by Doc Dosco
http://www.docdosco.com

This week we feature guitarist John Scofield.

From John Scofield’s Online Bio in his own words:

When I first got into jazz — around 1969, I came from playing R&B and
Soul in High School. Jazz Rock was in its infancy stage and I was lucky
enough to be around to experience the Golden Age of both Rock and Soul
and see Jazz embrace that movement while I was trying to learn how to
play straightahead Jazz. A lot of my early chances to actually gig were
in various Jazz/Rock idioms. I got to play “real” jazz with Gary Burton
and Gerry Mulligan but my real first “big time” gig was with the Billy
Cobham/George Duke band. We got to play in gigantic concert halls and
rock venues for excited people who were not necessarily jazz
aficionados, but loved the music.

After that band ended, I stayed home in NYC and worked on playing
acoustic jazz with my own groups and people like Dave Liebman. I also
started an ongoing musical relationship with bassist Steve Swallow that
continues to this day. As a jazz bassist and real songwriter (not just a
composer) Swallow has influenced me as much as anyone.

In 1982, I joined the Miles Davis Band, answering the call of funky jazz
once again. My stint with Miles made me sure that there really was a
kind of music that was both funky and improvised at the same time.

After playing with Miles for over three years and making a few more
records of my own, I hooked up with ex-P-Funk drummer Dennis Chambers,
and we made a group that really utilized funk rhythms. Dennis and
bassist Gary Grainger were masters of that “James Brown/ Earth Wind and
Fire/ 70’s thing”. It was great having that underneath my tunes.

When I signed with Blue Note Records in 1989, I decided to explore more
“swinging” avenues. I got together with my old Berklee School buddy,
genius saxophonist Joe Lovano. We had a group and made three albums for
Blue Note — four counting a bootleg from Europe — that are probably my
very best “jazz” endeavors. Part of that can also be attributed to the
magnificent drumming of Bill Stewart, who is as good a musician as I’ve
ever met.

Then I felt the urge to get into a soul-jazz thing. I’d been really
influenced by the music of Eddie Harris and Les McCann from the sixties.
I invited Eddie to guest on the album Hand Jive. This was about the same
time that Larry Goldings entered my music on Hammond Organ. With the
collective possibilities of these musicians, I began to allow jazz to
blend with New Orleans type rhythms to make the music groove.

Around this period, I also worked and recorded some with Pat Metheny —
one of the great guitarists. He and Bill Frisell are my favorite guitar
players to play with and listen to. But then there’s also Jim Hall and
Mike Stern and Jim Hall and John Abercrombie and Jim Hall and Kurt
Rosenwinckle and Jim Hall and Peter Bernstein… not to mention Jim
Hall. And then there’s also Albert King and Carlos Santana and Tom
Morello and all the other ones I can’t summon the names of right at the
moment.

When I heard Medeski, Martin and Wood’s record “Shack Man”, I knew I had
to play with them. They played those swampy grooves and had a free jazz
attitude. These guys are serious conceptualists and are able to take the
music to beautiful and strange places. I love what they did on AGoGo. In
the last couple of years, I’ve heard some great young players that
remind me often of what it is that I like so much about the music of
sixties R&B.

Now I’m able to take that music and mix it with jazz all over again. I’m
having more fun playing now than I ever have and I feel like I can
finally really learn to play the guitar. Now, after having the chance to
play with many of my musical idols — I’m getting inspiration from
younger musicians. I’m as excited about writing and playing music as I
ever have been.

— John Scofield

Visit John Scofield’s website at http://www.johnscofield.com/

Listen to John’s music at http://www.johnscofield.com/music.html

Doc Dosco is a jazz guitarist, composer and audio consultant living in Los Angeles, CA. His website is located at http://www.docdosco.com, where you can find more information on the ‘What’s Hot with Jazz Guitar’ columns, audio clips of Doc’s playing, and many additional features. Doc endorses Heritage Guitars and is featured artist on their website. He also endorses the new Pignose Valve Tube Amps — great for jazz (and anything else!)