Top 10 Guitar Amps

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1. Fender Frontman 212R Guitar Combo Amplifier The Fender Frontman 212R pumps up the volume when and where you need it, including gigs with a loud drummer. Its two 12-inch speakers running off 100 watts of power make sure that you’ll be heard loud and clear. With other features such as channel switching, a great overdrive channel and an unmistakable Fender Blackface look, this amp is really one of the best bang-for-the-buck amps you’ll find. More Fender Guitar Amps.
2. Blackstar HT Stage 60 Guitar Combo Amplifier The Blackstar HT Stage 60 offers pure power and pure tone in a 2x12 combo! Featuring a duet of EL34s that provide 60 watts of magnificent tube power through two Celestion speakers, this amp delivers the goods every night in the most testing live environments. Packed with flexibility, the HT Stage 60 provides pristine boutique style clean tones and two crushing overdrive channels. Include a Infinite Shape Feature that lets you dial in the exact voicing you’re looking for and you have an amp to be reckoned with. More Blackstar Guitar Amps.
3. Peavey 6505 Plus Guitar Amplifier Head An immensely popular amp, the Peavey 6505 Plus can be seen rocking stages all over the world. The 6505 Plus’s raw tone is provided by four 6L6GC power tubes and six 12AX7 preamp tubes. Two distinct channels with footswitch control and separate pre and post gain preamp controls on each channel allow you to adapt your tone to whatever the song requires. This is the ultimate gigging musicians amp. More Peavey Guitar Amps.
4. Marshall Class 5 Guitar Combo Amplifier Marshall Class 5 Guitar Combo Amplifier; Class A Circuitry from Input to Output! The rich tonality of this 5 Watt all-valve combo features the best Marshall has to offer. An incredible studio amp with the signature Marshall British sound, the Class 5 offers true class A circuitry to provide the ultimate tone, feel and response in a punchy, compact 1x10-inch amp perfect for practice, in-studio recording and smaller venues. More Marshall Guitar Amps.
5. Line 6 Spider IV HD150 MKII 4x12 Half Stack One of the most versatile half stacks offered, the Line 6 Spider IV HD150 MKII half stack features incredible tonal options in combination with a matching Spider 412 cabinet. With over 500 presets, 300 of which have been handcrafted by some of the biggest artists on the planet, the Spider IV HD150 MKII head delivers 150 watts of pure power and the ability to access any sound you want with the push of a button. More Line 6 Guitar Amps.
6. Marshall JVM410H Guitar Amplifier Head Marshall's second appearance in the top 10! The legendary Marshall amps have become the most iconic amps ever, the JVM410H continues that tradition with a sound that can be instantly recognized while offering tons of features that modern guitarists love. This 100 watt head is powered by a quartet of EL34 valves and delivers the timeless roar found in the JCM800, 2203 and plexi super lead amps. Three channels and complete control via footswitch makes this powerful amp a must have. More Marshall Guitar Amps.
7. Orange DA15H Dark Terror Tube Guitar Amplifier Head Menacingly small, the Orange DA15H Dark Terror guitar amp is an aggressive head that packs a mind-blowing sound! Designed with ample amounts of gain, this amp fulfills the every desire of the heavy metal and rock guitar players. The DA15H puts out a huge sound for its size driven by three 12AX7 preamp tubes and a 12AT7 power amp tube. Hear for yourself the highest gain Terror amp ever. More Orange Guitar Amps.
8. Line 6 Spider IV 150 Guitar Combo Amplifier The Line 6 Spider IV 150 MKII Guitar Combo provides presets for countless famous songs and a looper too! In addition, this 2x12 combo features the most advanced Line 6 Spider amp modeling technology for a truly evolved playing experience. Just dial in one of over 500 presets to find the greatest amp tones recalled at your command. More Line 6 Guitar Amps.
9. Fender 65 Deluxe Reverb Guitar Combo Amplifier Crank this amp up for rock, country, blues and more! The Fender 65 Deluxe Reverb Guitar Combo is the sound heard on many famous recordings from Memphis to Abby Road. Features include dual 6V6 power tubes with one 5AR4 rectifier tube, four 12AX7 preamp tubes and two 12AT7 tubes for an insane amount of tonal warmth. Two channels and a tube-driven Fender reverb along with a vibrato which can be controlled via a two-button footswitch. More Fender Guitar Amps.
10. PRS Paul Reed Smith H 1x12 Guitar Combo Amplifier The dual channel Paul Reed Smith H 1x12 is a modern combo amp with powerful tone. Utilizing a proprietary PRS Heyboer transformer to get an unbelievable sound from a compact combo amp. Featuring independent master volume, treble, mid, bass, gain and reverb controls for each channel, the H Combo has a unique lead channel offering powerful, smooth distortion and liquid sustain. More Paul Reed Smith Guitar Amps.

Older Top 10 Amplifiers Reviewed


#1 Marshall JCM-900 Series-
This Marshall amp is both very versatile and powerful. Channel A can get super clean. It stays clean with the gain up to 4-5 (Gain goes to 10 on CH. A), as loud as you want. I know Marshall's claim to fame is their distortion, but the clean sound on this amp is very full, shimmering, and beautiful. As the gain increases, it gets into "classic" Marshall overdrive. This is a great amp for rock/hard rock. If you want to get a big distorted sound, though, you need to pair it with a closed-back Marshall speaker cab.


#2 Peavey 5150-
This is an all tube 2x12 sealed back 60 watt 2 channel combo. Everything you need for playing metal to hard rock to funk to blues and jazz. This amp really wails at any volume for any rock guitarist. If you play hard rock and roll and it suits you perfect. On just about any setting the amp is very very noisy.


#3 Trace Elliot Super Tramp
This amp is amazing, People have told me that there is absolutely nothing they hate about them. I had one guy say "can't think of anything else in that I need in a combo amp, This thing pretty much does it all". If you're shopping for combo amps, don't discount this thing just because there are no tubes. You may be surprised.


#4 Fender Twin 100W Tube Combo-
Both channels feature low-mid-high controls with push-pull pots for boosting a particular range of frequencies. The overdriven channel also features a presence/notch control. The overdrive channel is nice and crunchy without any noticeable harshness.


#5 Peavey Classic 50-
This amp has an impressive clean sound -round, warm, motherly, well-defined and very articulate. I play an EC strat which produces really glassy tones. As the volume winds up the sound remains clean, with crunch becoming apparent at the extremes. This is a loud amp by the way. The overdrive channel is not modern mega-high gain, but more your smooth driving sound.


#6 Mesa DC-5-
Versatile but you must tweek. Dont fall into the stock amp mentality, use low bass settings and send it up with EQ. 2 channels one boost, Really, you can use the clean setting and pull boost for blues and rock. the overdriven channel is good for heavy modern rock (Bush,..etc)


#7 Fender Vibrolux Reverb 2x10 40w-
Most people buy this amp because it is all valve, it's light weight, and has two independant channels. Alot of people think this amp just sings. It has plenty of clean headroom but will go into some smooth sounding overdrive if cranked. This thing is perfect for any musical style I can think of except hard rock/metal type stuff.


#8 Mesa Boogie Heartbreaker-
Very expensive! Great amp, the cleans sounds are shiny, and the overdrives are great two. You can get a Marshall sound or a Fender sound with the flick of a switch. The 6l6's that come with it have a ton of bottom end and the crunch is very thick and smooth. It's not harsh or irratating like some Marshall's can be. No complaints other then the price!


#9 Fender Blues Deville-
The Blues Deville is all tube & 60 watts. Very loud. It has 2 channels, clean & overdrive. They are both really nice but the overdrive has very little distortion. Both channels share controls for EQ. It's got pretty good reverb. (but gets a little strong) It has presence, and a bright switch. Its tweed w/ chicken head knobs that go up to 12. This is a very bluesy amp.


#10 Peavey Bandit 112-
Seems to be the choice for entry-level players, almost everyone found this amp to be very noisy, both reverb and distortion. I had one last year, the reverb would always short out. The distortion is fine for that metal shred stuff, wouldn't want to do any recording with this amp. Since it's an affordable amp with a decent amount of power it made it into the Top 10. Don't expect ANY tube sounds from it.

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