by Will Landrum
http://www.guitarconsultant.com/

Since I receive so many individual questions ranging on such
various topics, I realized that some of these questions may
be on everyone else’s mind too and it would be beneficial to
publish them here.

So here are some “questions and answers”, “inputs and outputs”
that I’ve compiled for your guitar playing edification.

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INPUT:

Will,
I just did the exercise on your “Telltale Scale” article
( http://www.guitarconsultant.com/telltalescale.html )
for the major scale in A, F# and Gb and found the following
errors in your answers:
– F# – 7th position should be F, you have E#
– Gb – 4th position should be B you have Cb

OUTPUT:

When spelling out the notes in a key, you must follow the
step rules, (obviously) and also all seven of the note letters
must be accounted for.

Yes. F is E# tone wise. But in the key of F#, the E is sharped.
In other words you can’t have an F and F# in the same key.
It’s theoretically incorrect.

Same thing with the Gb scale.

++++++++++

INPUT:

Hi Will,
Last night when practicing a Paganini piece, I came across
a section with a stretch from a horror movie! I consider
myself a average to good guitarist, but this stretch is
just impossible and you have to pull off between the three
notes.

I have average sized hands, but it looks like you
would have to have hands the size of Paul Gilbert or
Steve Vai to pull this off (excuse the pun). Here’s a small
section for you to have a look at.
Thanks.

p = pulloff
(13) = My suggestion

[pre]Am arpeggio p p p-12–16–8——————————–(13)-10————————————9————————————10————————————12————————————12–8-[/pre]

OUTPUT:

You’re right! It’s ridiculous!

If you discover something in sheet music that seems just way
too much of a stretch, try to find the same notes in other
places on the fretboard to achieve the same results. This
will allow you to move forward AND keep your sanity!

If you haven’t already figured it out, you could play the
first string eighth fret C note on the second string,
thirteenth fret to accomplish the A minor arpeggio.

++++++++++

QUESTION:

Hey Will I like your site, it’s awesome. I’m glad I came
across it.

I really don’t know if you’ll be able to help me or not, but I
have a problem…I am stuck with my guitar playing right now.

I taught myself everything I know. I am pretty good I guess,
but when I try to learn something new like a Malmsteen riff or
something I can never get it, and I always quit. I don’t know
where to go, I just wanna get better.

Got any advice? Thanks.

ANSWER:

I’ve actually addressed this type of question before in
a previous article called “Recipe For Success”. Here are
some highlights.

There are several principles you must adhere to if you are
to ever get to a level of great playing. Some of these
principles are not just for guitar players. They apply to
anything in life that you’re trying to accomplish that’s
worth accomplishing.

1) DEDICATION
You MUST devote yourself to the task at hand. This can be
difficult if you “don’t seem to have the time” to play or
practice. You will have to sacrifice some things in order
to make time for your music. For example, Friday nights may
be reserved as your weekly night to go to the movies with
your friends. It may be a good idea to forget that for a
while and use the time more constructively to develop your
chops.

2) PRACTICE
Now that you’ve set aside time for your guitar playing, make
sure you use it for what it was intended! You’ve brushed
off your movie friends (who want you to be a famous guitarist
anyway, right?) and now you’re at home free and clear to
practice. BUT, you see that the season finale of Star Trek is
on tonight! DON”T GIVE IN! TAPE IT! GO PLAY YOUR GUITAR!
Write out a practice schedule for yourself. Work on specific
techniques or moves.

Here’s an example:

6:00 – 6:15
Practice changing from Dm to C7 because it gives you trouble.
6:15 – 6:30
Practice G Ionian scale at different tempos.
6:30 – 6:45
Practice right hand tapping.
6:45 – 7:00
Practice 2nd inversion Em arpeggio at different tempos.

Do you know how many times you can play a G major scale in
15 minutes? Somewhere around 90! That’s 90 repetitions closer
toward you becoming an expert!

You could even break this hour into six 10 minute intervals
if you want. You will be surprised at how much you can
accomplish in an hour of structured practice.

3) PERSERVERENCE
Now that you have dedicated the time, and are using that time
to practice, make sure you STICK WITH IT! If Fridays at 6pm
is your time to practice, don’t let other things interfere
with that time.

Now, as everyone knows…”Life Happens”. If you see your
time being violated, make it up Saturday or Sunday. Try not
to skip your practice time completely because it will “open
the door” to letting it happen again and again.

4) FOCUS
Now that you are devoting the time to practice, you need to
really concentrate on what you are doing. For example, if
you’re learning to sweep pick that Em arpeggio, you may notice
that at a certain point in the sweep, you have a problem
moving your fingers. Isolate your “problem spot” and just
repeat that spot over and over. Pay attention to every move
your hands are making. Also pay attention to your nerves.
Are you relaxed or tense when trying to do this? You need to
stay relaxed of course. I have actually helped students play
better by just having them concentrate on relaxing!

5) PATIENCE
This is a BIGGIE! You can’t be a guitar hero overnight or even
after one year. There is so much involved with being a really
good musician. Just because you see someone play real fast, does
not make them a good musician.

– Can they compose a good tune?
– Can they improvise with others?
– Do they know how to bridal that speed and mix it up with
tasteful slow playing as well?
– Do they have any sense of melody?
– Can they harmonize their leads?

Your playing and musicianship will mature with time. Heck,
I went to dinner last week with Michael Fath and he was
telling me how he was studying with some guy who was a master
at a particular style because “there is always something else
to learn”. “The more you know, the more you realize what
you don’t know”.

Oh yeah…patience…”if you practice, it will come”. Give
yourself credit for being ahead of yesterday’s trials.

6) BELIEVE IN WHAT YOU’RE DOING
Stay positive. Don’t let others tell you that it can’t be
done or “your song sounds like two cats in a fight”. You
have to go through it to get to it. You may have to write
ten lousy songs before you begin to write good songs. Don’t
let those ten lousy songs stop you! Learn from them! 9
times out of 10, a genius is just a person who refused to
give up!

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QUESTION:

Hi Will: I receive your emails on a regular basis, and I
have to say that they are very good and inspiring.

I have been playing guitar for about a year now, just as a
hobby and I just love it. I don’t have time to practice
everyday because I am constantly on the road, but when I get
a chance I go for it.

I was wondering if there any books that you can recommend
about scales, modes, arpeggios, chords, soloing, etc.
especially those that show you for example the minor scales
and their extensions, how to identify them on the fretboard.
How to identify which key are you playing, how to solo over
chords, that kind of stuff.

Most of the books I have seen they will for example concentrate
only on the pentatonic, and only on one position. Thanks.

ANSWER:

I share your thoughts on that too. We actually have an
incredible book available by my friend Mike Overly called
the “Guitar EncycloMedia”. I’m not exaggerating when I say
that this book has it all! I’ve said before that if I’m
carrying a product on my site, you can rest assured that
it’s high quality. You can check it out here http://www.guitarconsultant.com/gem.html

I’m also writing my own “book” (though it will be software)
on the very things you’re asking about that will be more
specific and personal in nature such as approaches to soloing
and composition.

I hope this helps!