Best Delay Pedals for Ambient Guitar Sound – 2024
In this comprehensive guide, we’ll help you find the best delay pedal for your sonic journey, each offering unique features to suit your musical expression.
JHS 3 Series Delay
MXR M169 Carbon Copy
Boss DM-2W Waza Craft
Line 6 DL4 MkII Delay
Strymon Timeline
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Welcome to the realm of delay pedals, where echoes of the past blend with the music of the present to create a symphony for the future.
What do the best delay pedals have in common?
The best delay pedals add depth, atmosphere, and texture to your sound. These effects can range from subtle reverberations to transformative echoes integral to a song’s identity.
Delay pedals enable guitarists to expand their sonic palette and experiment with time-based effects. They can produce everything from a short slap-back echo reminiscent of rockabilly genres to long, ambient trails in atmospheric music.
Many iconic bands and artists use delay effects to create their signature sounds. For instance, The Edge from U2 is known for his rhythmic delay patterns, while David Gilmour of Pink Floyd has crafted epic solos with the help of delay.
Other notable users include Jimmy Page of Led Zeppelin and Brian May of Queen. They have incorporated delay to enhance their legendary guitar work.
Best Delay Pedals
JHS 3 Series Delay
The JHS 3 Series pedals are highly affordable, making them accessible to many guitarists. But don’t be fooled by the lower price point—JHS maintains quality by manufacturing these guitar effects pedals in its Kansas City factory using high-quality components and attention to detail.
The 3 Series Delay features a unified control set with three knobs and a single toggle switch, making it easy to dial in your desired delay sound. And speaking of sound, the JHS 3 Series Delay offers two modes – a clear digital voicing and a warmer analog voicing. Whether you’re after precise digital delays or warm analog tones, this pedal delivers.
Users have praised its crisp delay without unpleasant distortion on multiple repeats. The “warm” setting is pleasant, while the “precise” digital mode is excellent for slap-back effects. With a Volume or Mix control and standard mono in/out jacks, this pedal is versatile enough to fit into any setup.
But, like any product, there are a few things to remember. For example, the JHS 3 Series pedals require an external power supply, as they don’t run on batteries. Additionally, while simplicity can be advantageous, some players might miss additional features like tap tempo or modulation options. Finally, this pedal focuses solely on delay effects without additional modes such as reverb or chorus.
In summary, the JHS 3 Series Delay Pedal balances affordability and quality, making it an excellent choice for both beginners and pros. Its surprisingly affordable price makes it one of the best delay pedals deals out today.
- Affordable
- Quality Construction
- Surprisingly Versatile
- Simple Controls
- Low Current Draw
- No Battery Option
- Limited Features
- Pedal Type: Delay
- Analog/Digital: Digital
- Max Delay Time: 800ms
- Inputs: 1 x 1/4″
- Outputs: 1 x 1/4″
- True Bypass: Yes
- Power Source: 9V DC Adapter
- Power Supply: Sold Separately
- Power Usage: 71mA
- Height: 1.22″
- Width: 2.38″
- Depth: 4.42″
MXR M169 Carbon Copy
This analog delay pedal uses bucket-brigade technology to create a rich, full sound that’s sure to please. As your guitar signal passes through the capacitors, it loses some high frequencies, resulting in a unique, warm tone.
With up to 600ms of delay time, the Carbon Copy can cover most songs’ needs, whether you’re playing slower ballads or faster rock tunes. And with the optional modulation effect, you can add more body and character to your sound.
Despite its simple 3-knob layout, the Carbon Copy is incredibly versatile. This pedal covers everything from classic delay tones to experimental sounds. And with MXR’s reputation for rugged construction, you can count on the Carbon Copy to withstand the rigors of gigging and studio use.
While the Carbon Copy’s delay time is sufficient for most applications, some players may need longer delay times for specific songs or effects. And without tap tempo or presets, you’ll need to adjust the knobs manually if you frequently switch between different delay settings.
In summary, the MXR Carbon Copy is a reliable and versatile delay pedal that delivers warm, organic repeats with character. So, if you want to take your playing to the next level, try the Carbon Copy!
- Warm Analog Sound
- Simple Controls
- Great Modulation Effect
- Quality Build
- Limited Delay Time
- No Tap Tempo
- Pedal Type: Delay
- Analog/Digital: Analog
- Max Delay Time: 0.6 seconds (600ms)
- Inputs: 1 x 1/4″
- Outputs: 1 x 1/4″
- Power Source: 9V DC Adapter
- Power Supply: Sold Separately
- Batteries: 1 x 9V
- Height: 1.25″
- Width: 2.75″
- Depth: 4.75″
- Weight: 0.84 lbs.
Boss DM-2W Waza Craft
The Boss DM-2w Waza Craft Delay pedal has received rave reviews for its lush sound and reliable build. Let me share some insights about it that could help you decide.
The DM-2w is known for its ability to capture the essence of classic analog delay, reminding users of the fat and natural sound that can be achieved through analog gear. The original DM-2 mode provides a delay range of 20-300 ms with a lush and immersive tone. But if you’re looking for something more creative, the Custom mode extends the delay time to a maximum of 800 ms. No matter your chosen mode, the analog repeats are deep and beautifully dark, adding an atmospheric sound to your playing.
Now, let’s talk about the build and design. The Boss DM-2w Waza Craft Delay pedal is built like a tank, ensuring durability even under the toughest gigging conditions. Its simple control set also allows for expressive and sensitive adjustments, making dialing the desired delay sound easy. The knob sensitivity is just right, allowing you to achieve the perfect balance between your guitar tone and the delay effect.
The DM-2w offers excellent value for its sound quality and build. In fact, users have reported that it sounds like something you’d find in a high-end studio, adding a unique character to their guitar tone. However, it’s important to note that the DM-2w has some limitations – it doesn’t offer extremely long delay times like some digital delays and lacks tap tempo functionality. But this pedal is worth considering if you’re seeking warm, vintage lo fi delay tones.
In summary, the Boss DM-2w Waza Craft Delay is great if you want to add warmth, depth, and character to their playing. Its warm sound, quality build, and versatility make it popular among guitar enthusiasts.
- Warm, Organic Delay
- Features standard and custom modes
- Built like a tank
- distinct, atmospheric sound
- Limited Delay Time
- No Tap Tempo
- Pedal Type: Delay
- Analog/Digital: Analog
- Max Delay Time: 800ms
- Inputs: 2 x 1/4″
- Outputs: 2 x 1/4″
- Power Source: 9V DC Adapter
- Power Supply: Sold Separately
- Batteries: 1 x 9V
- Height: 2.87″
- Width: 2.32″
- Depth: 5.08″
- Weight: 1.01 lbs.
Line 6 DL4 MkII Delay
The Line 6 DL4 MkII has 15 new MkII delay models, 15 original delays (now labeled as Legacy Delays), and 15 “secret” reverb models – talk about versatility! The looper can record up to 120 seconds in mono or 60 seconds in stereo at full speed, and half-speed doubles the recording time. Plus, the revamped design features six knobs and four footswitches (with LED status rings) that make it easier for you to switch between effects.
The DL4 MkII’s sound quality is unparalleled, thanks to its expanded looping time, pristine fidelity, and new reverb models. The redesigned chassis is more compact, making it easier to fit on your pedalboard like most modern digital delays, and the interface remains user-friendly, allowing you to dial in your desired sounds without hassle.
Now, let’s talk pros. The DL4 MkII offers top-quality reverb and a wide range of delay models that will take your guitar playing to the next level. The new green chassis is sleek and compact, making it easier to carry. The looper’s expanded capability is a game-changer, allowing you to record longer loops. The interface is simple and easy to use, so you can focus on creating music.
Some have experienced problems with the stock firmware, so you may need to update it to avoid any issues.
Overall, the Line 6 DL4 MkII is a fantastic pedal with exceptional sonic capabilities. If you’re looking to elevate your guitar sounds and explore new horizons, the DL4 MkII is the way to go!
- Top-quality delay models with bonus reverbs
- New compact form factor
- Expanded Looping Capability
- Easy to Use
- Stock firmware reported having problems
- Pedal Type: Delay
- Analog/Digital: Digital
- Presets: 6 x User, 128 via MIDI
- Effects: 30 x Delay, 15 x Reverb
- Max Delay Time: 4 seconds
- Looping Time: 2 minutes (stereo), 4 minutes (mono)
- Expandable: Several hours via microSD card
- Tap Tempo: Yes
- Inputs: 2 x 1/4″ TS (L/mono, R), 1 x XLR (mic/instrument)
- Outputs: 2 x 1/4″ TS (L/mono, R)
- MIDI I/O: In, Out/Thru, USB
- Other I/O: 1 x 1/4″ (expression/dual external footswitch)
- USB: 1 x USB-C
- Bypass Switching: True Bypass, Buffered, DSP
- Power Source: 9V DC 500mA (included)
- Height: 2″
- Width: 9.25″
- Depth: 4.5″
- Weight: 2.07 lbs.
Strymon Timeline
The Strymon TimeLine is a highly versatile delay pedal with 12 different “delay machines” to choose from, making it a fantastic choice for expanding one’s sonic horizons. Its rugged construction and onboard memory, which can store up to 200 presets, make it a powerful tool for creating layered textures and experimenting with new sounds.
Let’s start with the Strymon TimeLine’s impressive range of delay types. You’ll never run out of creative possibilities with 12 different “delay machines” to choose from, including digital, pattern, reverse, and more. Its ability to emulate vintage gear means you can achieve that classic analog sound without having to lug around a ton of bulky equipment.
And the TimeLine isn’t just versatile – it’s also built to last. Its rugged knobs and sturdy construction make it a perfect choice for gigging musicians. At the same time, its stereo looper and onboard memory (which can store up to 200 presets!) make it a powerful tool for creating layered textures and experimenting with new sounds.
Of course, no product is perfect, and the TimeLine is no exception. Some multiple-pedal power distribution units may not support their required amperage, so it’s essential to do your research before adding it to your setup.
The Strymon TimeLine is a fantastic choice for anyone looking to expand their sonic horizons. Whether you’re a guitarist, keyboardist, or electronic musician, its versatility and high-quality sound make it a valuable addition to your arsenal. So why wait? Give it a try and see what kind of magic you can create!
- Top-quality delay models with bonus reverbs
- New compact form factor
- Expanded Looping Capability
- Easy to Use
- Stock firmware reported having problems
- Pedal Type: Delay
- Analog/Digital: Digital
- Looping Time: 30 seconds
- Inputs: 2 x 1/4″ stereo
- Outputs: 2 x 1/4″ stereo
- MIDI I/O: In/Out
- Other I/O: 1 x 1/4″ (expression)
- True Bypass: Yes, Switchable to Buffered
- Power Source: 9V DC 300mA (included)
- Width: 6.75″
- Depth: 5.1″
Keeley Halo AT Dual Echo
The Keeley Electronics Halo Andy Timmons Dual Echo pedal is packed with features that will help you achieve a wide range of echo sounds, from classic analog to modern digital.
One of the standout features of this pedal is the inclusion of Andy Timmons’ coveted Halo setting. This signature sound is synonymous with Timmons’ playing style and will take your guitar tone to new heights. But that’s not all – the pedal offers digital delay, chorus, slap-back sounds, and heavenly modulated echo treatments, giving you endless creative possibilities.
When playing in mono, you’ll be blown away by the tasteful chorused repeats, warm saturation controls, and high-pass filters. The echoes gradually diffuse into a reverb-like wash that Timmons describes as a “halo” – it’s truly hypnotic.
But the magic happens when you run the pedal in stereo through two amplifiers. The sound expands and becomes even more scrumptious, creating a rich, immersive experience that will leave you wanting more.
While the Halo serves up beautifully stereophonic echo sounds, true left/right independent stereo repeats are unavailable. But don’t let that deter you – this compact pedal packs a powerful punch and is a fantastic choice for guitarists seeking lush echo tones without the hassle of vintage analog delays.
So what are you waiting for? Whether you’re a Timmons fan or simply looking for a versatile echo pedal, the Keeley Halo Andy Timmons Dual Echo is the perfect choice for taking your guitar tone to the next level!
- Andy Timmons’ signature echo sound.
- Compact size
- Amazing ambience without overtaking your dry signal
- While the pedal is in stereo, both delays are not independent
- Pedal Type: Dual Echo
- Analog/Digital: Digital
- Presets: 8 x User
- Effects: Halo, Analog, Tape, Quarter-note, Dotted-eighth-note
- Max Delay Time: 1.5 seconds
- Tap Tempo: Yes
- Inputs: 2 x 1/4″ (L/mono, R)
- Outputs: 2 x 1/4″ (L/mono, R)
- Other I/O: 1 x 1/4″ TRS (expression), 1 x 1/4″ TRS (remote)
- True Bypass: Yes, Switchable to Trails Mode
- Power Source: 9V DC power supply (sold separately)
- Power Usage: 160mA
- Height: 2.2″
- Width: 2.5″
- Depth: 4.7″
- Weight: 0.77 lbs.
Boss RE-2 Space Echo
The Boss RE-2 Space Echo is a cool-looking pedal that combines visual cues from the original Space Echo with the classic Boss pedal aesthetic. And the controls? Super simple! Even the three double-action rotary pots are a breeze, so you can easily dial in those coveted tape delay tones.
But what about the sound quality, you ask? Well, let us tell you, the RE-2 does not disappoint! It captures the essence of vintage tape delays with convincing repeats and a separate tone control that enables you to adjust the “tape age” or darkness of the repeats. And while the delay times aren’t extremely long, they’re more than sufficient for most applications.
One of the highlights of the RE-2 is creating a reverb-like “smear” of shorter echoes that blend together due to their dark timbre. Adjusting the Wow and Flutter controls effortlessly achieves these washy sounds. And if you’re into distortion pedals, the RE-2 responds to them like a champ, with less jumpiness than vintage originals. You can also control parameters with an external expression pedal or 2-button footswitches; something not usually seen on other compact delay pedals.
Of course, like any pedal, there are pros and cons. On the plus side, the RE-2 features straightforward controls, making dialing great tape delay tones easy. It’s also a compact pedal that won’t take up much space on your board. And let’s not forget about the sound quality, which is absolutely top-notch!
On the downside, some users find the mode labeling less helpful, and it might take some experimentation to fully understand the different modes. Dialing in the perfect spring reverb settings can be tricky, especially if you’re new to tape echo pedals.
Overall, the Boss RE-2 Space Echo is an excellent choice for anyone looking to add warm, organic tape echo tones to their rig.
Despite being a digital delay, it brings warmth and vintage vibe to your playing; something even The Boss DD 5 and DD 7 find hard to achieve. So go ahead and pay homage to the classics – your ears will thank you!
- Easy to dial in, great tape echo tones.
- Compact Form Factor
- Sound Quality
- While the pedal is in stereo, both delays are not independent
- Pedal Type: Space Echo
- Analog/Digital: Digital
- Effects: 11 x Echo Combinations, Spring Reverb
- Max Delay Time: 2 seconds
- Tap Tempo: Yes
- Inputs: 2 x 1/4″ (A/mono, B)
- Outputs: 2 x 1/4″ (A/mono, B)
- Other I/O: 1 x 1/4″ TRS (control/expression)
- Bypass Switching: Buffered Bypass
- Power Source: 9V DC power supply (sold separately)
- Power Usage: 75mA
- Batteries: 1 x 9V
- Height: 2.37″
- Width: 2.87″
- Depth: 5.12″
- Weight: 1 lbs.
When selecting a delay pedal, there are several factors to remember to ensure you find the right one for your needs. Let’s explore some key considerations:
When considering purchasing a delay pedal, it’s important to determine your budget beforehand. Delay pedals can vary significantly in price, with options available at affordable and high-end prices.
However, it’s essential to keep in mind that just because a pedal is more expensive doesn’t necessarily mean it’s the right fit for your sound. It’s crucial to consider the specific features you need in a delay pedal and how they will contribute to your overall sound and performance.
Also, remember that more affordable options may still provide high-quality sound and functionality. By taking the time to do your research and weighing your options carefully, you can find a delay pedal that fits your budget and enhances your sound.
This will depend on the type of music you play and the specific sound you’re trying to achieve.
Some delay pedals offer shorter delays, perfect for creating a slapback echo effect that adds depth and dimension to your sound without overwhelming it.
Other guitar pedals provide longer delays ideal for creating ambient, atmospheric sounds that linger and reverberate, adding texture and complexity to your music.
When deciding on a delay pedal, take some time to think about the specific sound you’re trying to achieve and choose a pedal with a maximum delay time that will allow you to achieve that sound with precision and clarity.
One of the most useful and popular features of modern delay pedals is the tap tempo functionality. This feature allows you to set the delay time precisely by tapping a footswitch in sync with the tempo of your music.
Tap tempo allows you to match the tempo of the delay with the rhythm of your music, which is especially useful for live performances. With tap tempo, you can create delay effects that perfectly complement the timing of your music, making your performance sound more professional and polished.
This feature is also helpful when you need to quickly adjust the delay time during a song without manually adjusting the delay settings.
It’s important to prioritize sound quality. The pedal should enhance your guitar tone, not degrade it. This means you’ll want to look for a pedal that provides clarity, warmth, and depth in the echoed notes.
A high-quality delay pedal should produce a clear and distinct feedback loop that doesn’t interfere with your original guitar sound but adds an extra layer of depth and richness to your playing.
Furthermore, it should maintain the tonal integrity of your guitar, preserving the nuances and subtleties of your playing style.
Decide between analog and digital delay pedals:
Analog Delays: These produce organic, warm tones with imperfections that many players love. They use bucket brigade circuitry or magnetic tape for repeats.
Digital Delays: These use digital signal processing (DSP) technology. They offer longer delay times, consistent signals, and a wide range of features.
Note that modern digital delays like the Line 6 DL4, Source Audio Nemesis, Electro Harmonix Pico Canyon Echo, and others, let you conveniently switch between analog and digital delay sounds.
Consider whether you need a mono or stereo delay pedal. Stereo pedals create a more spacious sound by sending different delay lines to left and right channels.
Check the build quality. Sturdy construction ensures longevity, especially if you plan to gig or travel with your pedal.
Delay pedals are not just effects; they are the time-traveling companions of every guitarist, capable of transforming simple notes into cascades of sonic beauty.
Each pedal has unique strengths and may appeal to different preferences and playing styles. Remember to explore these options and consider budget, delay time, tap tempo, sound quality, and whether you prefer good old analog delay sound or digital delays.
Ultimately, the best delay pedal for you is the one that fits your musical needs and inspires your creativity.
The Line 6 DL4 also has a Ducking Delay as well as autoswell which is great for slow songs. Get the continuous controller pedal, if you really want to take advantage of the DL4. My only problem with the DL4 is that you can only set 3 presets. Don’t fall for the Mod to have 6 presets as it is using the 2nd setting the control Pedal fades into.