guitar dual
between Neil Schon and Ray Gomez,"And We Meet Again"
(Lenny White).Tommy Bolin,"Quadrant 4"(Billy Cobham).
I really like Mike Hampton’s solo on the Live Dr.Funkenstein,well constructed,kinda bluesy and kinda
pretty in section 2.My favorite solo’s are the simple ones,so I didn’t list them.
Thanx -
February 18, 2001 at 12:12 am #31788AnonymousGuest
have you ever heard of one
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February 17, 2001 at 9:08 pm #31787AnonymousGuest
I made these two up. One is cool, one is just wrong.
What do you call philisophical monks?
Deep FriarsWhy did the cannibal always eat gays and quadroplegics?
His mother always told him to make sure to eat his "Fruits and Vegetables."Sorry
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February 17, 2001 at 8:00 pm #31786AnonymousGuest
Hi, my name’s Tara. My band want to cover Zero by Smashing Pumpkins, but have no idea what to do with teh solo. Any ideas on what he’s actually playing during that part? It’s really urgent, so please help!
Tara
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February 17, 2001 at 7:57 pm #31784AnonymousGuest
I’m a begeining to learn to play the guitar, has any one got any tips when playing chords i always seem to find that my fingers tough the other strings or the the note doesn’t play properly, i know i have to practice but i have been and it doesn’t seem to be getting any better, i can’t strum one chord, help!
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February 25, 2001 at 8:49 pm #80271AnonymousGuest
: I’m a begeining to learn to play the guitar, has any one got any tips when playing chords i always seem to find that my fingers tough the other strings or the the note doesn’t play properly, i know i have to practice but i have been and it doesn’t seem to be getting any better, i can’t strum one chord, help! you could go to a G -shop and by one of those finger exercisers for guitar players , they come in different tensions and work real well for me , and in no time my finger where beef , and it only costs about 20 bucks , and also do that exercise 30 min befor playing and warm up your fingers , it’s like anything else , warm it up first , and you could even do this anywhere , oh ya last but not least PRACTICE !!
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February 17, 2001 at 7:50 pm #31785AnonymousGuest
Hi
I desperately need the tab for the Mission Impossible 2 soundtrack 2 song Nyah by Hans Zimmer. Maybe it’s to hard to spot it?
Mail me if you know how to get it!-
April 1, 2002 at 9:38 am #93383AnonymousGuest
I need it too 🙂 /A.
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December 29, 2001 at 2:23 pm #88433AnonymousGuest
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December 1, 2001 at 4:05 pm #87049AnonymousGuest
I’m too looking for this tab… Send it to me too!!
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October 26, 2001 at 12:01 pm #85355AnonymousGuest
Find me by e-mail on msn I got a nice tab for ya 🙂
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February 17, 2001 at 4:10 pm #31781AnonymousGuest
: how are you satisfied with the guitar?
pretty satisfied with it
it does what u want, the action needs to be adjusted a bit but otherwise its a pretty sweet guitar -
February 17, 2001 at 3:44 pm #31783AnonymousGuest
Practice for 2 hr a day with G A D C Em in their open position & in 6 weeks you will strum them easily. After this go to bar chords try to get F, & then you will learn chords in seconds. A great song to start with is luck man by the verve. It starts G – just to 2 downward strums, then D – just to 2 downward strums then A – which has about 4 strums. This goes around about 5 times then us Em, G, D, A for the chorus. After a couple of weeks you will nail these chords & will develope a strumming style to match the song & hey presto your playing a song. Guitars are very, very easy to play, it’s practicing that’s hard. When practicing just remember, the road to ruin is paved with good intentions! Amen.
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February 17, 2001 at 3:18 pm #31782AnonymousGuest
Frank Zappa, too many to list my favs are black napkins, muffin man, city of tiny lights. If you are new to the world of Zappa then listen to the strictly commercial album for a taster. As he did make over 250 albums, he is without doubt the best guitarists ever born, some are faster (slightly) but Frank can play any style from rock to jazz to bebop. Every guitarists should have at least some Zappa music. Phil G
: I am looking for the most impressive guitar players I can find so I can learn their solos.Any suggestions?
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February 17, 2001 at 10:02 am #31779AnonymousGuest
I’ve had an acoustic for a couple of years and have learned all the basic chords and feel somewhat comfortable with it. Now, I just bought a Fender Fat Strat and want to start getting serious. My interests are rock, blues, heavy stuff etc. What’s the most efficient way to learn? How do I make the best use of my practices? Playing up and down the Pentatonic scale over and over? Trying to mimic my favorite songs? Or are there any really good books out there? Thanks!
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February 17, 2001 at 9:47 am #31780AnonymousGuest
This popular thread has been given its own page : Jackson Surfcaster’s lipstick pickups
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February 17, 2001 at 8:30 am #31776AnonymousGuest
Whammy bar is just slang for Tremolo arm. Using it just takes practice. Listen to some early VanHalen, eddie knows how to use it. A unison bend is just bending more than one note at a time, at the same time,
in unison. Make sense? -
February 17, 2001 at 8:23 am #31775AnonymousGuest
Stevie Ray Vaughn comes to mind. The solos on the songs "Crossfire" or "Tightrope" off his "In Step" CD
are still some of my favorites. Check out the band
"Dream Theater" for some cool licks too. -
February 17, 2001 at 8:22 am #31777AnonymousGuest
Stevie Ray Vaughn comes to mind. The solos on the songs "Crossfire" or "Tightrope" off his "In Step" CD
are still some of my favorites. Check out the band
"Dream Theater" too. -
February 17, 2001 at 8:00 am #31774AnonymousGuest
Man if u want a REAL guitar player Learn some ‘Joe Satriani’ some famous guitar songs by him are The Forgotten , Midnight , and Tears in the Rain, if u can play Midknight u must be an alien
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February 17, 2001 at 7:58 am #31772AnonymousGuest
I have a 7string washburn with floyd rose and i jsut bought a Standerd Fernandes (vertigo) its a great guitar but im wondering if i should put liek gibson humbuckers in it and better tunning knobs to make it stay in tune better and stuff, i’d hate to waste the money and buy another guitar
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February 17, 2001 at 7:05 am #31773AnonymousGuest
: I am looking for the most impressive guitar players I can find so I can learn their solos.Any suggestions?
Brent mason(country) is the best guitarist I’ve heard in a long time. I recently won instrumentalist of the year for the country in the nationals in Las Vegas playing one of his songs. Hotwired is the best song. Also "nervous breakdown" by brad paisley and "roller coaster" by keith urban. You may not appreciate country, but this stuff is absolutely UNREAL!!
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February 17, 2001 at 6:56 am #31771AnonymousGuest
Where can I find good "beginner level" help for learning to use music programs such as logic audio, fruity loops, etc.?
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February 17, 2001 at 6:05 am #31770AnonymousGuest
What is the difference? I would also like to know how to use my tremelo arm. Ps. What the hell is a unison bend?
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February 17, 2001 at 3:59 am #31767AnonymousGuest
I am looking for the most impressive guitar players I can find so I can learn their solos.Any suggestions?
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August 10, 2002 at 10:11 pm #98162AnonymousGuest
: I am looking for the most impressive guitar players I can find so I can learn their solos.Any suggestions? Kerry King from Slayer is like #3 in the world’s top 50 guitar players.
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February 17, 2001 at 3:29 am #31768AnonymousGuest
Practice, practice, practice. The more you practice the easier it gets.
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February 17, 2001 at 1:26 am #31769AnonymousGuest
This popular thread has been given its own page : TECH 21 TRADEMARK 60 AMP
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February 17, 2001 at 1:21 am #31766AnonymousGuest
I’m just starting to play the guitar but am having great difficulty playing any chords how long does it take to learn a chord for total beginers, are my nails to long (I’ve cut them as short as I can!). Even spending time trying to get my fingers in the right places the chords sound flat my fingers are touching other strings let alone strumming from chord to chord. does it just take practice or what? any info or advice would be appreciated
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February 17, 2001 at 12:35 am #31764AnonymousGuest
Bought a Boss AW-3.It can get sounds like the Mutron 3
and Ibanez AF-9.Plus it can go auto-wah,has expression
pedal jack and separate Bass guitar jack.I’m very impressed! I think you’ll be too. -
February 16, 2001 at 11:53 pm #31765AnonymousGuest
Sorry, I hit the wrong key. I saw this thread by chance and wanted to offer my opinion on electronic tuners. If you choose to use one as the sole method of tunning, you are risking the chance of having a lazy ear. That is, you won’t be able to tune without one. When playing a gig, yes, they are very useful since you can’t hear yourself as well. At practice, avoid them. You will learn to tune and that,in itself, requires practice. I use a tuning fork to get started after changing strings, but thats about it. When playing with friends, I let them tune with their tuners and then I tune to them.
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February 16, 2001 at 9:36 pm #31762AnonymousGuest
What’s the principle behind diagonal patching on
a 4 input valve amp (two by two inputs)? Are
there limitations on when and with what it can
be done? -
February 16, 2001 at 9:32 pm #31763AnonymousGuest
What’s the principle behind diagonal patching on
a 4 input valve amp (two by two inputs)? Are
there limitations on when and with what it can
be done? -
February 16, 2001 at 6:33 pm #31760AnonymousGuest
I am looking for a Orange OR-120 Head w/overdrive, also looking for 70’s orange 4/12 cab w/greenbacks, in good condition only.cash on hand. Thanks !
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February 16, 2001 at 2:03 pm #31759AnonymousGuest
Hmm.A difficult question.Tone quality is a subjective thing.What sounds good to you or I may sound like shit
to someone else.I think a lot of it depends on your ear
and musical influences,this will shape your perception
of tonal quality.Like Women(no disrespect) who want to look like Cindy Crawford,we strive to sound like our guitar heros,often in vain.Studio technology can change and re-arrange sounds tremendously,so it’almost impossible to get the same tone.Also, a lot of the tones we hear are usually accidents that sound good.My first instructor wouldn’t teach me riffs or solos because he wanted me to sound like MYSELF.I don’t have the fingers of Eddie V.,Ray Gomez,or Billy Gibbons.I can only try to understand where these dudes are coming from.In the end I think it’s really about picking YOUR tones and style and being happy with our own sound.
Play on players! -
February 16, 2001 at 1:37 pm #31758AnonymousGuest
The cry-baby still rules in my book!!
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February 16, 2001 at 12:51 pm #31757AnonymousGuest
I bought an Ibanez RG7420 7 string not too long ago, abd I need to re-string it, but I cant figure out how in the hell to do it. Any players out there that can help me? It would be much appreciated.
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October 19, 2001 at 12:39 pm #85110AnonymousGuest
Dude, you have to get an allen-key that will fit the the screws on the locking nut. loosen them. loosen the strings with the tunning keys. use the same allen key to loosen the locking mechanism on the bridge and pull the sting out. re-string it. let the strings stretch for about a day before you re-lock the nut. Hope it helped… Dave Sheldon
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February 16, 2001 at 11:23 am #31755AnonymousGuest
i was wondering if anyone here has ever played the nj virgin. im sure it wont stack up to my les paul, but its the coolest guitar ive seen, especially for a metal head.
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February 16, 2001 at 9:42 am #31756AnonymousGuest
: Amen Brother. Tone, or what ever you want to call it depends a great deal on how tasty the playing is. However, obviously those same flavourful licks will sound better or worse to some degree depending on the gear. We shouldn’t send the message that you can buy tone.
: b:My main rig use to be a Gibson 345 through a Twin. I had a LP style axe made for me at the time I was useing the 345. Upon hearing the CUSTOM made LP,all my band members stated,"the 345 sounds better." Now,so everyone understands,that was me playing both axes,through the Twin,useing the same picks and cord. Also the same songs. Is someone going to say that they WEREN’T hearing a TONAL difference in the guitar??
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February 16, 2001 at 9:35 am #31754AnonymousGuest
Howdy folks.
I’m looking for a special type Tele replacement bridge. The allen screws in the saddles should sit in grooves in the base plate so that they don’t shift sideways when encontering heavy handed playing. I think several manufactuers made these a while back, but I can’t seem to find one. Oh yeah, black chrome is a must!
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February 16, 2001 at 5:31 am #31752AnonymousGuest
You could either:
A- Just cut the holes in the existing one
B- But another one and cut holes in that
C- Buy Material from Stew-Mac and make your own
D- Maybe Warmoth makes one that’s S-S-S?
Good luck,
-Rick -
February 16, 2001 at 5:25 am #31753AnonymousGuest
Are you sure the address is right?
: Keith,
: The Tokai Guitar Registry has been setup to help folks like you determine the date of their Tokai’s.
: Please head on over and register your guitar. -
February 16, 2001 at 5:20 am #31751AnonymousGuest
The Japanese ones are plenty good too, you know.
-Rick -
February 16, 2001 at 5:12 am #31750AnonymousGuest
Why not try a Deluxe reverb? Not one of those new Hod rod deluxe’s, an older silver or blackface model.
: I’ve had a Blues Deville, a 70’s Twin Reverb and a reissue Vibrolux reverb. Still not satisfied. I’m looking for a lowdown, dirty but powerfull sound. Not too big or too heavy, suited for small club-gigs. An amp that also sounds rich on low volume!!!
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February 16, 2001 at 4:47 am #31748AnonymousGuest
Does anyone have one of these and if so how do you get a really good metal distortion kinda Metallica style any info would be greatly appreciated please reply
Cheerz -
February 16, 2001 at 4:43 am #31746AnonymousGuest
I have run into a problem while trying to install pickups on my Fender Strat guitar. While I was trying to take the pickguard off, the two screws at the bottom would not come out. I would apprecite some assistance, thanx,
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February 16, 2001 at 2:38 am #31744AnonymousGuest
need tips and trick for all round(pop to rock to metal)playing live performance in the pub
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February 16, 2001 at 2:07 am #31745AnonymousGuest
Mfg around the mid ’60’s…looking for tuning pegs, mine are pooping out.
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February 16, 2001 at 1:02 am #31743AnonymousGuest
Okay there are 2 considerations, if you just want to record in high quality use a sound blaster live value at £45, don’t spend your £150 on the full live or platinum, they are the same card with the same synth but have 5.1 decoder. Trust me I have set up many studios & know. However what you must consider is, are you going to record vocal or guitar onto a seperate track whilst the sound card is playing the backing track? If you are then you need a full duplex card. Now let me say this very clearly no sound blaster card is full duplex. It may say so on the box, but what it doesn’t say is that it only does this in shitty 8 bit, plus if you wish to add an effect ie an aural exciter or vocal harmonizer on the fly the latency is so long your ears & mouth will just go pare shaped. So this card is only good for recording 1 track at a time with no effects added on the fly. If I was you I would save you hard earned cash & buy a Yamaha sw1000xg which I have also fitted in many professional studios. In a nutshell it’s the dogs bollocks. Read some reviews or check out their web page at http://www.xgfactory.com/
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February 16, 2001 at 12:59 am #31742AnonymousGuest
I have the basic original regular ‘ol Dunlop Crybaby, and I love it. They are only about 0 new. It’s the classic wah sound with no gimmics, no nonsense. Just pure growling tone. I wouldn’t get a used one because wah pedals tend to get a lot of abuse and they aren’t that expensive new.
: I’m wondering which wah pedal i should buy, i heard the cry baby are good but i have never used one.
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February 16, 2001 at 12:56 am #31740AnonymousGuest
Check out eBay. They had one yesterday. Do you know there are both USA and Japan HM Strats? If you want the uSA make sure it’s legit.
: HI, EVERYONE, I’M LOOKING FOR A FENDER HM STRAT ;DOES ANYONE KNOW WHERE I CAN BUY GUITAR LIKE THAT???
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February 12, 2004 at 9:46 pm #115364AnonymousGuest
i have a h.m. floyd rose i believe to be a japaneese model with a usa neck plate countoured heel joint might be an hrr
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August 16, 2001 at 11:02 am #82360AnonymousGuest
If you are still looking, they still come up on Ebay (one’s up for the 3rd time) not a bad price but it’s been "modified". Check out eBay. They had one yesterday. Do you know there are both USA and Japan HM Strats? If you want the uSA make sure it’s legit. : : HI, EVERYONE, I’M LOOKING FOR A FENDER HM STRAT ;DOES ANYONE KNOW WHERE I CAN BUY GUITAR LIKE THAT???
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February 16, 2001 at 12:32 am #31741AnonymousGuest
Amen Brother. Tone, or what ever you want to call it depends a great deal on how tasty the playing is. However, obviously those same flavourful licks will sound better or worse to some degree depending on the gear. We shouldn’t send the message that you can buy tone.
b -
February 16, 2001 at 12:22 am #31739AnonymousGuest
HI, EVERYONE, I’M LOOKING FOR A FENDER HM STRAT ;DOES ANYONE KNOW WHERE I CAN BUY GUITAR LIKE THAT???
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October 1, 2003 at 6:19 pm #94237AnonymousGuest
Da, mai! Vino la brasov sa vezi ce de chitare Fender gasesti!
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November 23, 2001 at 3:35 am #86564AnonymousGuest
: HI, EVERYONE, I’M Playing A FENDER HM STRAT but I’M looking for more information about the pichups of this guitar. I chanched the tremolo and it’s now a Floyd Rose Low Pro Edge and the neck-pickup is now a Dimarzio Fastrack II. The last 12 frets are scaloped (like Malmsteen and Vai).
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November 17, 2001 at 1:58 am #86392AnonymousGuest
: HI, EVERYONE, I’M LOOKING FOR A FENDER HM STRAT ;DOES ANYONE KNOW WHERE I CAN BUY GUITAR LIKE THAT??? http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItem&item=1486047471
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February 15, 2001 at 11:05 pm #31738AnonymousGuest
i mean RICH
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February 15, 2001 at 11:04 pm #31737AnonymousGuest
that depends on what type of wah u want. I have tried almost all kind oh wah, but it seems that only dunlop 535Q cry baby rules! this babe got 6 different setting of different wah. u can even control that wah level and variation level under the stomboxes( it seems to be the only drawback cos u need to turn the whole thing over and adjust,BUT as a engineer i know that design will ensure the best durability of the unit)
it will wah your balls to the wall……
dont get some stupid wah with not much variation in wah level…cos we r (at least i am ) not reach enought to buy a wah and we cant hear clearly the difference b4 and afther using it. -
February 15, 2001 at 10:54 pm #31736AnonymousGuest
Tone, Total bollocks or the mystery gift from the guitar gods?
With all our Fx pedals, studio gear, mixed-string gauges, guitars, changing pick ups, putting our speakers on wooden floors, spinning turntables & playing whilst hanging upside down in the shower room, what are we achieving. What is all this talk about tone, what is it, who’s got it, how do you copy it & how do you get good tone of your own. Is this a load of bollocks or the most important area of guitaring? If so why? All I know is in the last 3 yrs I have played with more knobs than Pamela Anderson, only to later to find out tone is also all in the picking, style on playing & technique. Clearly no-one really knows where tone is, & all I know is when someone finds him, the last thing they do is tell every fucker else. So if you have found our tone, please tell us! Phil.
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February 15, 2001 at 10:28 pm #31735AnonymousGuest
Well you should go to the doc, but he’ll probably tell you to rest it. I have a funny feeling I know what it may be, because I get it now and then from Bricklaying. When I get calluses from laying bricks it hurts slightly but I still have to lay (no lay no pay)& what happens is your fingers sweat & soften the calluse, then you fingers get very sore, & your brain (nervous system) reacts by attempting to stop you griping, touching with these finger tips, so you get a jerking action. After this phase your tips of your fingers are just numb but the ligaments & joints are very tight & sore. The easest way to see if you fingers are overworked is to ask yourself if you can still grap hot things that you could do before ie a cup of tea. IF this is the case then I suggest you cut you playing time down untill you heal. Plus check your technique. But most importantly of all warm up before playing. However if you are like me & work a great deal then screw the warm up & do what I do Place Your Hands in Hot Water for 2 mins (I wash the dishes before playing, my wife thinks I do this for her, so shhhh!). I hope this helps, but remember use some common sense & have a word in your doc’s ear, plus warm up before playing. I haven’t been playing that long, but the one thing I know is that it gets a lot easier, soon you will be graceful on the strings with just enough force to get the notes & your hands will be stronger, more subtle & with not a calluse in sight. So good luck & good health
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February 15, 2001 at 10:03 pm #31734AnonymousGuest
I’m into week four now of my improv project. I have posted a song at my mp3 page called "Weekly Improv" and each week I replace the track with a new one, completely improvised, at: mp3.com/jimgraham feedback is welcome
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February 15, 2001 at 9:20 pm #31732AnonymousGuest
I’ve had a Blues Deville, a 70’s Twin Reverb and a reissue Vibrolux reverb. Still not satisfied. I’m looking for a lowdown, dirty but powerfull sound. Not too big or too heavy, suited for small club-gigs. An amp that also sounds rich on low volume!!!
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February 15, 2001 at 7:37 pm #31733AnonymousGuest
send me pictures… example tanglewood chicago or others…. pleace!!!!!
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June 4, 2002 at 4:43 am #95936AnonymousGuest
hi im looking for some pictures of tanglewood guitars (eletric) with a blue body with wood streaks on it like a wood stain pls could you send me a pic of the guitar and could you tell me where i can buy guitar stickers (ie flames which i can stick on my guitar body) thnx please write bck
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February 15, 2001 at 5:46 pm #31731AnonymousGuest
I’m wondering which wah pedal i should buy, i heard the cry baby are good but i have never used one.
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February 15, 2001 at 4:35 pm #31728AnonymousGuest
EMG 81 rules….just watch how kirt plays at live
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February 15, 2001 at 4:33 pm #31729AnonymousGuest
for guitar and keyboard composition….and vocal too
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February 15, 2001 at 12:13 pm #31725AnonymousGuest
does the triple rectifier have any major advantages over the dual besides 50 extra watts? which would you recommend for brutal distortion? also, i’ve only seen the triple in a goldish color, but does it come in black, too?
thanks, guitrage
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February 15, 2001 at 10:00 am #31723AnonymousGuest
Hey Raven!
Any fan of trey’s I’ll be happy to pass some hints.
I use Dunlop sharp point 1.35 picks with very heavy gage strings. (.13-.56) The strings don’t help with the speed picking, but the picks do. Also, I excercise my right hand by squeezing a rubber ball while sitting around. I learned this trick while I was a pitcher and noticed my picking became much more accurate and quick.
Now for the fun part. Try to learn, note for note various "difficult" solos AND rhythms. I tend to favor Death songs from Human and The Sound of Perserverence but Morbid Angel will do fine. Learn these in band situations so what you screw up, you can’t just stop.
Learning Jazz voicings help due to the funny picking.Hope this helps and "let the metal flow!"
Jj
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February 15, 2001 at 9:36 am #31724AnonymousGuest
Does anyone know where I can get a pickguard for a Telecaster with the neck, and middle pickup holes set to take Strat type single coils? I love my Strats, but the Tele is for me.
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February 15, 2001 at 9:10 am #31720AnonymousGuest
What’s up everyone,
I’m a guitarist who, for months, has been trying to develop my right hand speed (I was a total legato player, my picking was at zero.) Getting into death metal guitar-styles (Morbid Angel’s Trey Azagthoth, for instance) and listening to lots of jazz has helped me realize how important right hand technique really is.
So, my question is if you people know any tricks or tips for developing this facet of guitar playing. I use Dunlop Tortex .88’s which I sharpen to a point. I use a metronome (responsibly) while I practice and know about the ‘Stylus Pick’ trick where you must ‘feel’ the tip of the pick while you’re playing.
Any advice?Thank you in advance,
~~Raven~~ -
February 15, 2001 at 7:47 am #31721AnonymousGuest
: Check out this great guitar website which has tons of links to guitars, amps, and guitar related websites. It loads slowly, but it’s packed and worth the wait. Like that page says, bookmark it immediately because chances are you’ll never find it again.
: http://www.geocities.com/SunsetStrip/Club/1484/musicians.htm
Awesome website! thanks for the link!
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February 15, 2001 at 7:36 am #31718AnonymousGuest
can anyone help me. i know some what about
setting intinations on my guitar but not enough.-
February 15, 2001 at 7:37 am #103806AnonymousGuest
: can anyone help me. i know some what about : setting intinations on my guitar but not enough. get a pro to set it up…..its worth it
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April 11, 2002 at 3:58 pm #110153AnonymousGuest
: : can anyone help me. i know some what about : : setting intinations on my guitar but not enough. : get a pro to set it up…..its worth it http://www.houlston.freeserve.co.uk/tuning.htm#5
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February 15, 2001 at 7:34 am #31716AnonymousGuest
: I don’t know much about pick-ups or anything and I’ve decided to get new ones, but I’m not sure what sort I’m supposed to get for a fuller sound with more "crunch" can anyone help me with that??
Hey i replaced a lipstick tube pickup with a Seymore Duncane pickup just about a month ago
and it sounds great, some routing and fabrication was needed but i had a pro do it and it was
one of the best guitar related investments i have ever made.-
February 15, 2001 at 7:46 am #80292AnonymousGuest
: : I don’t know much about pick-ups or anything and I’ve decided to get new ones, but I’m not sure what sort I’m supposed to get for a fuller sound with more "crunch" can anyone help me with that?? : Hey i replaced a lipstick tube pickup with a Seymore Duncane pickup just about a month ago : and it sounds great, some routing and fabrication was needed but i had a pro do it and it was : one of the best guitar related investments i have ever made. Maybe it’s your pre-amp and amp that’s the "problem", not your pickups.
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February 15, 2001 at 7:22 am #31714AnonymousGuest
: I purchased a 97 Les Paul Studio (White, gold hardware, ebony fingerboard. It plays great
: and I think is sounds awsome. Sure I’d rather have a standard or a re-issue flametop but I only
: have so much money. Can anyone tell me if I made a good investment and does the studio have lower
: quality parts and electonics?the studios are fine instruments and depending on the year they have the exact same elecs as any other high end paul…..what your paying less for is the grain of the wood which in your case is painted white and the binding which is time consuming and done by hand ……sure youd like a flame top and some day you might get one but chance are it will sound no different and play no different….itll just look cooler…….I have the only color that is stained and not painted(wine)….and I played every custom…standard..and studio that I could find and decided that the one that felt the best was my LP studio…….now I wouldnt trade a raw power LP for it….Ill have to have them both
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February 15, 2001 at 7:11 am #31713AnonymousGuest
: I need to find the best Takamine acoustic guitar for my boyfriends 30th b-day and I don’t know exactly what to get or where to get it. So if someone could help me out and point me in the right direction I would greatly appreciate it!
: Thanks
Im assuming that hes expressed a love for the Taks…so disreguard any info about buying another brand(my personal love is the Taylors)…..but Tak makes alot of great guitars….I dont know what your price range is but if at all possible steer away from the tiawan made models(G series and the like….some can be fine instruments but you have to go play quite a few to find the one)……..look for a Japan made Tak it cost a bit more but it a quality hand made guitar that will last a life time…..dont waste time going to every store in town just flip open your yellow pages and call around to see who actually has what I told you about and get some prices and dont let them sell it to you at list price they have a lot of room to work with a guitar priced around 000 might go for 00-00…..the bigger the city you live in the better the deal….because they know you can go some where else……good luck
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February 15, 2001 at 7:06 am #31715AnonymousGuest
I purchased a 97 Les Paul Studio (White, gold hardware, ebony fingerboard. It plays great
and I think is sounds awsome. Sure I’d rather have a standard or a re-issue flametop but I only
have so much money. Can anyone tell me if I made a good investment and does the studio have lower
quality parts and electonics?-
September 9, 2004 at 7:22 am #110435AnonymousGuest
Were there ever real witches? http://www.phind.net/ecommerce/web-designs.html
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August 7, 2004 at 8:20 pm #102571AnonymousGuest
What?, don’t they know who we are? http://findhome.freewebpage.org/
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July 25, 2004 at 12:02 am #109889AnonymousGuest
Finally figured this out – my http://www.cureage.com/arthritis/rheumatoid-arthritis-ra.html
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July 9, 2004 at 4:20 am #100557AnonymousGuest
Hehe, ik dacht ook meteen aan dat beetje invloed op http://order-audio.fateback.com/
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February 15, 2001 at 6:12 am #31712AnonymousGuest
I also use a porta one. Most users record vocals dry & add effects after. I found I could enhance the finished vocals by running the vocal mic into a delay device while recording the vocals instead of recording them dry & adding it later. (Just a little delay) The only bad part is if you use too much delay, your stuck with it on tape unless you re-record your vocals. I have it down to a science so I don’t need a compressor. I record with the on-board EQ flat, so I can add highs and/or lows when mixing down.(I do this for all instruments too) The more you use your Porta 2 the better you’ll get. Watch your VU meters, they should only occaisonally go in the red. Good luck
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February 15, 2001 at 5:40 am #31710AnonymousGuest
Please tell me what kind of Gibson guitar does Ad-rock
from Beastie boys played on "Check your head" album.Thanks!!!!!!
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February 15, 2001 at 5:36 am #31711AnonymousGuest
I don’t know much about pick-ups or anything and I’ve decided to get new ones, but I’m not sure what sort I’m supposed to get for a fuller sound with more "crunch" can anyone help me with that??
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February 15, 2001 at 4:11 am #31708AnonymousGuest
: Hmm. I would definatley check with my doctor for this type of injury.Next,I would check with my instructor. It sounds like your left hand positioning maybe the problem.Try to relax your grip(thumb and first finger)
: when playing.Also, lay your hand flatter against the neck.The more you relax and play your body should make the needed adjustments.
: Get Well: sounds like Tendonitis. GO to a Dr. If he laughs and says something like "tennis elbow," tell him where to shove it. That attitude cost me my right elbow.
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February 15, 2001 at 2:58 am #31707AnonymousGuest
is teh fender hot rod deville a good amp? which is better: the 212 or 410 speaker configuration??
alex -
February 15, 2001 at 1:25 am #31709AnonymousGuest
: PLEASE HELP
That’s easy … use a Rocktron cabinet for your Roctron amp:
http://www.rocktron.comOr since you use a POD, use a Line 6 cabinet:
http://www.line6.comI’d also look into Carvin cabinets:
http://www.carvin.com -
February 15, 2001 at 1:19 am #31704AnonymousGuest
Check out this great guitar website which has tons of links to guitars, amps, and guitar related websites. It loads slowly, but it’s packed and worth the wait. Like that page says, bookmark it immediately because chances are you’ll never find it again.
http://www.geocities.com/SunsetStrip/Club/1484/musicians.htm
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February 15, 2001 at 1:17 am #31705AnonymousGuest
PLEASE HELP
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February 15, 2001 at 1:15 am #31706AnonymousGuest
: : Go to musiciansfriend.com and shop around there. You can do a search by manufacturer to look only at Takamine. Gbase.com also has some Taks for you. Sorry, I don’t know enough to tell you which one’s are the best. Maybe try Takamine’s home page to look at what all they offer. Hope this helps at least a little.
: Deciding which guitar is "the best" is entirely subjective. Everybody has different fingers, hears slightly differently, and wants different things from a guitar. There is no "best." Sky is the limit on price. Once you pass a 00 threshold, I recommend getting a USA made guitar by Martin, Tacoma, Guild, etc., For a present, you might take your BF to a guitar shop and let him pick the guitar out that "speaks" to him. Otherwise you might buy him something that ends up in the closet forever until he trades it in for a guitar he wants.
You can get a Martin DM for 00 with case at those chains – Guitar Center, Mars Music, Sam Ash, etc.,
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February 15, 2001 at 1:14 am #31701AnonymousGuest
: Go to musiciansfriend.com and shop around there. You can do a search by manufacturer to look only at Takamine. Gbase.com also has some Taks for you. Sorry, I don’t know enough to tell you which one’s are the best. Maybe try Takamine’s home page to look at what all they offer. Hope this helps at least a little.
Deciding which guitar is "the best" is entirely subjective. Everybody has different fingers, hears slightly differently, and wants different things from a guitar. There is no "best." Sky is the limit on price. Once you pass a 00 threshold, I recommend getting a USA made guitar by Martin, Tacoma, Guild, etc., For a present, you might take your BF to a guitar shop and let him pick the guitar out that "speaks" to him. Otherwise you might buy him something that ends up in the closet forever until he trades it in for a guitar he wants.
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February 15, 2001 at 1:09 am #31703AnonymousGuest
: when i use a acoustic my right fingers are too bad, and my sound is very weird but in the electric i dont have problems, is bad that?
No it’s not bad. The electrics have lighter strings with lighter tension. The acoustics have heavier strings with heavier tension. The "weird" sound may be due to poor intonation on the acoustic. Since electrics have adjustable height and intonation for each string, they have better intonation than an acoustic. I recommend taking your acoustic to a guitar shop to replace the strings with the lightest acoustic strings that dealer happens to sell and to readjust your intonation to those new strings.
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February 15, 2001 at 12:45 am #31698AnonymousGuest
Go to musiciansfriend.com and shop around there. You can do a search by manufacturer to look only at Takamine. Gbase.com also has some Taks for you. Sorry, I don’t know enough to tell you which one’s are the best. Maybe try Takamine’s home page to look at what all they offer. Hope this helps at least a little.
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February 14, 2001 at 10:12 pm #31699AnonymousGuest
when i use a acoustic my right fingers are too bad, and my sound is very weird but in the electric i dont have problems, is bad that?
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February 14, 2001 at 10:04 pm #31695AnonymousGuest
I have worked with the Zoom GFX8. There is a seamless effect that will accomplish this.
From what I remember, you would have to program the "seamless" effect into the patch that you are going TO and not FROM.
You can get the pdf Zoom manual (pdf) online at:
http://www.samsontech.com/zoom/gfx8.html
Maybe it will give you some clues as to how the Boss unit works. I can’t find any Boss or Roland manuals online anywhere.
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February 14, 2001 at 9:53 pm #31696AnonymousGuest
Hi Claudette!
Playing guitar is much like working out. Even aggressive practice should bring at most just simple fatigue.
Your symptoms are not typical for a beginning guitarist. It is most likely that your pain is due to something other than the guitar practice. Playing guitar might aggrevate the symptoms however.
If you are not fond of doctors and have not seen one in a decade and you are actually considering a visit, that tells me you are seriously concerned about your ailment and should find a doctor. You may consider one who specializes in or has experience with sports injuries and arthritis.
I wish you well.
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February 14, 2001 at 9:47 pm #31697AnonymousGuest
: while you may feel that your amp is too loud to record on your pc, consider recording through a mic. you’ll avoid that direct to pc buzz from the ground loop problems and most mics will actually filter out some of those super high frequency ossilations of high gain amps…get a shure sm57 ..(99$) at most places, get it right up to the grill cloth. (add another mic at about 4 feet if you want a more live sound or just back the first mic away..(listen and judge) also get an adapter so you can plug the mic right into your pc.
this setup is THE pro way to record guitars!
try it and see!!! -
February 14, 2001 at 9:39 pm #31693AnonymousGuest
I makes me feel more inadequate knowing that he could play so precisely 3 times over so that it sounded as if it was once, thick sound. I have read that Rhodes was frequently applauded in studios for his ability to duplicate his own work over and over so well.
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February 14, 2001 at 8:40 pm #31692AnonymousGuest
How much Is My Hohner Professional ST Scorpion Worth ( any other information will be apprecheated)
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February 14, 2001 at 2:17 pm #31694AnonymousGuest
Hmm. I would definatley check with my doctor for this type of injury.Next,I would check with my instructor. It sounds like your left hand positioning maybe the problem.Try to relax your grip(thumb and first finger)
when playing.Also, lay your hand flatter against the neck.The more you relax and play your body should make the needed adjustments.
Get Well -
February 14, 2001 at 2:00 pm #31691AnonymousGuest
It’s usually safe.But Calzone cases are the best way to
go.Take off your strings,before flying.Wrap the case with duct tape and wrap the neck with a small towel. I also,have an insurance policy when I have to travel by
plane.But thats just me.
Good Luck-
February 15, 2001 at 7:36 am #103833AnonymousGuest
: It’s usually safe.But Calzone cases are the best way to : go.Take off your strings,before flying.Wrap the case with duct tape and wrap the neck with a small towel. I also,have an insurance policy when I have to travel by : plane.But thats just me. : Good Luck I always call ahead to see what kind of plane or jet Im gonna be flying on and ask about storing your guitar…..some times itll fit into an over head….sometimes they have a vertical storage locker……Ive even strapped into a seat that was unoccupied…..but I always check it at the gate if it has to be put in with all the luggage that way it doesnt get bounced around getting to the plane and they give it right back at the gate sometimes when you get off….just depends on the attitudes and the airline……oh yea and everything that Eddie said is a good idea but Ive never done any of that and have had no problems….and the key is to tell them how valuable that it is and that it needs special care…most times the stewardess will bend the rules a little for you…..godd luck….Trip
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February 14, 2001 at 1:53 pm #31689AnonymousGuest
Multi pedals sound more powerful because they’re digital,cleaner.But with a power drummer they can get
squashed by the cymble rides and crashes.Multi. things
also have they’re own preamps,E.Q.’s,ect.,ect. -
February 14, 2001 at 1:47 pm #31690AnonymousGuest
If you change one fret,have it grinded down a touch. Don’t do this yourself.Have a local guitar tech. do it for you.If done properly,it won’t harm your axe.
Good Luck -
February 14, 2001 at 1:42 pm #31686AnonymousGuest
Hmm.I use a Porta 1.I found that vocals and bass can be a pain in the ass!Take off 60% of bass on vocals. YOU NEED TO USE A COMPRESSOR!Vocals and Bass will peak all over the place.Also,use a graphic E.Q. before the compressor to shape the vocal tone.
Hope this helps -
February 14, 2001 at 1:23 pm #31688AnonymousGuest
I need to find the best Takamine acoustic guitar for my boyfriends 30th b-day and I don’t know exactly what to get or where to get it. So if someone could help me out and point me in the right direction I would greatly appreciate it!
Thanks
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January 12, 2002 at 4:52 am #89224AnonymousGuest
:Sorry-for the women buying her boyfriend a guitar, anything in the g series would probably work. I just bought a FD340SC and it’s wonderful. Plus make sure you look around because I live in CT. and there is alot of "overstock sales" and promotions of the sort
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February 14, 2001 at 1:23 pm #31687AnonymousGuest
Hmm. Generally,the term hot means the pickup has very
high output,loudness.The output is measured in ohms,
Strat pickups(single coils) are about 6.5-7 ohms. Humbuckers range from 12-16.5 ohms.Much more powerful.
Remember,louder doesn’t always equal good sound.The Seymore SH-5 is about 14.5 ohms and has good tone, especially when cranked.
Good Luck -
February 14, 2001 at 12:45 pm #31685AnonymousGuest
This popular thread has been given its own page : Standel 12 string acoustic guitar
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February 14, 2001 at 10:18 am #31684AnonymousGuest
Hi, I bought an acoustic guitar for my daughter and I heard that , anybody can learn to play guitar, so I went on the internet and started to take lessons. I have been practicing every day for around 1 hour a day ( have calluses now) and last Saturday, I couldnt bend my left pointer finger. I woke up the other night in pain and my fingers on my left hand were kind of swollen. The pain in my left pointer finger is still there and wont go away. Now, is this a normal accourance in people who have just started to play guitar, or should i just go to the doctor get checked for athritis or something? If this is normal for new guitar players, I will just wait for the pain to go away, and wont bother the doctor. I havent been to a doctor for ten years, because I have had no reason to, I dont like doctors much. Anyway, I would apppreciate your input, as I dont know any other guitar players, I thought someone from a guitar web site may know something about pain and playing guitars . I sure do enjoy playing , I never thought I could do it and I want my finger to stop hurting so I can resume my practices. Thanks
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February 14, 2001 at 6:33 am #31681AnonymousGuest
When changing patches on the GT-3 any delay gets cut..
In the manual says that is possible to accomplish this
with the assing function… but there is no explanation -
February 14, 2001 at 3:51 am #31677AnonymousGuest
Yeah, getting a couple of extra springs was what I needed. I’ve got the things in, and fixed the intonation now, so thinks seem in ship-shape form. Thank god it wasn’t some big thing that’d be madly hard/impossible to fix 🙂
-Øystein
np: Anacrusis – Manic Impressions -
February 14, 2001 at 12:29 am #31676AnonymousGuest
: Yes, it can be done. It helps if the whole band is drunk at the same pace so everyone can groove. it is a fine line between good and shackled! I’ve played on acid and heard a tape of it. It wasn’t great but was what I consider to be mediocre.
Drinkin’ and drugs really do mess up bands. The band I’m in now is sober for gigs. We then get blitzed with our nights wages after the show. -
February 14, 2001 at 12:11 am #31673AnonymousGuest
: well, they have been made for 50 years, so….
Seriously, great guitar. Versatile, but probably won’t do extreme metal tones. The tele is my favorite Fender and I own strats, Jags and teles. Even the Mexican ones (try to get one that says Fender on the headstock and Squier in small letters). They jsut make ’em right almost every time. -
February 14, 2001 at 12:01 am #31669AnonymousGuest
Well put Rick. he’s definitely the least talented in a mediocre metal band. Oh I’m sorry, I forgot about their hip hop roots yo! represent.
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February 13, 2001 at 11:58 pm #31671AnonymousGuest
Yes, a processor sounds more powerful, but in a band situation it usually blows. Especially with a small amp.
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February 13, 2001 at 11:56 pm #31670AnonymousGuest
: -I think you need to put more springs in the tremolo.
.11’s have a lot more pull on the trem. if that doesn’t help, maybe your springs are shot and you need to replace them. -
February 13, 2001 at 10:56 pm #31667AnonymousGuest
i cannot resist dropping a few lines, don’t take this too seriously..
i’ve been playing gigs for 20 years now, ever since i was eight. by the time i turned eighteen i joined a band that got to do bigger venues than the ones i was familiar with and i couldn’t help noticing that a few pints or so made me feel more relaxed and confident as i sometimes got a bit nervous. it wasn’t as easy to notice that having had a few pints more than that had a disasterous effect in performance. as years have gone by and these days i do maybe 50-100 gigs a year in four different groups, i can say that i can play drunk. the cost is that during the 5 past years, i haven’t played a single gig sober. My point in all this blabber is that if you play as well drunk as you would do sober, you’re either a lousy player or your body doesn’t respond to alcohol any longer. in my opinion, that can be translated as being an alcoholic, which unfortunately seems to be the case with me. to be less philosophical, here’s another point of view. during these years i’ve played with many great musicians and the one thing common with guys i know that can do fabulous tricks and keep their act together whilst drunk is that they DRINK A LOT. I guess you could say they practice whilst drunk but that’s only because they’re drunk almost all the time! this is of course just my sight on the issue and i realize that not all people turn into vinos after a few drinks but i think it doesn’t hurt remembering that these things tend to go over the top with some people. OK, i’ll cut the moralistic crap, hope i didn’t step on anyones foot. have fun, i will anyway! 😉
anton
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February 13, 2001 at 10:14 pm #31664AnonymousGuest
sorry to post this on such a broad group; the tokai board was more or less dead. anyway, i’ve had my tokai goldstar sound strat for 8 years now, bought it second hand in august ’92 and been extremely satisfied with it. my problem is the usual; i’d like to know a bit more of the history of my faithful workhorse. i haven’t found a trace of a serial number on it, and that makes date tracking a bitch. the headstock says: "tokai" (in thick script, not fender-type spaghetti script), "goldstar sound" and "oldies but goldies". it has a one piece narrow fretted alder neck with a skunk stripe and a two piece body, supposedly alder too. no s/n whatsoever, neckplate is plain steel. it has kluson style machine heads and a classic style tremolo (gotoh, in my guess). pickguard is one layer white, a little thicker than in the original fender, i think, finish is classic yellowish two tone sunburst. anybody got an idea how to determine when and where it was manufactured? i already checked the tokai registry but it wasn’t of much help.
tia
anton
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February 13, 2001 at 10:10 pm #31663AnonymousGuest
Hot generally refers to the power or loudness of a pickup compared to another one
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February 13, 2001 at 10:09 pm #31665AnonymousGuest
Damn dude, you rule, I would have loved to have gone to see Randy play in ’81, but I wasn’t born yet. I didn’t realize that that was the live one. That triple-recorded thing is still good to know when listening to his studio stuff… it makes one feel less inadequate as a guitarist.
-Rick -
February 13, 2001 at 10:07 pm #31660AnonymousGuest
Get yourself a electronic tuner. There are a few types: Some have LED’s and some have needles that indicate whether you are in tune or not. You can get them anywhere from 5 up to 0. That will help you until you can get it by ear eventually. It’s good to have one around anyway.
As far as not getting clean notes: Everyone has this problem when they begin playing. Make sure you are fretting the note cleanly behind the fret. If you are too far away it wil tend to rattle. Also your bass may not be set up properly. Bring it to a shop and have someone set it up for you to make sure everything is OK. Have them show you what to look for so you can learn how to make these adjustments yourself someday.
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February 13, 2001 at 10:03 pm #31661AnonymousGuest
There are two times that you’ll hear "hot" in reference to a pickup. The version you mean would be output, which is loudness. Noise doesn’t always come with high output, but it usually does. The other time you’d hear it would be in wiring, the hot wire is the lead wire that sends the signal.
Hope this helps,
-Rick -
February 13, 2001 at 9:48 pm #31657AnonymousGuest
What’s the principle behind diagonal patching on
a 4 input valve amp (two by two inputs)? Are
there limitations on when and with what it can
be done?-
October 12, 2001 at 1:43 am #84771AnonymousGuest
Hello all ¡ I recently buy a marshall JCM2000, DSL401 combo , 40 watt with four EL84 output valve. I think this amp have a good classic valve tone (similar to A class british amps like VoXAC30) and I like the sound, but for me is a little for play blues or classic rock and not for modern styles (with multieffects processor added as example). Anyone have an oppinion about the sound of this amp ? Thanks in advance ¡
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February 13, 2001 at 8:17 pm #31654AnonymousGuest
You were right, there were three springs currently in the guitar. As I bought the guitar used I do not have any more, but I will head down to a guitarstore tomorrow and see if I can get something there. I might take you up on that intonation-offer though, but I’m not sure yet 🙂
Thanks again
-Øystein
np: Carcass – Heartwork -
February 13, 2001 at 2:28 pm #31656AnonymousGuest
Being new to playing bass, I have a simple question. What equipment is avaiable/recommended for tuning ? I tried by going by "sound by ear", with a cd, but dont feel comfortable with that (or rather my judgement). Would like to visually see using some kind of electric-equipment, to start with.. hell, I don’t want to be running down the shops each time i think the srings are out of tune.
I have a Samick bass, been playing a couple months (at home) – read an earlier post here, that this is a common problem with Samick’s – is that true.
I play mostly A & E strings, frets 1-4 vibrate a lot, and I dont get a "clean" note (sounds terrible!)Many thanks for any suggestions – Anders
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February 13, 2001 at 2:16 pm #31651AnonymousGuest
does it mean something’s really noisy? like you can barely touch the strings and it’ll sound off?
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February 13, 2001 at 10:50 am #31652AnonymousGuest
Does anyone have experience using this product? Do the compressions springs wear out the jacks?
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June 12, 2002 at 4:15 am #96241AnonymousGuest
: Does anyone have experience using this product? Do the compressions springs wear out the jacks? Fuck you all bloody gringos!
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August 6, 2001 at 1:26 am #81864AnonymousGuest
: Does anyone have experience using this product? Do the compressions springs wear out the jacks? I have 2 Roscoe Basses, 2 MTD.s Tobias, Pedulla, and Aria, and have had problems with the jacks on 4 of my basses. I’m going back to Monster Cables.
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February 13, 2001 at 9:23 am #31653AnonymousGuest
what is the setup…i cant figure it out?? delay or sumtin’?
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May 20, 2002 at 1:32 pm #95275AnonymousGuest
Please, teach me how to Play Melody in Heman woman Hater, There’s the only one song thta I can’t played it. Please Just gimme the tablature ok Thank.s
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August 3, 2001 at 3:28 am #81723AnonymousGuest
: what is the setup…i cant figure it out?? delay or sumtin’?
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February 13, 2001 at 9:06 am #31650AnonymousGuest
: When doing ANY adjustment on a Floyd, do yourself a favor and let a tech do the adjustment. It will save you alot of headache and frustration.
Not at all … providing you know the basics of setting up a bridge. The trick to dealing with Floyds is to treat it like a fixed bridge guitar. You first put a block of wood in the guitar to hold the bridge in it’s desired final rest position (depending on the guitar style and version of Floyd you use, the two easiest places to consider are under the back end of the bridge in the scooped out cavity on the surface of the guitar or in between the metal block under the bridge and the guitar body through the underside of the guitar). Assuming you are starting with a set up that is close to what you want, you use a block that just fits, and is not being held in place with much force when your bridge is floating, but does not allow much room for play either. Then slightly tighten the screws on the springs so that the block is held firmly in place (if you are going from lighter guage strings to heavier guage strings, tighten it a bit more). At this point you can do pretty much anything you want, including playing with saddle heights, intonation etc – in fact you take all the damn strings off at once and give the neck a good clean without worry! After your new strings are in place AND BEFORE SCREWING DOWN THE LOCKING NUT, make sure things are in tune using your tuning machines (and leave all your fine tuners at about the 1/4 to half way point so you can later use them to raise pitch more than to lower it). Give the srings a good stretch and retune (and repeat) until there is no more detuning caused by stretching the strings, and then begin gradually lossening the screws on the springs until there is almost no tensionleft on the block. At this point slide the block out, do one last tuning with your tuning machines, and then clamp the nut. You should end up with a set up where your bridge is at the correct playing angle (flat surface of the underside of the bridge parallel to the surface of the guitar), perfectly in tune, and perfectly intoned.
This process may sound complicated but it is actually quite simple once you get the right block and it allows you to change a set of strings and be back in perfect pitch in about 5-10 minutes (i.e. same as a fixed bridge guitar). This approach avoids the seemingly endless tweeks to set up a floyd if you do so leaving the whole system floating.
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February 13, 2001 at 8:38 am #31648AnonymousGuest
Anyone ever seen one or know where a guy can get some info. I just picked one up ,not much info Heavy Loud and built like a tank. Would appreciate any info.
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February 13, 2001 at 7:27 am #31649AnonymousGuest
How long? Until it is clean. I prefer the Martin spray. It shines up really well and it smells clean too. Also, it doesn’t leave a noticeable film on the guitar like other polishes do.
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April 29, 2002 at 9:07 pm #94446AnonymousGuest
: How long? Until it is clean. I prefer the Martin spray. It shines up really well and it smells clean too. Also, it doesn’t leave a noticeable film on the guitar like other polishes do. I personally like Ax Wax (from dMS) that stuff rocks! Lasts alot longer than anything I used before. 1 little bottle is like a lifetime supply.
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October 31, 2001 at 12:13 am #85560AnonymousGuest
: How long? Until it is clean. I prefer the Martin spray. It shines up really well and it smells clean too. Also, it doesn’t leave a noticeable film on the guitar like other polishes do. I don’t care for the new Martin polish that comes in a green bottle – the old ‘blue and white’ variety didn’t seem so greasy and hard to buff up nicely. Are there more than one variety of Martin polish being sold? Thanks – Louis
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February 13, 2001 at 7:25 am #31647AnonymousGuest
That is usually true. The reason is because when you are using a processor, those sounds are pre-set. If you have a decent practice amp, they will sound good. The tones in the amp will suck if it isn’t a quality amp.
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February 13, 2001 at 7:22 am #31645AnonymousGuest
When doing ANY adjustment on a Floyd, do yourself a favor and let a tech do the adjustment. It will save you alot of headache and frustration.
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February 13, 2001 at 6:43 am #31646AnonymousGuest
Fred Durst can eat shit.
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February 13, 2001 at 4:44 am #31644AnonymousGuest
A few years ago I recall hearing on radio a live rendition of Stairway To Heaven with Joe Satriani on Guitar. I can’t remember what the gig was about or if it was recorded – would anyone know what & where this gig was and if it is available on CD??
Thanks
Mike -
February 12, 2001 at 11:40 pm #31640AnonymousGuest
Changing the fret: do i need to change whole set of fret or just those 2 or 3 frets which need to be change? where can i do it. Afther the changing will the fret board look un natural or leave some defect which make it look not so nice?
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February 12, 2001 at 7:38 pm #65182AnonymousGuest
Hi, I’m currently using a Peavey Predator, and am fairly new to the whole guitar-game. Anyways, I’ve decided to go to .011 instead of .009. BUT, when I did the change, I noticed that the whole bridge got lifted up after I had tuned up. I didn’t see it at first, but just realized that the strings were way higher than I was used to. Needless to say I got scared as hell and tuned down the strings till the bridge rested down again. So here’s my question; is it a bad thing when the bridge is lifted like that? Or can I safely retune my guitar and play it in such a position? If not, what should I do so I can get the guitar tuned properly without the danged bridge getting lifted up? Any advice would be most appreciated -Øystein
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February 12, 2001 at 9:17 pm #80289AnonymousGuest
Heavier strings are far better in every respect if you can get used to the feel of them. Check it out, I’m assuming that your bridge is a sort of Fender-styled tremolo, with a back plate on the back of the guitar. In any event, if you unscrew that back plate, you should see some springs attaching the underside of the tremolo to a metal piece that’s screwed into guitar with long screws running parallel to the bpottom of the cavity. If your guitar came with more springs, you should put one or two in (most likely 3 are in now). To do this, unscrew the long screws just far enough to muscle the new springs in, too far and the screws will rip out of the wood. Then tighten the screws back up until the bridge is flush with the top of the body. That’s it. If you don’t have extra springs, you could probably either find some, or you might be okay with just screwing in the screws in the underside until your bridge is flush. By the way, after all of this, you might have to change the intonation of your bridge, because thicker strings go over the saddles a little differently. I could help you with that too, if you need it. I hope that this is useful. -Rick
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February 12, 2001 at 7:36 pm #31633AnonymousGuest
how long should i polish my guitar? any recommendation for the polishing materials? liquid…spray??thanks
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February 12, 2001 at 7:03 pm #31634AnonymousGuest
Hey there. Here’s the thing. I’ve got an Ibanez RG470BK with a LO-TRS trem. When I change my strings, I manage to do it alright. I like to play with a low string action. Normally, I hardly get any buzz, except on the fourth fret on the fourth string. I always get a buzz there. Can anybody tell me why? Should I raise the action? Does my guitar need fretwork? And second, I’m not sure how to set up the intonation on my guitar properly. I’ve heard that if you mess around with the string action (like I have) that messes up the intonation. Should I send my guitar to a tech? Can anybody help me with this problem? Feedback is welcome. Thanks
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February 12, 2001 at 5:16 pm #31632AnonymousGuest
Hi people
I want to buy the voodoo labs pedal power but i am not sure if it can power my Electro Harmonix pedals (Small stone, Big muff). Does anyone know about if it does??
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February 12, 2001 at 11:20 am #31631AnonymousGuest
Would like to get together with
anybody from South Australia who
wants to jam acoustically
Blues, Flamenco, Classical, Folksy
reasonable standard!!! -
February 12, 2001 at 9:39 am #31628AnonymousGuest
I just bought a 1951 Supra lap steel guitar and am having trouble with the pickup.
I have a little knowledge of humbucker and fender pickups but this one is pretty primitive
I believe. When i play plugged in, the third and sometimes fourth strings are inaudible.
Here is my poor description of the pickup: underneath the strings is the normal plate with
the six tiny screws. On either side of the plate is two magnets(imagine a two holed brick
cut down the middle). On top of the brick shaped magnets is another plate, a credit card
shaped metal piece with three holes on one side and three holes on the opposite. When
disassembled all six strings are audible, but at some point when the magnets and plate are
screwed in using four screws, the string just becomes dead. If anybody has any suggestions
I would be grateful.-
May 10, 2003 at 3:46 am #107764AnonymousGuest
: I just bought a 1951 <B style="color:black;background-color:#ffff66">Supra </B><B style="color:black;background-color:#A0FFFF">lap </B><B style="color:black;background-color:#99ff99">steel</B> guitar and am having trouble with the pickup. : I have a little knowledge of humbucker and fender pickups but this one is pretty primitive : I believe. When i play plugged in, the third and sometimes fourth strings are inaudible. : Here is my poor description of the pickup: underneath the strings is the normal plate with : the six tiny screws. On either side of the plate is two magnets(imagine a two holed brick : cut down the middle). On top of the brick shaped magnets is another plate, a credit card : shaped metal piece with three holes on one side and three holes on the opposite. When : disassembled all six strings are audible, but at some point when the magnets and plate are : screwed in using four screws, the string just becomes dead. If anybody has any suggestions : I would be grateful. i am having the same problem with my supra,where can ifind a new or reconditioned pick up?
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February 12, 2001 at 9:00 am #31629AnonymousGuest
how good is it? i got one and find the recording for vocal is pretty poor…pls advise and recommend the optimum use of this device…thankQ
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February 12, 2001 at 8:58 am #31627AnonymousGuest
.
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February 12, 2001 at 8:56 am #31626AnonymousGuest
i am thinking of using it to record guitar and vocal for demo, pls advise…thanks
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February 12, 2001 at 8:49 am #31624AnonymousGuest
unless u got those expensive tube amp …from what i see, multi-effect into a mini combo or practice amp always soundmore powerful
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February 12, 2001 at 8:47 am #31625AnonymousGuest
?
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February 12, 2001 at 8:44 am #31622AnonymousGuest
i really worry about it..
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February 12, 2001 at 8:26 am #31623AnonymousGuest
thanks
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February 12, 2001 at 8:23 am #31621AnonymousGuest
i’m thinking of changing EMG81 for ibanez RG270, pls advise…
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February 12, 2001 at 8:22 am #31618AnonymousGuest
i need some advise to get the metallica solo(including wah-sandman and seek n destroy)..rythem (master o p…).
by the way, i cant get the 12 string simulator thing..
and i wonder how to use it as a preamp and play live with pedal stomp boxex. i am thinking of using the rp100 amp simulator with pedal…
pls advise…thanks.. -
February 12, 2001 at 7:20 am #31617AnonymousGuest
I have a Line 6 Flextone 2 and as far as I can tell it’s beautiful. The Jazz clean tone is super with chorus and it models a great tube amp, especially a high gain Mesa Boogie (rectifier on Line 6). People say that they can tell the difference and maybe they can but I think it’s just that they’ve been playing so long that they deeply rely on their "real" tube amp and won’t accept a newie.
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February 12, 2001 at 7:16 am #31615AnonymousGuest
Fuck you, moron.
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February 12, 2001 at 7:09 am #31613AnonymousGuest
Fred durst is the best singer in the fucken world!!!!!!
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February 12, 2001 at 6:56 am #31612AnonymousGuest
I use GS2 all the time! I love it. you can burn CD’s and it has great features. I can’t tell you about studio 9 but if its cheaper it is most likely not as good. Second of all, go for the one that fit your needs… GUITAR studio 2. If you play guitar go for that one
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February 12, 2001 at 6:55 am #31614AnonymousGuest
I think a few bevvies can be fine when you want to practice – as long as you don’t get rat-arsed and you don’t do it all the time. There’s something to be said for the lowering of inhibitions and a bit of relaxation on your instrument. Some of my best ideas have come out of being incoherant, but additionally I have vomited while playing and made a total mess of things. You can’t have it both ways.
All up – if you’re *serious* – I’d make the few drinks the exception rather than the rule. Have fun and make an occasion of it with your mates. But if you have to open a bottle just about everytime you want to jam, practice or gig I’d suggest a visit to the doctor. Alcoholism is an illness.
But from what you’ve outlined, I don’t think you have anything to worry about.
Cheers
Geoff: Okay, your at a party or gig & you have one or two pints, just to be social of course, but as we all know after a few, even though we feel merry our playing goes down faster than a valley girl! So should you spend some time practing when slightly drunk (I do not mean get slammed just to practice). I do practice after I come in from my local pub on Friday. Thing is everyone wants to enjoy themselves, & when out a couple of pints is just the ticket. Plus has anyone played well when totally bollocked, even though they did not intend to get that way. Can it be done?
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February 12, 2001 at 5:12 am #31610AnonymousGuest
A little more info would help. Do you know the serial #. What guitar is it? Les Paul standard, studio etc…?
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February 12, 2001 at 3:22 am #31609AnonymousGuest
Anyone know how to make your guitar talk? If you do could you show me?
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February 12, 2001 at 11:00 pm #80305AnonymousGuest
: Anyone know how to make your guitar talk? If you do could you show me? You Need to get a weird device called a talk box. I have an old one by Heil. Then, prepare yourself for the Peter Frampton comments.
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February 12, 2001 at 2:13 am #31606AnonymousGuest
I play a strat as well & like Tele’s too.
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February 12, 2001 at 2:11 am #31607AnonymousGuest
I own a Fender Princeton and like it a lot. Especially the clean sound. I do use a multi effects pedal for distortion. As always, I would suggest taking YOUR guitar to your music store and try out these amps. P.S. Don’t limit yourself to just these model amps.
Good luck. -
February 12, 2001 at 2:07 am #31604AnonymousGuest
Go to the Gibson web page. There is a serial number look up and e-mail for questions. http://www.gibson.com ??
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February 11, 2001 at 11:25 pm #31601AnonymousGuest
This popular thread has been given its own page : Jay Turser Guitars
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February 11, 2001 at 11:24 pm #31602AnonymousGuest
Does anyone know anything or have any imput on Jay Turser guitars.
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February 11, 2001 at 11:07 pm #31600AnonymousGuest
Keith,
The Tokai Guitar Registry has been setup to help folks like you determine the date of their Tokai’s.
Please head on over and register your guitar. -
February 11, 2001 at 5:00 pm #65188AnonymousGuest
This popular thread has been given its own page : Dimarzio Super Distortion or X2N?
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February 11, 2001 at 4:58 pm #65214AnonymousGuest
This popular thread has been given its own page : Are backing tracks illegal? copywrite?
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February 11, 2001 at 4:14 pm #65184AnonymousGuest
I have got a Tokai Goldstar Sound strat with maple neck with skunk stripe,two tone purple metallic sunburst body. Does anyone know how I can date it? and what wood is body made of?
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February 11, 2001 at 1:55 pm #31599AnonymousGuest
i’ve never been a big fan of metallica but i always thought this lp had a nice resonant, deep rhythm tone. anyone know what the key is to getting a nice beefy, clear rhythm tone like is? is it in the guitar (body wood, pickups, bridge) or is it more in the amp? in other words, can i get a tone similar to this with an ash or alder bodied guitar (esp ltd h-200)?
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February 11, 2001 at 12:39 pm #31597AnonymousGuest
A friend has offered me his used Gibson electric. Great shape natral finish, single open cutaway. Need to know what the actual style, age, appraisal iff possible.
Thanks,
pwilly -
February 11, 2001 at 11:16 am #31595AnonymousGuest
I suppose you need to figure out on your own if you can do that or not, but I find it ridiculous to be at home learning licks "whilst drunk". As far as I’m concerned, my days of playing drunk are over. However, some people can do this and wail…Another guitar player/singer I used to be in a band with is a perfect example. My first gig with this band, he was drinking, tripping, and hell knows what else, and played like nothing was up!
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February 11, 2001 at 11:14 am #31592AnonymousGuest
he used jackson rhoads model guitars (one white, one black) mainly in ’81, which were loaded with duncan sh-6:bridge/sh-2:neck pickups. his amps were marshall plexis into marshall cabs with altec speakers. he also used mxr pedals… a eq, chorus, flanger and a roland space echo. his strings were ghs stainless steel, 10-52 guage. in ’80 he used the creme les paul custom and sandoval polka dot v, but the tribute lp was recorded in ’81 he used his jacksons most often. i was at an ’81 ozzy show, so i know.
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February 11, 2001 at 10:21 am #31593AnonymousGuest
how are you satisfied with the guitar?
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February 11, 2001 at 9:11 am #31594AnonymousGuest
: Help!
tele’s are great (and I play a strat!)-
January 19, 2002 at 12:31 am #109843AnonymousGuest
teles rock they are the best kind of guitar ever
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February 11, 2001 at 7:11 am #31591AnonymousGuest
By accident I missed the December 2000 and Winter 2000 issues of the english magazine "Guitar Techniques" b.t.w. published by Futurepress.
Do you have these issues, of course with the accompanying cds, then I am willing to pay you a GOOD price for them.
Contact me [email protected]
Cheers,
Mike -
February 11, 2001 at 6:11 am #31589AnonymousGuest
Estoy buscando la partitura de "candilejas" para guitarra clásica.
¿me podeis ayudar ?
Gracias-
December 15, 2002 at 4:08 am #103456AnonymousGuest
: Estoy buscando la partitura de "candilejas" para saxo alto. : ¿me podeis ayudar ? : Gracias
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May 3, 2003 at 5:10 pm #107575AnonymousGuest
Necesito urgentemente la partitura de "Candilejas" para guitarra eléctrica… ¿Alguien me la puede pasar? Muchas gracias.
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February 11, 2001 at 3:39 am #31590AnonymousGuest
correction. it has two 12’s in it. no horns. i was thinking of a different amp for some reason.
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February 11, 2001 at 3:14 am #31586AnonymousGuest
i have a 69 bassman amp. i play a bass through. i believe it’s a 50 watt. (??). it has a cabinet with two 18" woofers and two horns.
i love the sound. however, i do get distortion when turned up about halfway. this is fine for funk stuff, but sometimes it’s a little much. i use a compressor to cut down on some of it. i’ve had it looked at and everything tweaked. is there anything i can do to decrease the muddiness a little? or is it maybe the speakers themselves. there is no way that i can see to remove the face to look at them. i don’t want to do any damage in attempting to. lastly, can more power be put into it? how much?
any info would be very helpful.thanks
james -
February 11, 2001 at 2:34 am #31588AnonymousGuest
doe’s anyone know if backing tracks are available for this band?Thanks tom
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February 11, 2001 at 1:52 am #31587AnonymousGuest
Help!
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March 25, 2002 at 12:19 pm #93092AnonymousGuest
Great Guitars, if played through a stage 100 or cyber twin head, the most excellent sound you’ve ever heard and it is the most versitile thing youve ever played.
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February 11, 2001 at 1:43 am #31585AnonymousGuest
Simple, use winamp, click the O=options, then P=preferences, then output, then click disk writer plugin, then select a folder & then press okay. Close the box down. Now play your sound file ie your mp3 song. What will happen now is that this mp3 song will be transformed to a wv at very high quality. To change the settings back simply follow the above a go to output again but this time just click nullsoft wav output plugin and close. Like I said Too easy. Plus remember that soundforge 4.5c will let you totall edit mp3. Hop that helps, PHil G
: How do you convert mp3 files to wav? frustrated!
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February 11, 2001 at 1:37 am #31584AnonymousGuest
Thanks fellow plankspankers
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November 20, 2001 at 1:18 am #107878AnonymousGuest
: Thanks fellow plankspankers well i don’t know much about the debate my friend, but click onto http://www.piedog.com and you’ll find the miraculous MG50RCD for only 175 pounds. I’m getting it soon. It’s got excellent reviews. Harmony Central has lots of user reviews, and it scores very high.
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February 11, 2001 at 1:25 am #31583AnonymousGuest
The serial # denotes a ’95-’96, probably one of several reissue series, which can be determined by varying characteristics.
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February 11, 2001 at 1:18 am #31582AnonymousGuest
This popular thread has been given its own page : hot rod deluxe and marshall dsl 401
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February 11, 2001 at 1:10 am #31581AnonymousGuest
i have a list of amps im lookin at purchasing. i play classic rock and some metal (metallica). ive only been playin a year or so. THe amps are: MARSHALL JCM 2000 DSL 401, MARSHALL VS100R, FENDER HOT ROD DELUXE, FENDER PRINCTON 65. if anyone has any info on these (especially teh vs100R) it will be greatly appreciated. as i said, ive only been playin a year so im not too sure on what to look for in an amp.
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December 29, 2001 at 10:46 am #88465AnonymousGuest
If your looking for a metallica sound you might want to try some "Mesa/Boogie" gear, it’s expensive but extremly high in quality. I don’t know if you’ve heard of rackmount gear but it’s basically like seperating the power section and the preamp section ( the knobs), in to two seperate units, A ‘Power amp" and a "Pre-amp". Metallica uses a Mesa/Boogie "tri-axis" Preamp, and a "Strategy 400" power amp, (400 means 400 watts of power The strategy 400 however has been dis-continued. But just like a home stereo amplifier, there are power amps available in both mono and stereo. Mesa/Boogie newest stereo power amp is the "2/90" (that’s: Two Nintey). So if you were interested in that type of sound you could use those two products. And the Triaxis Has ninety Channels!!! If you like the pantera sound " Randall" makes some pretty kick ass amps at a pretty fuckin’ low price. Check out the " RG-100 Head". It’s Cheap But Insane in tone. It is a "intact" amp( the pre-amp and power amp are together as in any other head.) The RG-100 goes for about $900.00 American. And the Two Mesa units go for about $2000.00 each unit Canadian!!!! But if you want the classic Rock sound you probably want a " tubed" amp (mesa/boogie), rather than a solid state sound like a Randall. But check them both out, it’s all about personal preference, the randalls may be just what you want.
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February 10, 2001 at 4:04 pm #31579AnonymousGuest
: im in the process of buying a 1980 sunburst tokai strat. its immaculate,sounds better than any strat that ive ever played and is just wonderful to play. does anyone know anything about these guitars?? how much there worth? any info much appriciated…
I owned a ’57 re-issue Tokai strat and it was a beautifully made axe.
Lake placid blue with a great maple neck the trouble was the pups were aweful very thin flat crappy tone. -
February 10, 2001 at 3:53 pm #31576AnonymousGuest
: I do a lot of repair work. Most of the time when somebody comes in and tells me that his guitar won’t stay in tune it’s because it either has old crappy strings on it, or the intonation isn’t set properly, or both. First, put new strings on it and check the intonation on a tuner (play a harmonic at the 12th fret and then fret the note, the fretted note should be the same as the harmonic, if it’s sharp or flat the intonation is out). Check it on each string.
: It’s probably not the machine heads (tuners) themselves. Gotohs are very well made actually.
: If you play on really light strings it’ll tend to be hard to keep in tune also, try going up a gauge or two (maybe .011 to .050) if you’re using .009s.
: If you bend strings and they go flat afterward there are two things: one, make sure when you’re tuning, you tune UP to the pitch, not down to it; two, the strings sometimes catch in the nut if it’s not smooth and the right size. Don’t try to fix this yourself, let a repairman do it.
:
: : The problem is you have a Samick. Very low end guitars are hard to keep in tune because the parts are cheap and the wood is probably plywood and not solid.
: : : Hi,: : : I just got this Samick 335 copy, and while it sounds and looks pretty great, it won’t stay in tune. It has a Tuneomatic bridge, and gotoh-ish tuners. What adjustments would you recommend short of replacing the hardware?
Nothing wrong with Samick they are a quality mid to low end instrument.
As long as intonation is spot on and thew strings don’t stick in the nut and your machines are good, as the other guy said Gotohs are good I got em on my 1972 Guild S100 and they work better than the original Grovers.
The key is tune up to the correct pitch and make sure it’s always in tune., always!
A lot of guys will pick up their axe find that it’s out of tune and just tune up to the closest string without using a tuner. What happens is the neck gets confused unless it always has the same tension on it so it never settles down to a constant tension.
If you tune to the exact same pitch at all times the neck settles in and gets used to the same pitch and pretty well stays the same,…That’s the answer. -
February 10, 2001 at 3:36 pm #31578AnonymousGuest
: : As I wrote to someone below about amps, I swear by my Fender. I’ve been playing guitar for about 15 years, and I think Fender amps are the best I’ve ever heard. (And I’m not a "Fender Guy". I only like their amps actually). As for a specific amp model, I could
just say get one that has the features you want.
Get a Fender Prosonic they can do anything,.
Use an extension cab like say a Marshall 1922 and you’ve got big sound, lots of spread and volume.: : : im lookin for a new amp. it has to be a tube, and i need to be able to gig with it. what are some good ideas. i play rock, classic rock etc. including led zeppelin, areosmith, pink floyd, some hendrix, metallica, just over all rock an roll.
: : Best amp for the money= Soldano Atomic 16.
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February 10, 2001 at 2:34 pm #31577AnonymousGuest
: Yesterday I was told by a few good musicians that Marshall amps are crap for a clean sound & the Fender are even worst on dirty sounds, is this true? The thing is I wish to purchase an amp for no more than £180 but I want the best my money will buy. I have a fantastic digital rig from which I do most of my studio work for pc games and the like, but it isn’t portable. Plus I have some good pedals for over/dist etc. I play most kinds of music. All I want from an amp is some thing that’s loud enough for my studio room, but at a ‘push’ could be used to gig a small hall, ie a loud practice, starter amp. It is very important that the amp has a high quality clean sound, 2 channels & maybe an effects loop & CD in. The amps I have considered are the Marshall G50rcd, Laney Hcm60r. If anyone has heard, or have any opinion on them please tell me. Plus as you all know there are loads of amps to choose from. I only want something that sounds good for the money, so screw the make plus I can’t afford a tube amp. Please give me some amps to check up on. Please help, as I don’t wish to be left at the mercy of reviews & ads. Plus with these views I will know what to tryout in my local music shops. Thanks for your valuable time, all the best. Phil
What bullshit! Yah can’t make those sort of generalisations especially when both manufacturers make so many diverse models.
I’ve got a Fender Prosonic and a Marshall JCM600.
I can get awesome dirty filth out of the Prosonic and nice smooth clean tones out of the JCM600.
I must admit that generally Fenders give better clean tones but Marshalls aren’t shit for clean.
As far as Fenders giving shit dirty tones! Have you ever heard Neil Young’s awesome filthy tones, he uses Fender. -
February 10, 2001 at 12:41 pm #31574AnonymousGuest
How do you convert mp3 files to wav? frustrated!
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February 10, 2001 at 6:09 am #31575AnonymousGuest
I’m looking to rewire this guitar to use a guitar and bass amp (sterio jack). I also would like to play it in a pinch with one amp and blending the necks.
Anybody out there with knowledge on this subject??
Denis -
February 10, 2001 at 6:02 am #31572AnonymousGuest
You always think you still sound good after a few. I had one of our early gigs video taped. We sounded great & looked good during the first set, but the free booze kept coming (we thought that was great) by the 3rd set we were drunk. We sounded bad and looked worse. Just standing there playing (crappy) like zombies. Most of the crowd was blasted so it didn’t matter a whole lot. My limit’s 2 beers when playing now. If anyone thinks they can sound good drunk, have someone video tape you whilst drinking & playing and find out if you can.
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February 10, 2001 at 5:26 am #31573AnonymousGuest
oops.
You don’t learn to play drunk at the house, it’s a do or die when you are live thing.
I have gone through gigs and not known how I got there,
(gotta love your free spending fans).
Just like in everything, some people can do things when they are wacked out of their skulls (Jimmy Page rings a bell), and some can’t.
When you get funny looks from your band mates, stop drinking for a few minutes!
Good luck! -
February 10, 2001 at 5:21 am #31571AnonymousGuest
: Okay, your at a party or gig & you have one or two pints, just to be social of course, but as we all know after a few, even though we feel merry our playing goes down faster than a valley girl! So should you spend some time practing when slightly drunk (I do not mean get slammed just to practice). I do practice after I come in from my local pub on Friday. Thing is everyone wants to enjoy themselves, & when out a couple of pints is just the ticket. Plus has anyone played well when totally bollocked, even though they did not intend to get that way. Can it be done?
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February 10, 2001 at 5:20 am #31568AnonymousGuest
hello,
I had an Ibanez catalog when I was in Germany in 1977-1978, and saw a double neck Fender copy with a 4 string bass and Strat type neck.
Were any made, and are any for sale out there?
Does anyone have a copy of that catalog? It was a three page fold out with TONS of different guitars.
Thanks,Mike
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July 25, 2003 at 3:34 pm #88829AnonymousGuest
Hi Mike I have one of these. Bass and 6-string. I’m not sure I want to sell it, but if you haven’t found one, how much is it worth? Keith
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February 10, 2001 at 5:03 am #31569AnonymousGuest
: I have a marshall vs412 cabinet and want a good rock/classic rock tone. Found a deal on the net for a jcm 900 100 watts. WIll they sound alright together or will it damge the head or cab? please help, thanx will
I’ve never tried something like that before, but as long as the impedence matches between the head and cabinet, it should work just fine. If I’m not mistaken, the VS Cabinets are a little smaller than the standard types of Marshalls, but that should be about the only difference.
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February 10, 2001 at 4:00 am #31566AnonymousGuest
HELLO MARK I AM YOU FANS SINCE 1980
I HAD ALL ALBUMS IN MUY MEMORY -
February 10, 2001 at 3:43 am #31564AnonymousGuest
I know that he triple-recorded all his guitar parts. That would have something to do with his sound.
-Rick -
February 9, 2001 at 10:16 pm #31560AnonymousGuest
I bought my husband a Yamaha guitar about 30 yrs ago
and it is still as beautiful sounding as ever…even
better. The guitar is an FG-160 6 string. It needs a
new tuning peg assembly but I would like to get an
original one if that is possible. If that is not
possible, what should I get for it? -
February 9, 2001 at 9:31 pm #31561AnonymousGuest
: For blues, I would look at a Martin DM series guitar. A little more than you want to spend, but worth it.
: Alvarez is also a good choice. If you really want to keep to a budget, Yamaha makes inexpensive acoustics that play well. A good guitar salesperson should be able to steer you in the right direction for your budget too. Good luck
As luck would have it,,Ii did some reasearch on the Alvarez line.. The Yairi series is well out of my league right now,,so I’m seriously considering an Alvarez AD70S model,,priced inexpenive,,but with good reviews. -
February 9, 2001 at 8:58 pm #31559AnonymousGuest
I have the old pickups on a sheraton, and with some tweaking, depending on what I’m playing, i can get some great tone out of it. Maybe they were just inconsistent. Nice inlays, though.
-Rick -
February 9, 2001 at 6:31 pm #31554AnonymousGuest
Okay, your at a party or gig & you have one or two pints, just to be social of course, but as we all know after a few, even though we feel merry our playing goes down faster than a valley girl! So should you spend some time practing when slightly drunk (I do not mean get slammed just to practice). I do practice after I come in from my local pub on Friday. Thing is everyone wants to enjoy themselves, & when out a couple of pints is just the ticket. Plus has anyone played well when totally bollocked, even though they did not intend to get that way. Can it be done?
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February 9, 2001 at 6:15 pm #31553AnonymousGuest
It’s very important that you play naked & even more important to be able to play drunk. Plus you sound much better drunk. So spank that plank.
: HEY YEAAALL LOVE YOU ALL LOTS IM REALLY DRUNK, BUT I NEED TO TELL EVERYONE HOW MUCH I LOVE MY GUITAR. ITS A REAL LOT, ITS MY LIFE THE MAENING AND EVRYTHING GOD IMDRUNK SEEYA
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February 9, 2001 at 11:59 am #31550AnonymousGuest
I’m looking for a tremelo, bigsby-style for a fender telecaster does anybody know where i might find one? does fender make one? please help.
thanks
big e -
February 9, 2001 at 11:36 am #31548AnonymousGuest
Hi,
A little more info would help. Is it a Black Face? What is the serial #? Does it still have the tube chart on it? If so, what #’s are on this? There should be 2 letters stamped on the tube chart. This will indicate what year it is. Does it have the original speakers? If so what is the # on the speaker?
Jj
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February 9, 2001 at 9:26 am #31547AnonymousGuest
Guitar Center sells them for about 35.00
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October 25, 2001 at 1:58 pm #85386AnonymousGuest
Anyone knows how i can AGE the pickguard? i tried coffee etc etc… but is there any other way?. oks respond thanks. i want it to be brownish , witha golden tan to it.
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February 9, 2001 at 9:22 am #31545AnonymousGuest
This popular thread has been given its own page : Ibanez Tubescreamer TS7 or TS9?
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February 9, 2001 at 8:30 am #31542AnonymousGuest
I want to start recording on my pc.Cakewalk is my choice for software.What I’m looking for is advice on direct guitar processors.I want the versatility from country to rock.From Fender to a hot rodded Marshall.I like the "idea" that , I can just walk up to my pc and sound like whatever,whoever and whenever I want,and it’ll sound like a store bought artists cd.I’ve heard a couple samples from POD Line 6,Roland gr-33& vg-88 over my pc, not very impressed, although it is thru pc speakers. I have a Lee Jackson Mod 78 Marshall,(absolutely AWESOME!!!) but WAY too loud for home recording.I havent tried my ADA MP-1 yet(storage). So if anyone can help out a fellow guitarist looking for "the sound" capable processor(s) for direct recording, please reply. Thanx
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February 9, 2001 at 6:20 am #31539AnonymousGuest
I have one, black H/S/S, DiMarzio PAF pro in bridge, I swapped the middle SC for a blue lace sensor. I like it okay, but I think I like my SG more. They are worth about nothing but are still good axes. If I were you, I’d buy one if I saw it cheap. What else do you want to know? E-mail me with some questions if you want.
-Rick -
February 9, 2001 at 5:51 am #31540AnonymousGuest
I havent used or tested them yet but I’m sure they are similar in quality. The sovteks are probably the most consistant producer of tubes now a days. The EIs and JJ’s are so inconcistant.
Jj
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February 9, 2001 at 4:47 am #31541AnonymousGuest
: does zoom 505 good enought to simulate amps and give warm distortion (pro stantard…recording..live..etc)?
Not sure about 505
I have 505 II and can get good sound through headphones on the modded Marshall, Mesa and Peavey ..fender also to some extent.
Good enough for recording, super with pedal in front ( TS5 or XXL)
don’t like at all the other disto module sounds (rythm, od, dist, blues, lead, metal)
Modulation effects are from satisfactory to good.drawbacks with Zoom505II imho:
– you can’t have delay and reverb together (very bad)
– delay is too short (370 msec.)
– delay is ping – ponged form left to right if you are in stereo (awful)
– needs lots of tweaking to get good sound ( but you can get good sounds = tone)
this is all what i can say so far
it’s not POD of course, but i have Pod as well and to some extent zoom505II has its strenghts over POD( price at first)
my suggestion : try it thoroughly , don’t stick to the default patches , they sound horrible at least through headphones
if 505 misses the amp models better look for a 505II in my opinion, cause that’s what makes it for the 505II.
good luck
Scorpyo-
December 12, 2001 at 9:15 pm #87662AnonymousGuest
Eres gilipollas
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February 9, 2001 at 4:34 am #31536AnonymousGuest
Buy the best amp you can. Cheap amps sound cheap, even with a decent pedal. Try some amps out at the store in your price range. Good luck
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February 9, 2001 at 4:22 am #31538AnonymousGuest
You can’t get a GOOD new acoustic / electric cutaway for 00 -00 that I’ve ever heard of. One of the cheaper brands is Samick, they may make one in that price range. Save up a little more for a decent guitar. Remember, you get what you pay for!
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February 9, 2001 at 4:22 am #31537AnonymousGuest
If you are having problems with that link use
http://www.angelfire.com/ut/customfx -
February 9, 2001 at 4:19 am #31535AnonymousGuest
I have some extra kits to make vintage pedal clones.
They include, instructions on how to make it, and all components and parts.
Go to my site to see the pedals that are availible and the email me for the prices of each kit.
http://www.customfx.tsx.org
[email protected] -
February 9, 2001 at 4:15 am #31534AnonymousGuest
For blues, I would look at a Martin DM series guitar. A little more than you want to spend, but worth it.
Alvarez is also a good choice. If you really want to keep to a budget, Yamaha makes inexpensive acoustics that play well. A good guitar salesperson should be able to steer you in the right direction for your budget too. Good luck -
February 9, 2001 at 2:45 am #31532AnonymousGuest
Sorry for the caps, but this needs attention. I am going to sell my Fender DG20CE Acoustic guitar and use that money to buy a electric guitar. I figure i’ll get 00 for it. I want to know if i should which i should spend more money on, an amplifier, or a pedal. I’m a Zepplin fan, so I want to play solo’s like Jimmy Page. I think he uses and overdrive, but should I buy an expenisve amp that has built in distortion, or should i buy a less expensive and amp spend a more of the money on a good pedal? RSVP please!
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February 9, 2001 at 2:34 am #31531AnonymousGuest
At Guitar Center, there are specials on acoustic guitars with pickups. I have a Fender DG20CE which i originally bought for 79.99, but now the price droped 30 at a final cost for 49.00 due to a special on equipment. This is a big drop for an expensive guitar, I have also seen a similar Fender Guitar with pickups for with a price tag of 99(originally 69)in their recent catalog.
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February 9, 2001 at 12:57 am #31530AnonymousGuest
I AM INTERESTED IN BUYING A TASCAM 424MKIII RECORDER
BUT I’VE SEEN SOME POST THAT PEOPLE HAVE TROUBLE GETTING
A GOOD TAPE PLAYBACK. SOMETHING TO DO WITH YOU CANT TAKE THE TAPE FROM THE
424 AND PLAY IT BACK ON A NORMAL CASSETTE DECK.
DO YOU HAVE TO DO MIXING DONE BEFORE YOU CAN LISTEN TO
IT ON A NORMAL RECORDER ? WHATS UP WITH THAT ?? -
February 9, 2001 at 12:28 am #65226AnonymousGuest
I posted a message yesterday, but I think its getting lost in the mix, so I used the obnoxious all caps. Anyway, I want to buy a good cutaway acoustic guitar with pickups. I’m kind of low on funds (can spend about $200-300), so any suggestions? I need some help here. Thanks all.
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February 8, 2001 at 10:47 pm #65228AnonymousGuest
Does anybody know how to recreate Randy Rhodes sound a la Tribute. I have read some articles and they seem to be wrong.
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February 8, 2001 at 8:06 pm #31525AnonymousGuest
: I really want to begin to play the guitar,,but my brain is swamped with the choices of what Acouctic guitar I should start with,,one that is inexpensive,,but has sound good enough so that if the notes and music sound bad,,i know its me and no the instrument. Any suggestions on a first time Acoustic guitar is big time welcome
My budget allows 00 for a beginner type guitar. Blues are the thing for me. Everything from Texas blues (Stevie Ray),to Guitar Shorty,Johnny Copeland,Albert Collins,Buddy Guy and B.B King of course. Thanks for the help so far,,any info is good info!
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February 8, 2001 at 4:48 pm #31526AnonymousGuest
Shit! That’s right! Sorry, forgot… But are the ones branded E/H different in terms of production quality, or is that asking too much of the company?
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February 8, 2001 at 3:59 pm #31524AnonymousGuest
: does it need a mixer for pc recording? any suggestion on mic and setup?
No, it has an onboard 0r2 mixer!!!!!! Why would you need a mic ? If it’s to record your amp use the headphones or line out. However the sw1000xg has a fantastic range of distortions & amp sims, from tube to combo & stack, plus eq’s & more importantly an accurate compression tool. If it’s for vocals just use the xg. Hope it helps. Phil. Ps this is a great piece of kit
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February 8, 2001 at 3:55 pm #65219AnonymousGuest
I USE A POD 2, AND HAVE JUST BOUGHT A ROCKTRON VELOCITY 120 POWER AMP. CAN ANYONE SUGGEST A SUITABLE CAB(EITHER 4X12 OR 2X12).
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February 8, 2001 at 2:57 pm #65190AnonymousGuest
This popular thread has been given its own page : How to install a Floyd Rose trem on my fender Strat?
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February 8, 2001 at 12:16 pm #65238AnonymousGuest
This popular thread has been given its own page : Looking for a Kahler Tremolo Part
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February 8, 2001 at 9:32 am #31523AnonymousGuest
I have a fender vibrolux guitar amplifier from somewhere in the 60’s if anyone has any information on this including price please let me know
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February 8, 2001 at 7:10 am #31518AnonymousGuest
G,
What you should do is figure out how much you can afford, and then find someone in your area that knows about guitars, and have him/her go with you to the music store, to make sure you get something worth the money. You should be able to get a pretty good acoustic for 00 or more….look at the Alvarez Yairi models, they have nice necks and a pretty good sound.
Good luck
: I really want to begin to play the guitar,,but my brain is swamped with the choices of what Acouctic guitar I should start with,,one that is inexpensive,,but has sound good enough so that if the notes and music sound bad,,i know its me and no the instrument. Any suggestions on a first time Acoustic guitar is big time welcome -
February 8, 2001 at 7:07 am #31520AnonymousGuest
I’m looking for a serial number list for Goya guitars. The web address I tried just ends in a blind link
PLEASE HELP!!
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February 8, 2001 at 7:01 am #31519AnonymousGuest
Frank is right. Biggest factor is whats your budget??
00 ? Then you’ll end up with a laminated top guitar that sounds like a 00 guitar. More info please. -
February 8, 2001 at 6:56 am #31516AnonymousGuest
I am going to get on the Fender bandwagon too. I have played through lots of amps. (I ran a music store for a while) The Fender amps always seemed to give the best sound for the $. Check a few out with YOUR guitar. Good luck
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February 8, 2001 at 6:46 am #31515AnonymousGuest
They got the nick name "Bird house guitar" cause of the holes. I’ve only seen one about 15 years ago. If memory serves me right, I believe they were made in Minneapolis? Hope someone knows for sure.
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February 8, 2001 at 5:04 am #31512AnonymousGuest
I want a cutaway acoustic guitar w/ pickups, but don’t have a lot of cash. Any suggestions would be great. Later.
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February 8, 2001 at 4:55 am #31513AnonymousGuest
I have a marshall vs412 cabinet and want a good rock/classic rock tone. Found a deal on the net for a jcm 900 100 watts. WIll they sound alright together or will it damge the head or cab? please help, thanx will
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February 8, 2001 at 4:54 am #31514AnonymousGuest
I have a vs412 cabinet and want a good rock/classic rock tone. Found a deal on the net for a jcm 900 100 watts. WIll they sound alright together or will it damge the head or cab? please help, thanx will
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February 8, 2001 at 4:16 am #31510AnonymousGuest
: Here you go: What’s your favorite band? Do you want to play like them? What do they use? What can you spend? Start with the general questions and get specific, then you should have an idea of what your choices are.
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February 8, 2001 at 3:18 am #31509AnonymousGuest
Im thinkin about buying the marshall valvestate 100R
ive heard it both sux, and is good, so i need some advice. I play an ibanez gio (fake crap strat) and i play classic rock (zepplin etc.) and metallica. Thanx-
July 17, 2003 at 1:31 am #88497AnonymousGuest
hey dude, ive been thinking of buying the marshal vs100r because i hear it is very good and suits my music style. i play rock, punk rock so could u send me some info on it including the price od it. thank you.
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February 8, 2001 at 2:53 am #31511AnonymousGuest
I was wondernig if anyone has tab for this great Led Zepplin Cd, because the "Black dog" and "Stairway to heaven" solos are better than solos of the released version, "Led Zepplin IV".
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February 8, 2001 at 1:50 am #31507AnonymousGuest
I am interested in selling my Fleta guitar, one of the master’s editions from 1964. It is in excellent condition and needs playing. The quality of the sound is supreme. Anyone interested?
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September 7, 2002 at 9:46 am #99741AnonymousGuest
Do you still have the Fleta guitar? Let me know. Thanks. : I am interested in selling my Fleta guitar, one of the master’s editions from 1964. It is in excellent condition and needs playing. The quality of the sound is supreme. Anyone interested?
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October 29, 2004 at 10:52 pm #111427AnonymousGuest
HOW MUCH FOR THIS FLETA GUITAR (IF YOU ARE STILL SELLING IT)? WHERE IS IT SOLD ?
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December 6, 2001 at 3:10 pm #87244AnonymousGuest
: I am interested in selling my Fleta guitar, one of the master’s editions from 1964. It is in excellent condition and needs playing. The quality of the sound is supreme. Anyone interested? Neil : If it is still available , can you send me a picture, and price please ? Regards, neil
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February 7, 2001 at 11:39 pm #31506AnonymousGuest
Can anyone tell me where I can find this tab? I have searched high and low. was that album ever tabbed out by any of the major tab book company’s? Please help!
Chris
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November 7, 2001 at 6:10 pm #85890AnonymousGuest
: Can anyone tell me where I can find this tab? I have searched high and low. was that album ever tabbed out by any of the major tab book company’s? Please help! :if you find it please let me know
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September 18, 2001 at 2:51 am #83888AnonymousGuest
: Can anyone tell me where I can find this tab? I have searched high and low. was that album ever tabbed out by any of the major tab book company’s? Please help! If you have it, pleasa send me the tab Jonathan
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August 30, 2001 at 9:03 pm #83140AnonymousGuest
Midnight Express; what a song; found the tab at this address after much searching. "http://frdsa.utc.sk/~koncelik/tab/MidnightExpress.tab" Haven’t had a chance to try it yet; just for all you Extreme fans out there.
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August 24, 2001 at 1:52 am #82681AnonymousGuest
: Can anyone tell me where I can find this tab? I have searched high and low. was that album ever tabbed out by any of the major tab book company’s? Please help! : Chris you can get this tab from a site called guitarpro.com, you have to download the software but it’s worth it
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August 24, 2001 at 1:52 am #82677AnonymousGuest
: Can anyone tell me where I can find this tab? I have searched high and low. was that album ever tabbed out by any of the major tab book company’s? Please help! : Chris y
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February 7, 2001 at 10:22 pm #31504AnonymousGuest
I really want to begin to play the guitar,,but my brain is swamped with the choices of what Acouctic guitar I should start with,,one that is inexpensive,,but has sound good enough so that if the notes and music sound bad,,i know its me and no the instrument. Any suggestions on a first time Acoustic guitar is big time welcome
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February 7, 2001 at 10:20 pm #31503AnonymousGuest
Searching for the 101% Sound I’ ve been playing BOOGIE for years and LOVE it!! Do you earn a TriAxis, 2:Ninety or 4×12?! What are your favorite presets etc.?!
More info, presets and whatever:
http://www.michaelborchers.netHope to see you soon!!
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February 7, 2001 at 9:52 am #65210AnonymousGuest
does zoom 505 good enought to simulate amps and give warm distortion (pro stantard…recording..live..etc)?
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February 7, 2001 at 9:50 am #31500AnonymousGuest
does it need a mixer for pc recording? any suggestion on mic and setup?
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February 7, 2001 at 9:43 am #31502AnonymousGuest
I have been messing around with the cakewalk guitar studio 2 demo and really like it. I was wondering if anyone could tell me if studio 9 is any good (as it is half the price)
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February 7, 2001 at 8:25 am #31497AnonymousGuest
I am looking for a fender hm strat! any info is greatly appreicated..
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August 10, 2001 at 12:37 am #82033AnonymousGuest
i have on, black one humbucker two single coil pickups kahler-spyder floyd rose if u want ask me thre my e-mail [email protected]
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August 10, 2001 at 12:31 am #82039AnonymousGuest
i have one with one humbucker and two coil pickups 24 frets kahler-spyder floyd rose if u want u can send me a messege
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February 7, 2001 at 8:09 am #31499AnonymousGuest
I’ve been playing and writing music for a decade now and have been playing gor two decades. I have used 4 trax and drum machines in the past but have just got into using cool edit pro and started using hard drive recording. I just can’t get the sound right and desperatly need to find information or help on how to use it professionaly and what sort of rack mounts I can use to input my guitar and vocals and all other helpfull info regarding ease of drum loop software or machines.
All advice appreciated, desperately.
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February 7, 2001 at 7:42 am #31495AnonymousGuest
I have a 80-90 fender stratocaster and i am not sure how much it is worth if you know please e-mail me thanks.
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February 7, 2001 at 6:01 am #31492AnonymousGuest
True.Fenders were not designed to "break-up" like Marshalls.And Marshalls don’t sound very good clean.For
gigs and club dates I use a Tech21 60.It’s pretty loud,
I like the distortion and reverb.It’s also very portable.The price is about 50.00.It does the job. -
February 7, 2001 at 5:52 am #31491AnonymousGuest
Tokai stuff,the ones I’ve played, are very good.Built like Fenders and Gibsons but are more comfortable.Good choice.
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February 7, 2001 at 5:48 am #31493AnonymousGuest
The Seymore Lil’59 or J.B.jr sound very good and have tons more output than stock pickups.The D’Marzio HS-3’s
are also pretty good.I’d stay away from the EMG single
coil pickups.Too sterile.
Good Luck -
February 7, 2001 at 5:37 am #31490AnonymousGuest
Hmm.I’d get a Tascam mk414 or a Porta 1.These are good
four-tracks for beginners.I still love my PORTA-ONE. -
February 7, 2001 at 5:03 am #31488AnonymousGuest
: i am thinking of using multi effect in one of the pedal chain.
: will the amp simulater in the multi take the effect from the pedal and simulate it as the amp type it specified?Yes , it will…with slight blend from both characters
imho sounds pretty good
(only tried XXL or TS5 through zoom505II or POD tho..)
best of luck
Scorpyo -
February 7, 2001 at 4:26 am #31489AnonymousGuest
: As I wrote to someone below about amps, I swear by my Fender. I’ve been playing guitar for about 15 years, and I think Fender amps are the best I’ve ever heard. (And I’m not a "Fender Guy". I only like their amps actually). As for a specific amp model, I could just say get one that has the features you want.
: : im lookin for a new amp. it has to be a tube, and i need to be able to gig with it. what are some good ideas. i play rock, classic rock etc. including led zeppelin, areosmith, pink floyd, some hendrix, metallica, just over all rock an roll.
: Best amp for the money= Soldano Atomic 16.
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February 7, 2001 at 4:22 am #31486AnonymousGuest
: He uses a slide, you play a bar chord D at the 5th fret and then up to a bar E at 7, which you hit the E chord one time, and then use the slide to slide down the neck (toward the nut). Just play the B, G, and D strings with the bar over the ninth fret and slide it down.
:
: : Alright, I play the Led Zeppelin song wanna a whole lotta love, accurate except the chorus. You know, "Wanna a Whole Lotta Love" then sounds like Jimmy Page is slide or using the whammy bar. Does anyone know what he’s playing there?
:Use the volume control on your axe. Strike the chord w.little/NO volume, slide your chord hand down the neck. PRACTICE. -
February 7, 2001 at 3:41 am #31487AnonymousGuest
This popular thread has been given its own page : Borys BG100
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February 7, 2001 at 12:47 am #31483AnonymousGuest
EH and Sovtek are the same company.
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February 6, 2001 at 11:01 pm #31482AnonymousGuest
This popular thread has been given its own page : ace frehley les paul tuners
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February 6, 2001 at 10:00 pm #31480AnonymousGuest
Are the new E/H tubes simply rebranded Eastern European, or are they actually manufactured by E/H?
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February 6, 2001 at 8:44 pm #31479AnonymousGuest
Keep it, in case you come to sell the guitar so you can stick them back in and keep the good pickups.
Customising is a lost investment on the second hand market – people tend to want original parts no matter how crap they are.: TELL ME what should i do with it, keep it ? trade it? or i can request the epiphone without the pickup..then i just install the emg or semour duncan pickup myself?
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February 6, 2001 at 8:38 pm #31481AnonymousGuest
I have the old pickups on a sheraton – they can be muddy and youve got to play around alot with tone and balance to get a good sound. Apparently the new pickups are vacuum packed which reduces some squeeling problems at high volumes. Don’t know if theyve changed the spec of magnets and winding though.
I’m getting some kent armstrongs – which are apparently a big improvement for half the price of Seymour Duncans.: i heard the pickup on ephiphone are now better and generally quite good which doesnt require to be changed to duncan or EMG…pls advise,thanks
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February 6, 2001 at 7:38 pm #31478AnonymousGuest
Has anyone bought anything from http://www.guitarstop.com? They have some great prices, but I am a little hesitant about buying a guitar over the net.
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February 6, 2001 at 6:30 pm #31476AnonymousGuest
I am not a good guitarist, don’t know that much about gear & amps but I know every fucking thing about Pc recording. My friend there is only one card for a guitarist who wishes to have a Pc studio & that is the Yamaha Sw1000xg. 12 stereo tracks 144 studio quality effects (you would need 5 rack units to achieve this as they can be applied to all the channels) in realtime with no latency. An onboard 0r2 mixer, I will repeat that an onboard 0r2 mixer. Plus the best Xg synth available to date. Used by hollywood for 9 films this year. But the best part is it onlys cost £340 from simply computers. But hey don’t take my expert opinion check out their site. Trust me this is the only card, plus the upgrades are unreal. http://www.xgfactory.com/ All the best Phil, oh & just to annoy everyone, the effects on the card will accurately replicate that listed gear. The only criticism I have is It aint portable.
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February 6, 2001 at 6:21 pm #31474AnonymousGuest
I like it, that put a smile on my face. Nice one.
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February 6, 2001 at 5:52 pm #31473AnonymousGuest
: SELL IT AND GIVE THE MONEY TO CHARITY
sell to ?
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February 6, 2001 at 12:10 pm #31470AnonymousGuest
Hi,
There are 3 kinds of tubes that are used in guitar amps:
1.Preamp tubes. These "prepare" the signal to be amplified. Most common are the 12ax7. Normally you will find at least 3 in an amp but some small amps only have 1 (Fender Champ) and others will have up to 8. These run from about for current European or Chinese makers to 0 for NOS(new old stock) American or English tubes.
2. Power Tubes. These amplify the signal. These come in a variety of types. Most common are EL34(Mashalls) 6L6(Fenders, Mesa) EL84(Vox, Matchless) 6V6(low wattage Fenders). There are more but I won’t name them all. These usually come in pairs. 50 watts marshalls have 2 EL34’s 100 watt Marshalls have 4 EL34s. They HAVE TO BE BOUGHT IN MATCHED PAIRS!!!!!!! These cost around 5 per matched pair depending on quality of tube.
3. Rectifier tube. This tube converts (rectifies) the AC signal to a DC signal. Most amps of today use a solid state rectifier. Some that use the tube are Mesa Rectifier series, Vox AC 30 and 15, almost all boutique amps.(Matchless, DrZ, Victoria etc..)Current producers of tubes are Sovtek, Ei, JJ, Ruby, Groove Tubes. The Mesa tube is a Sovtek relabeled. Don’t let them trick ya! I think the Groove Tube is, by far, the best new tube available.
Most people will agree that older tubes are better. They are built with superior parts and higher quality construction. Mullard, RCA, GE, Siemens are a few of the NOS tubes you may run across. Expect to pay up to 00 per tube for some of these.
Sovteks are a good inexpensive tube and will get the job done. Power tubes should be replaced about once a year depending on how often you play. YOU SHOULD REPLACE ALL POWER TUBES AT THE SAME TIME! Do not just change 1 of the 4. Once you get familiar with different tubes you will be able to recognize the small differences between them.
There are a couple good books around that give info on tubes. "The Tube Amp Book" by Aspen Pittman (the groove tube guy) is an excellent reference.Hope this helps!
Jj
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February 6, 2001 at 11:29 am #31469AnonymousGuest
Anyone got the Tab for "Afro cuban lullaby"??
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October 1, 2002 at 10:02 pm #101016AnonymousGuest
: Anyone got the Tab for "Afro cuban lullaby"?? Let me know if you still want the tab. I transcribed Christopher Parkening’s version. Beautiful piece. Drop D tunning or DADGAD version available in tab. $10.00 each
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October 1, 2002 at 5:52 am #101001AnonymousGuest
: Anyone got the Tab for "Afro cuban lullaby"?? Let me know if you still want the tab. I transcribed Christopher Parkening’s version. Beautiful piece. Drop D tunning or DADGAD version available in tab. $10.00 each
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February 6, 2001 at 9:53 am #31467AnonymousGuest
when I’m playin in distoration loud, my volume drop ,this was after i change my battery in my gutiar.and i do use four cables for my loop of floor foot switches.is this an indication that my battery inside the processor is getting low. I had the processor since 1979.
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February 6, 2001 at 9:33 am #31464AnonymousGuest
I just bought a new Takamine EG522C electric acoustic classical guitar with cutaway shoulder. But Guitar Center gave me no documentation. The company website is useless. Can anyone tell me what the buttons and knobs do on this guitar????
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July 19, 2001 at 9:19 am #81316AnonymousGuest
Hi buddy, I also bought a new Takamine EG522C. Could you have found documentation about buttons? If yes please share it with me. Thanks : I just bought a new Takamine EG522C electric acoustic classical guitar with cutaway shoulder. But Guitar Center gave me no documentation. The company website is useless. Can anyone tell me what the buttons and knobs do on this guitar????
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February 6, 2001 at 8:55 am #31466AnonymousGuest
now if i’m correct the rectifier can switch between all tube and solid state, right? I haven’t really checked these amps out but they sound like god’s gift if this is true
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February 6, 2001 at 6:37 am #31465AnonymousGuest
YOU OBVIOSLY KNOW YOUR STUFF MATEY BUT MY AMP IS THE BEST IN THE WORLD. I WILL LEND IT TO YOU IF YOU LIKE
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February 6, 2001 at 6:34 am #31462AnonymousGuest
SELL IT AND GIVE THE MONEY TO CHARITY
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February 6, 2001 at 6:32 am #31463AnonymousGuest
HEY YEAAALL LOVE YOU ALL LOTS IM REALLY DRUNK, BUT I NEED TO TELL EVERYONE HOW MUCH I LOVE MY GUITAR. ITS A REAL LOT, ITS MY LIFE THE MAENING AND EVRYTHING GOD IMDRUNK SEEYA
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February 6, 2001 at 6:18 am #31461AnonymousGuest
Does anyone have or know this? It would be greatly appreciated.
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February 6, 2001 at 6:14 am #31460AnonymousGuest
I do a lot of repair work. Most of the time when somebody comes in and tells me that his guitar won’t stay in tune it’s because it either has old crappy strings on it, or the intonation isn’t set properly, or both. First, put new strings on it and check the intonation on a tuner (play a harmonic at the 12th fret and then fret the note, the fretted note should be the same as the harmonic, if it’s sharp or flat the intonation is out). Check it on each string.
It’s probably not the machine heads (tuners) themselves. Gotohs are very well made actually.
If you play on really light strings it’ll tend to be hard to keep in tune also, try going up a gauge or two (maybe .011 to .050) if you’re using .009s.
If you bend strings and they go flat afterward there are two things: one, make sure when you’re tuning, you tune UP to the pitch, not down to it; two, the strings sometimes catch in the nut if it’s not smooth and the right size. Don’t try to fix this yourself, let a repairman do it.
: The problem is you have a Samick. Very low end guitars are hard to keep in tune because the parts are cheap and the wood is probably plywood and not solid.
: : Hi,: : I just got this Samick 335 copy, and while it sounds and looks pretty great, it won’t stay in tune. It has a Tuneomatic bridge, and gotoh-ish tuners. What adjustments would you recommend short of replacing the hardware?
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February 6, 2001 at 6:07 am #31459AnonymousGuest
A little history. Marshall are evolutionary descendants of the Fender Bassman head. Over the years I’ve played through all sorts of amps. You can’t really recreate that big Marshall sound without a big Marshall, or without a bunch of expensive rack gear that makes it sound just the same for twice the price. That being said, about the only thing most Marshalls are good for is that one tone.
I use a Fender Hot Rod Deluxe for band practice and it’s fine. It has plenty of gain and sustain. Of course it sounds nothing like a Marshall.
You might take a look at the JCM2000. It’s supposed to have a good clean tone as well as awesome crunch.
My personal recommendation however is to go with a Mesa/Boogie. I’ve been using a Mark III Simulclass since 1993 and it’s got awesome clean tone and awesome distortion. It also cost me 200 back then, the new ones are closer to 000 (I’m not going to take the time to convert that into Pounds).
I hope you find what you want.
Steve
: Yesterday I was told by a few good musicians that Marshall amps are crap for a clean sound & the Fender are even worst on dirty sounds, is this true? The thing is I wish to purchase an amp for no more than £180 but I want the best my money will buy. I have a fantastic digital rig from which I do most of my studio work for pc games and the like, but it isn’t portable. Plus I have some good pedals for over/dist etc. I play most kinds of music. All I want from an amp is some thing that’s loud enough for my studio room, but at a ‘push’ could be used to gig a small hall, ie a loud practice, starter amp. It is very important that the amp has a high quality clean sound, 2 channels & maybe an effects loop & CD in. The amps I have considered are the Marshall G50rcd, Laney Hcm60r. If anyone has heard, or have any opinion on them please tell me. Plus as you all know there are loads of amps to choose from. I only want something that sounds good for the money, so screw the make plus I can’t afford a tube amp. Please give me some amps to check up on. Please help, as I don’t wish to be left at the mercy of reviews & ads. Plus with these views I will know what to tryout in my local music shops. Thanks for your valuable time, all the best. Phil
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October 27, 2001 at 7:52 am #85563AnonymousGuest
Phil: I own a Fender Stage 100 head along/4×12 speaker cab. I use a Boss GT-5 for my effects processing, so any onboard jargon doesn’t really impact me. If you are mainly going to do your processing with pedals, I’d go with a Fender solid-state. Great clean tone, and, if you’re processing your sound anyway, it doesn’t really matter what the onboard distortion is like.
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February 6, 2001 at 6:00 am #31458AnonymousGuest
He uses a slide, you play a bar chord D at the 5th fret and then up to a bar E at 7, which you hit the E chord one time, and then use the slide to slide down the neck (toward the nut). Just play the B, G, and D strings with the bar over the ninth fret and slide it down.
: Alright, I play the Led Zeppelin song wanna a whole lotta love, accurate except the chorus. You know, "Wanna a Whole Lotta Love" then sounds like Jimmy Page is slide or using the whammy bar. Does anyone know what he’s playing there?
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February 6, 2001 at 5:54 am #31457AnonymousGuest
Alright, I play the Led Zeppelin song wanna a whole lotta love, accurate except the chorus. You know, "Wanna a Whole Lotta Love" then sounds like Jimmy Page is slide or using the whammy bar. Does anyone know what he’s playing there?
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February 6, 2001 at 4:54 am #31456AnonymousGuest
The problem is you have a Samick. Very low end guitars are hard to keep in tune because the parts are cheap and the wood is probably plywood and not solid.
: Hi,: I just got this Samick 335 copy, and while it sounds and looks pretty great, it won’t stay in tune. It has a Tuneomatic bridge, and gotoh-ish tuners. What adjustments would you recommend short of replacing the hardware?
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February 6, 2001 at 4:49 am #31455AnonymousGuest
As I wrote to someone below about amps, I swear by my Fender. I’ve been playing guitar for about 15 years, and I think Fender amps are the best I’ve ever heard. (And I’m not a "Fender Guy". I only like their amps actually). As for a specific amp model, I could just say get one that has the features you want.
: im lookin for a new amp. it has to be a tube, and i need to be able to gig with it. what are some good ideas. i play rock, classic rock etc. including led zeppelin, areosmith, pink floyd, some hendrix, metallica, just over all rock an roll.
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February 6, 2001 at 4:47 am #31453AnonymousGuest
The distortion will most likely come from a pedal or effect anyway, so the natural distortion of your amp shouldn’t be too important. I swear by Fender amps. Ever since high school when one friend had a Marshall stack and another had a Fender, I knew which one I liked better. And I play 80% distortion using a BOSS Heavy Metal pedal. My Fender amp is the best I have ever heard. I am not a fan of other Fender products, but I swera by their amps.
: Yesterday I was told by a few good musicians that Marshall amps are crap for a clean sound & the Fender are even worst on dirty sounds, is this true? The thing is I wish to purchase an amp for no more than £180 but I want the best my money will buy. I have a fantastic digital rig from which I do most of my studio work for pc games and the like, but it isn’t portable. Plus I have some good pedals for over/dist etc. I play most kinds of music. All I want from an amp is some thing that’s loud enough for my studio room, but at a ‘push’ could be used to gig a small hall, ie a loud practice, starter amp. It is very important that the amp has a high quality clean sound, 2 channels & maybe an effects loop & CD in. The amps I have considered are the Marshall G50rcd, Laney Hcm60r. If anyone has heard, or have any opinion on them please tell me. Plus as you all know there are loads of amps to choose from. I only want something that sounds good for the money, so screw the make plus I can’t afford a tube amp. Please give me some amps to check up on. Please help, as I don’t wish to be left at the mercy of reviews & ads. Plus with these views I will know what to tryout in my local music shops. Thanks for your valuable time, all the best. Phil -
February 6, 2001 at 4:27 am #31452AnonymousGuest
As for your first question, the Marshall vs. Fender debate has been going on forever!! Personally, I am a huge Fender fan! In fact, aside from my effects, everything I own is Fender. Anyway, Marshall’s clean tone isn’t the greatest, it’s just average; because Jim Marshall wanted to create a very high gain amp (and he certainly did!) that would just plain knock your socks off. Clean tones just don’t do that. Now, Fender, on the other hand, has the greatest clean tone ever because that was Leo’s goal. He originally wanted to just make it possible to hear the guitar when everyone else was playing too. So, they are two completely different amps that serve two completely different purposes. Fenders dirty tone is more of just a plain old overdrive than it is a huge crunchy sustain as in Marshall’s case. As for the amp you should choose, you should play as many as you can, figure out what kind of tone than brings out your playing style and find an amp that fits the bill. I don’t know how much money that is in U.S. currency so I really can’t help you there, but trust you ears, and have fun.!!!!!!!!
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February 6, 2001 at 3:44 am #31454AnonymousGuest
im lookin for a new amp. it has to be a tube, and i need to be able to gig with it. what are some good ideas. i play rock, classic rock etc. including led zeppelin, areosmith, pink floyd, some hendrix, metallica, just over all rock an roll.
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February 6, 2001 at 3:35 am #31450AnonymousGuest
hey
how much do tubes cost? i want to buy a marshall dsl 401, and later replace the tubes. What are good replacement (i hear grove tubes and mesa/boogies are good). HOW ARE THEY SOLD (PACKS, SEPERATE) AND HOW MUCH DO THEY COST? -
February 6, 2001 at 3:35 am #31451AnonymousGuest
need advise on:
1:sound card for pc recording ( fpr demo only…)
2:epiphone vs gibson
3:EMG 81 vs Duncan
4:Amp simulator + pedal setup~~~
thanks -
February 6, 2001 at 12:33 am #31449AnonymousGuest
Dear Sir !I’m inquiring for a Tokia guitar an es-335 gibson 1957 model hollow body wide fretboard with carring case. please inform me if it is available, and what the cost& shipping will be .
awaiting on your reply A.S.A.P
thank you.sincerely yours
Robert Hoftijzer -
February 6, 2001 at 12:05 am #31448AnonymousGuest
I own a POD Pro. It is a great tool for recording. I don’t know about playing out with it though. It seems to hold up OK, but I haven’t made up mind if it is good enough to play out with. I would not say they are shit, though. What are you basing that on? They certainly seem to be pretty prevelant in professional recordings.
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February 5, 2001 at 11:14 pm #31446AnonymousGuest
According to their website, that Serial # is from 1961. They started making 335s in the late 50s (’57 or ’58 I think), so it could certainly be a 335. They’re easy to identify, just look for these things.
Double cutaway, F-holes, a solid piece down the center of the body (aka semi-hollow body construction), two humbucking pickups, 4 knobs, 1 toggle switch. Either dot inlays or small (single) rectangular inlays in the fingerboard.
Go to http://webserver.gibson.com/downloads//bluebook/GibsonSERIALNUMBERS.pdf to find the serial numbers.
Go to http://www.stewmac.com to see if you can find the part for the machine head (tuning key).
Rotsa ruck
: Got a Gibson that I think is an old ES335, but was told that the serial number reflects an older guitar. The serial # is 41706,has adjustable bridge and Bigsby tailpiece, original. I’m also looking for a collar for one of the tuning pegs. Any help from anyone? Thanks, Whimsmith
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August 27, 2004 at 10:01 pm #80812AnonymousGuest
what pickups could have doesnt have 12 ajustable poles only 6 expose coil pickups.if thier not dirty finger pickups what else could gibson put in them. thanks
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February 5, 2001 at 11:09 pm #31447AnonymousGuest
Im using a zom 505 with a Tacoma Chief acoustic/electric. Does anyone know a good patch setting to give a natural acoustic sound out of the 505. The default patch is too weak.
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February 5, 2001 at 10:18 pm #31444AnonymousGuest
I actually figured it out.
The words are song titles followed by some lyrics. You can figure them out pretty easily too, you can figure out which songs are which based on number of letters, and then you have some letters decyphered to figure out the rest. It was kinda fun, even. I think that there’s no Q, and maybe no Z, don’t remember, though.
-Rick -
February 5, 2001 at 6:38 pm #31441AnonymousGuest
i heard the pickup on ephiphone are now better and generally quite good which doesnt require to be changed to duncan or EMG…pls advise,thanks
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February 5, 2001 at 4:00 pm #31440AnonymousGuest
This popular thread has been given its own page : Mesa Boogie TriAxis 2.0 reset
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February 5, 2001 at 12:34 pm #31437AnonymousGuest
where could i find a "sibelius" sheet music program for free or not more expensive than about 300? ive already tried muse but i have problems with it…
i would like a program to write music and guitar tablature appears underneath….ive d/l the sibelius demo but i cant get it to playback(no sound)
i would appreciate any help
thank you for your time my friends i ll come back tommorow to checkmiguel
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February 5, 2001 at 11:39 am #31438AnonymousGuest
I have a 12 String McPherson Guitar. It has 3 oval holes (one middle bottom, then one one each side mid-body) and a sunburst finish. Can anyone tell me ANYTHING about these guitars? I can’t find ANYTHING on the Internet about them.
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February 5, 2001 at 6:43 am #31434AnonymousGuest
?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????
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February 5, 2001 at 4:31 am #31433AnonymousGuest
does anyone know where i can download the sheet music to many of the children’s popular songs like raffi, fred penner, sharon lois and bram, anne murray. any help would be greatly appreciated. its for playing to my 4 month old daughter thanks cathy
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February 5, 2001 at 2:12 am #31429AnonymousGuest
Howdy,
Man, I use a 20 watt to play places that small. A 40 to 60 watter getts LOUD man. 50w is normally too loud for most people. Do you play clean or distorted normally. That may be a problem. Both of those amps have Master volumes so that helps. You may not get too much headroom though.
The Beatles used 30 watters at Shea stadium in front of like 30,000. -
February 5, 2001 at 12:45 am #31428AnonymousGuest
HEY,
im buying a new amp and i wanted to know if it is possible to play a gig-for about 200-250 people, with a 40 watt amp? i dont think i will be able to mike it either. the amps i was looking at buying were the Marshall JCM2000 dsl 401, or the hot rod deluxe, idont want to get them if their not load enough tho.-
February 7, 2001 at 6:05 am #80273AnonymousGuest
Hmm.I’d get a 60 watt amp.Especially if your drummer is a heavy-hitter.40 watts might not be enough.Better to have and not need it,than to need it and not have it !! Good Luck
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February 5, 2001 at 12:38 am #31430AnonymousGuest
Howdy!
Try some DiMarzio or Duncan Single coils. They tend to have more output. The Fender fat 50’s are higher output than normal Fenders also.
By your description you may want to consider P-90’s though. They are a true single coil with great output. They can get into the humbucker range but generaly don’t.
Since you say you have some experience with building, maybe try 2 humbuckers wired so you can split the coils into singles. I have done this with a DiMarzio X2N and an EMG. I get a whole plethora of sounds comming out of 1 axe without having too many bells and whistles.Good Luck!
Jj
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February 5, 2001 at 12:24 am #31425AnonymousGuest
Anybody have a clue on where I can find Ibanez replacement "Dual pots" for I banez Ergodyne basses?
Bob
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February 4, 2001 at 8:17 pm #31426AnonymousGuest
Yesterday I was told by a few good musicians that Marshall amps are crap for a clean sound & the Fender are even worst on dirty sounds, is this true? The thing is I wish to purchase an amp for no more than £180 but I want the best my money will buy. I have a fantastic digital rig from which I do most of my studio work for pc games and the like, but it isn’t portable. Plus I have some good pedals for over/dist etc. I play most kinds of music. All I want from an amp is some thing that’s loud enough for my studio room, but at a ‘push’ could be used to gig a small hall, ie a loud practice, starter amp. It is very important that the amp has a high quality clean sound, 2 channels & maybe an effects loop & CD in. The amps I have considered are the Marshall G50rcd, Laney Hcm60r. If anyone has heard, or have any opinion on them please tell me. Plus as you all know there are loads of amps to choose from. I only want something that sounds good for the money, so screw the make plus I can’t afford a tube amp. Please give me some amps to check up on. Please help, as I don’t wish to be left at the mercy of reviews & ads. Plus with these views I will know what to tryout in my local music shops. Thanks for your valuable time, all the best. Phil
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February 4, 2001 at 6:43 pm #31422AnonymousGuest
: : I’m into recent punk bands like blink 182, and alternative stuff like the chillipeppers. I’m getting a new amp soon, what suits my styles more, a fender princeton 65, crate gfx-65, or a marshall valvestate 65?
: I don’t think any of them are really great choices, but for the kinds of sounds you’re going to want, I’d go with the Marshall Valvestate. I had one for a while. They do give you a pretty nice clean sound(for a Marshall,)and the shred is as close as either the next channel, or the gain knob. Anyway, it always looks cooler to have a Marshall than a Crate, you know what I mean? Fender makes some nice solid state stuff, but for me it is Fender tube or nothing.
the fender princeton supposedly has some tube simulating chip-set that makes it almost impossible to tell that it is a solid state, but it probably doesn’t have good distortion. Good point about marshall and crate…
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February 4, 2001 at 6:11 pm #31424AnonymousGuest
: I’m into recent punk bands like blink 182, and alternative stuff like the chillipeppers. I’m getting a new amp soon, what suits my styles more, a fender princeton 65, crate gfx-65, or a marshall valvestate 65?
I don’t think any of them are really great choices, but for the kinds of sounds you’re going to want, I’d go with the Marshall Valvestate. I had one for a while. They do give you a pretty nice clean sound(for a Marshall,)and the shred is as close as either the next channel, or the gain knob. Anyway, it always looks cooler to have a Marshall than a Crate, you know what I mean? Fender makes some nice solid state stuff, but for me it is Fender tube or nothing.
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February 4, 2001 at 6:02 pm #31423AnonymousGuest
Hi,
I just got this Samick 335 copy, and while it sounds and looks pretty great, it won’t stay in tune. It has a Tuneomatic bridge, and gotoh-ish tuners. What adjustments would you recommend short of replacing the hardware?
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February 4, 2001 at 4:24 pm #31419AnonymousGuest
Anyone has an opinion of the fender stagemaster 2001? (no pickguard, reverse headstock and floyd rose). I am thinking of getting one but cannot find any comments or information about it. If anyone owns one, could you also tell me whether there is a bypass capacitor at the volume control and what is the value of the capacitor in the tone control? Email me at [email protected]. Thanx a million.
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February 28, 2002 at 12:16 am #91745AnonymousGuest
Just bought it a couple months ago….Quit good..Really loves the tone
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February 4, 2001 at 2:55 pm #31420AnonymousGuest
im in the process of buying a 1980 sunburst tokai strat. its immaculate,sounds better than any strat that ive ever played and is just wonderful to play. does anyone know anything about these guitars?? how much there worth? any info much appriciated…
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February 4, 2001 at 2:03 pm #31421AnonymousGuest
: I want to play bass guiter.I need some videos that can help me but I dont know where shall I get free videos.
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January 30, 2002 at 8:09 pm #90352AnonymousGuest
: : I want to play bass guiter. i need to have some book’s so i can play the bas guiter for free
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August 10, 2001 at 10:18 am #82023AnonymousGuest
: : I want to play bass guiter.I need some videos that can help me but I dont know where shall I get free videos.
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August 10, 2001 at 10:22 am #105258AnonymousGuest
: : : I want to play bass guiter.I need some videos that can help me but I dont know where shall I get free videos.and i want pics of bass guiters and the music sheets of some top hit rock and roll
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February 4, 2001 at 1:59 pm #31416AnonymousGuest
I want to play bass guiter.I need some videos that can help me but I dont know where shall I get free videos.
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November 26, 2001 at 7:10 am #86738AnonymousGuest
: I want to play bass guiter.I need some videos that can help me but I dont know where shall I get free videos. And some musical notes to play from
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February 4, 2001 at 1:25 pm #31418AnonymousGuest
Hi, look, though I’m female, I have had some woodworking experience
and have, with the help of my older brother, built a solid body guitar
that looks like a PRS with two horns, etc.. I want a thick sound but
not as thick as a humbucker. What I’m hoping to do is, have the thing
wired as a Stratocaster, with single coil pickups and a five position
switch to allow the "out of phase" sound.Does anyone know of any single coil Strat style pickups that will give a
much more solid, more powerful sound than the standard single coils? Are
there any more powerful, even ultra powerful single coil pickups out there
made for a Strat?
Thanks in advance for any help/advice on this. -
February 4, 2001 at 10:02 am #31414AnonymousGuest
anybody?
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February 4, 2001 at 6:34 am #31411AnonymousGuest
Got a Gibson that I think is an old ES335, but was told that the serial number reflects an older guitar. The serial # is 41706,has adjustable bridge and Bigsby tailpiece, original. I’m also looking for a collar for one of the tuning pegs. Any help from anyone? Thanks, Whimsmith
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November 14, 2001 at 8:55 am #86208AnonymousGuest
: Got a Gibson that has an odd serial number it is 3767. Can you help with this? Kevin
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February 4, 2001 at 6:31 am #31412AnonymousGuest
Got a Gibson that I think is an old ES335, but was told that the serial number reflects an older guitar. The serial # is 41706,has adjustable bridge and Bigsby tailpiece, original. I’m also looking for a collar for one of the tuning pegs. Any help from anyone? Thanks, Whimsmith
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February 4, 2001 at 6:20 am #31409AnonymousGuest
Can anybody date this guitar for me? What I’ve got is an old Gibson which I believe is an ES335 but was recently told could be an older 15o something because ofd the serial number. Has a five digit # 41706. Any help? Also looking for a collar for one tuning peg. Oh yeah, this guitar also has an adjustable bridge with a Bigsby tailpiece, all original. Thanks, whimsmith
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February 4, 2001 at 5:25 am #31407AnonymousGuest
it just the best guitar for it’s price…
the pickup isint that good…
wait until u try the one made in japan… -
February 4, 2001 at 4:38 am #31405AnonymousGuest
how much is a 1980 studio electric worth?
with case, all origional, some dings, black.wanna buy? I can get it for what seems to be cheap!
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February 4, 2001 at 2:59 am #31404AnonymousGuest
When I’m playing the Metallica solos using my RG270, it just can’t able to come out with those high pitch parts with loud and clear sound. Anybody has the similar problem. Is it caused by the pickup or the setup problem?
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March 3, 2003 at 8:56 am #83079AnonymousGuest
Metallica’s not really my style, but Megadeth or Slayer is more like it for me. Just dish out a couple hundred for some EMGs, and you’ll be just fine. I put out about 360$ and got an EMG-81 and an EMG-89 (which is an EMG-S and EMG-85 in the same casing). My guitar has never sounded sweeter.
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September 4, 2002 at 1:01 am #110930AnonymousGuest
i have noticed the same thing and i have tried everything to sort it out… does anyone have a clue how to sort this out.
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February 4, 2001 at 2:11 am #31402AnonymousGuest
hey,how’s your fucking with ur mum oledi?
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February 4, 2001 at 1:49 am #31401AnonymousGuest
Yamaha did make a FG43, it has been replaced by FG430.
Does it have a little design on the headstock that looks sort of like a flower? If so, it is a Yamaha. -
February 4, 2001 at 12:51 am #31403AnonymousGuest
Bob you bad bad boy!!!! How’s about you and those evil ones answering my question on amps, best buy under £200? Preferably before they launch you to hell! Or just tell you off!!! Ps you spelt wwwoooooaaaarrrrr wrong.
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February 4, 2001 at 12:25 am #31399AnonymousGuest
[The body of this post has been lost]
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February 4, 2001 at 12:13 am #31398AnonymousGuest
TELL ME what should i do with it, keep it ? trade it? or i can request the epiphone without the pickup..then i just install the emg or semour duncan pickup myself?
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February 4, 2001 at 12:04 am #31400AnonymousGuest
i am thinking of using multi effect in one of the pedal chain.
will the amp simulater in the multi take the effect from the pedal and simulate it as the amp type it specified? -
February 3, 2001 at 10:18 pm #31395AnonymousGuest
What does everyone think about these digital amps, will they accurately model tube amps, I have heard the pod are shit, but the Yam dg range are excellent. Plus will they drive down the price of amps in general. But more importantly do they soud great at high volumes for those of you who gig.
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February 3, 2001 at 10:11 pm #31396AnonymousGuest
Hi I wish to purchase an amp for no more than £180 but I want the best my money will buy. I have a fantastic digital rig from which I do most of my studio work for pc games and the like, but it isn’t portable. Plus I have some good pedals for over/dist etc. I play most kinds of music. All I want from an amp is some thing that’s loud enough for my studio room, but at a ‘push’ could be used to gig a small hall, ie a loud practice, starter amp. It is very important that the amp has a high quality clean sound, 2 channels & maybe an effects loop & CD in. The amps I have considered are the Marshall G50rcd, Laney Hcm60r. If anyone has heard, or have any opinion on them please tell me. Plus as you all know there are loads of amps to choose from. I only want something that sounds good for the money, so screw the make plus I can’t afford a tube amp. Please give me some amps to check up on. Please help, as I don’t wish to be left at the mercy of reviews & ads. Plus with these views I will know what to tryout in my local music shops. Thanks for your valuable time, all the best. Phil
My rig, Yam 0r2 mixer
Yam guitar
Yam sw1000xg card
Marshall Jackhammer & bluesbreaker
Korg ax1g (hey we all make mistakes)
Danelectro chorus pedal -
February 3, 2001 at 9:30 pm #31394AnonymousGuest
: would a ibanez rg520qs with peavey special 212 and digitech rp2000 a good setup for stuff like extreme, metallica,ozzy,creed?
not too bad although you migt want to replace the peavey
special 212 for a marshall. not the best choice for
creed tho…… -
February 3, 2001 at 5:57 pm #31393AnonymousGuest
Can anyone tell me about a Japanese Strat with serial P026019?
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February 3, 2001 at 2:10 pm #31391AnonymousGuest
I am looking at Strats. I don’t know which models are the best bargains. I don’t want to spend over 00, but I will if I have to.
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February 3, 2001 at 1:06 pm #31389AnonymousGuest
I’m into recent punk bands like blink 182, and alternative stuff like the chillipeppers. I’m getting a new amp soon, what suits my styles more, a fender princeton 65, crate gfx-65, or a marshall valvestate 65?
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February 3, 2001 at 11:27 am #31390AnonymousGuest
Stop me if you’ve heard this one before.
Stolen from my apartment, Les Paul Custom ’73/’74
Black/Gold/case
Police report filed
serial# 73047535
Please email any info. If info. results in return of instrument I’ll make it worth your effort. -
February 3, 2001 at 9:30 am #31387AnonymousGuest
?
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February 3, 2001 at 9:16 am #31385AnonymousGuest
: You might be able to get close with that set up. I am not familiar with the guitar model you mentioned. It sounds like you want something with at least a humbucker at the bridge. The RP2000 looks impressive from what I have seen. The amp needs to have a 12 inch speaker so you can drive it hard. Any less they dont respond well especiialy if it is a combo amp.
: Your best bet is to try out all this stuff together and make sure you are happy with it.
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February 3, 2001 at 7:52 am #31384AnonymousGuest
does anyone know where i can find a full translation of the runes on the inside of the case??
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February 3, 2001 at 4:28 am #31377AnonymousGuest
It’s got a little value.
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February 3, 2001 at 4:13 am #31375AnonymousGuest
Could be a Yamaha, they have an FG series.
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February 3, 2001 at 4:01 am #31376AnonymousGuest
i have an acustic guitar with no lable,just a model number, im guessing its from 60s-70s, the model number is fg43, if anyone know how i could find out who made it let me know at [email protected]
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February 3, 2001 at 4:00 am #31374AnonymousGuest
I’ve been goofing around trying to figure out the main rhythm riff…but I can’t seem to get it right…anyone know it? Thanks
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November 1, 2001 at 9:01 am #85703AnonymousGuest
I can’t find a site that has a mp3 download for the song butterfly by crazy town! Does anyone know where I can find it? Thanks lots
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February 3, 2001 at 3:28 am #31373AnonymousGuest
You might be able to get close with that set up. I am not familiar with the guitar model you mentioned. It sounds like you want something with at least a humbucker at the bridge. The RP2000 looks impressive from what I have seen. The amp needs to have a 12 inch speaker so you can drive it hard. Any less they dont respond well especiialy if it is a combo amp.
Your best bet is to try out all this stuff together and make sure you are happy with it.
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February 3, 2001 at 2:52 am #31372AnonymousGuest
the address is [email protected]
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February 3, 2001 at 12:36 am #31369AnonymousGuest
would a ibanez rg520qs with peavey special 212 and digitech rp2000 a good setup for stuff like extreme, metallica,ozzy,creed?
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February 2, 2001 at 9:57 pm #31365AnonymousGuest
Does Ibanez have a Performace model PF10D-12, a 12 string acoustic guitar?
Could somebody tell me how much could i pay for it?Thanks
José Flores -
February 2, 2001 at 8:35 pm #31366AnonymousGuest
well, seeing as u’ve got a computer, or access to one anyway, i’d go digital. i’ve got the audiowerks 2 package, thats got logic audio 3.6 in it and it’s good. it takes a wee wee while to get the hang of it, but there’s many many help places on the net for it and it’s i think 16 tracks, so no probs runnin outta tracks. and also u’ve got midi possibilities w/digital
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February 2, 2001 at 2:32 pm #31367AnonymousGuest
Anybody need a bullet proof stomp box ab switcher with intelligent switching.
Its called QuadriMorph. Check it out http://www.cellstim.com/bareknuckle/ -
February 2, 2001 at 12:32 pm #31364AnonymousGuest
hi again, I forgot to say that my guitar is a LesPaulSpecial(P-100 pickups)
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February 2, 2001 at 12:22 pm #31363AnonymousGuest
Hi, I just made up a very beautiful melody on my guitar and I want to be able to record when I play my guitar to capture the melodies that like and would want in the future to elaborate on. What kind of recorder should I get? I think that one that has 4 tracks might be good? I do not really know where to start and thought that someone could help me.
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February 2, 2001 at 10:08 am #31362AnonymousGuest
could someone please email me the tab for the g. love and special sauce song, "rodeo clowns".
thanx -
February 2, 2001 at 10:07 am #31359AnonymousGuest
could someone please email me the tab for the g. love and special sauce song, "rodeo clowns".
thanx -
February 2, 2001 at 7:28 am #31356AnonymousGuest
This popular thread has been given its own page : Grover Tuners
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February 2, 2001 at 6:23 am #31357AnonymousGuest
Anyone have any leads or links to where to find decent custom pickguards without spending an arm and a leg. AMS and M-Freind used to sell
"Moonstone" guards but they quit a yr or so ago. Can’t find anything…. HELP!-
May 9, 2002 at 1:26 am #94827AnonymousGuest
: Anyone have any leads or links to where to find decent custom pickguards without spending an arm and a leg. AMS and M-Freind used to sell : "Moonstone" guards but they quit a yr or so ago. Can’t find anything…. HELP! What is AMS website???? e-mail it to me…([email protected])
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January 1, 2002 at 12:41 pm #88601AnonymousGuest
Check out the pick guards at http://www.terrapinisland.com. Strat styles prices at $45.00, custom shapes and pick guard artwork available on request.
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February 2, 2001 at 4:42 am #31353AnonymousGuest
ok, the drugs have now worn off, it’s Gary Moore.
Nevermind.
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February 2, 2001 at 4:32 am #31354AnonymousGuest
OK, someone please help me. My brain has fallen and it can’t get up. Who is the rockin’ blues guy named Gary ******? I can’t believe I can’t remember his name. It’s not Wright, but thats what I keep getting hung up on.
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February 2, 2001 at 1:25 am #31352AnonymousGuest
Did you get my E-mail. Nils.
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February 2, 2001 at 12:38 am #31348AnonymousGuest
would a ibanez rg520qs with peavey special 212 and digitech rp2000 a good setup for stuff like extreme, metallica,ozzy,creed?
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February 1, 2001 at 3:55 pm #31344AnonymousGuest
I’m a beginner and I would like some experienced information on the sound of the stratacoustic both as an acoustic and electric guitar. Is it gonna get the job done either way? Please be as detailed as possible in your explaination, as I am new to this. Thank you.
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