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  • in reply to: Understanding CMI guitars and amps #68219
    SteveShark
    Member

    Hi there!

    I’m new here by accident but 1bassleft contacted me via email and asked me to post details of my two CMI guitars.

    So, here goes – if I mess the HTML tags up, then go to:

    http://www.flickr.com/photos/lord_mudshark/sets/72057594077196720/

    Here you can find all the photos I’m linking to here and in much larger sizes and better quality.

    1) CMI Jazz Bass – made in Japan

    #http://users.powernet.co.uk/guitars/cmijazz.jpg

    I got this in the mid 1980s as I needed a bass to lay down bass lines on my 4 track. I paid something like £40 for it in a music shop in Bedford. It played in tune and didn’t sound too bad at the time.

    #http://users.powernet.co.uk/guitars/jazzbody.jpg

    The body is laminate and, as you can see the pickups are cheap Tele types – the black plastic plate that the bridge unit is mounted in is obviously meant to be covered but I haven’t got the cover.

    The neckplate says “MADE IN JAPAN” quite clearly.

    #http://users.powernet.co.uk/guitars/jazzplate.jpg

    The tuners are rather nasty – they’re those sort with the pressed covers and the pegs are totally wrong if the makers wanted to produce a copy.

    #http://users.powernet.co.uk/guitars/jazztuners.jpg

    The logo is the curly CMI sort with the truncated “C”.

    #http://users.powernet.co.uk/guitars/jazzlogo.jpg

    The bass has lost a thumb rest somewhere along the line as well as the bridge cover.

    All in all, it’s a pretty low-rent instrument although it does play in tune and makes quite a good dead “thud” which is suitable for whacking out the odd reggae bass line when the fancy takes me.

    2) CMI Telecaster

    #http://users.powernet.co.uk/guitars/cmitele.jpg

    I acquired this in about 1990 when I exchanged a rather nasty Korean Squier Strat for it in a local music shop. I had to pay VAT on the Tele to clinch the deal and IIRC it cost me about £14 which puts the shop price of the Tele below a ton.

    It has a solid body, which I discovered when I had to realign the neck in the pocket. I also removed the brass nut – I don’t know whether this was stock – and replaced it with a tusq one and it’s had several nuts which I’ve fitted depending whether or not I want it for slide playing.

    The tuners were rather good cast and sealed Gotohs when I got the guitar but I replaced them with a set of Grovers that I had lying idle.

    #http://users.powernet.co.uk/guitars/teletuners.jpg

    The logo is quite clear – it’s the block sort – and it’s accompanied by the words “Artist Model”.

    The string retainers aren’t original. They replaced the old sort made of pressed metal. These came from the Korean Strat as I had the Tele in my possession before I let the Strat go. Slightly naughty of me, but the guy I was dealing with was a much bigger shark than I was 😉

    #http://users.powernet.co.uk/guitars/telelogo.jpg

    The neckplate is blank.

    #http://users.powernet.co.uk/guitars/teleback.jpg

    As you can see it has a three piece bridge which is fine, even though some people say the intonation is a compromise with these. It plays perfectly in tune! Brass saddles too.

    #http://users.powernet.co.uk/guitars/telebody.jpg

    It’s actually a rather good guitar. It feels and sounds like a Tele and I have a MIM Nashville and a US Standard to compare it to.

    Living in Milton Keynes – which includes the home of Marshall in Bletchley – I am lucky enough to count Jim Marshall’s son Terry as a friend and now that I’m aware of 1bassleft’s determination to unravel the story behind the logos I’ll see what Terry can add to all this.

    I hope I’ve provided enough detail – I’ll be only too happy to provide more if possible.

    If you want to see the rest of my “collection” then most of them are shown in:

    http://www.flickr.com/photos/lord_mudshark/sets/1670159/

    There’s also some other photo sets there which should give you a general idea of where I’m at musically.

    Steve.

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