I’m going to assume when saying we’re not tight, you’re talking about the middle section of the flamenco song? well, that was just me overdubbed a couple times. The main body was done as one take, without a metronome, and I had to over dub the chords and that harmony line by ear.

I completely understand what you’re saying, and I respect your opinion.
The blues section of this song has been very, very controversial with whomever has heard it. It seems people either love it or hate it. I don’t have a songwriting formula, and this is really the only song I’ve written structured in this way. It definately doesn’t build dynamically the way some of the others do, but thats part of the peculiarity of this song. In regard to the flow of the song, keep in mind it’s title.

Our bassplayer uses an Epiphone Viola bass which was DI’d on this recording. He played fingerstyle and his influences are Jack Bruce, John Paul Jones and John Entwistle.

Each one of our compositions are completey different, and it’s a shame that there’s only one thats well recorded enough to be posted at the moment.

I don’t like to repeat sections of songs alot, although I know this is necessary sometimes. When we decided to record this, we picked something that would be simple, catchy, and yet showcase some diversity and musical talent as well.

And keep in mind, it was written back when I was 15, one of the first sets of riffs I ever came up with.

But thanks alot for listening and replying, I appreciate it greatly, and have noted everything said.