Guitarsite News

Lava Cable introduces black and gold solder free plug

Lava Cable has iintroduced a new version of its revolutionary solder-free plug. This new plug comes with a black anodized housing and gold-plated stem and grounding sleeve and is available in both right angle and straight versions. It is the lowest in capacitance of any like plug on the market and the gold plating offers a minor increase in conductivity over nickel to provide for slightly increased sonic performance. Like the nickel-plated version, this plug is also the smallest any like plug on the market allowing for the tightest spacing of pedal using solder-free plugs. The new Black Gold Lava Plug retails for $9.50 each and comes in kits with 10' of Lava Mini ELC Cable, 10 Plugs plus a stripping tool for $113.95 and can be purchased direct on Lava Cable's website or through Lava Cable dealers carrying this product. For more information, please visit www.lavacable.com This is a Press Release Related News: Vari-Cap Cable Lava Cable – A Unique Journey Video The Best Guitar Cables

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Introducing PRS Signature Series Cable

PRS Guitars and Bond Music Research have introduced the PRS Signature Series Cables. In line with Paul Reed Smith's quest for uncompromising tone and meticulous quality, the new PRS Signature Series Cable line includes guitar and speaker cables manufactured to the most exacting specifications. These premiere cables make an ideal choice for performing musicians and vocalists—both on stage and in the recording studio. For guitarists, bassists, and keyboard players, the PRS Signature Series instrument cables are available in a variety of lengths ranging from 10 feet to 25 feet and ship in both standard quarter-inch phone plug and right angle phone plug versions. Amp to head speaker cables are available in 3- and 6- foot lengths and, for the discriminating studio professional, the PRS Signature Series Cable line also includes 10- and 20-foot length speaker cables. PRS Signature Series Cable employs an ultra low capacitance design that is ideal for use in critical audio applications. Because silver is a better conductor of electricity than copper, the PRS Signature Series Cable contains ultra-pure, silver plated oxygen-free copper elements (with the exception of speaker cables). This design helps counteract conductor saturation, improves signal transmission, and delivers vast, unimpeded high frequency performance with

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Atlanta Quality Design introduces Zerocap guitar cable

AQD has added custom designed cabling and patent-pending electronics to their Zerocap guitar cable for what they say provides zero cable capacitance. Guitar cables have capacitance that reduces the high-end tone of guitar pickups, and creates an artificial midrange honk. The cable reduces this capacitance to a tiny fraction of other guitar cables and the resulting tone is exactly the tone of the instrument. The Zerocap also eliminates high frequency tone loss when rolling down the guitar's volume control. According to AQD the guitar will sound as good on 5 as on 10 and because of that, the tone control on the guitar has a greater range of effect. The cable is available in lengths from 5 feet ($79.95) to 50 feet ($169.95). The longer cables are designed for large stage use and studio use to remote amplifiers for sound isolation. The Zerocap guitar cable runs on a tiny, inexpensive battery that is reported to last for many hours of playing. For more information, please visit www.aqdi.com Related News: Buy The Best Guitar Cable Check out these Wireless Guitar Systems as an alternative to cables Vari-Cap Cable

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Orange Twister Cable – NAMM 2015

Orange Amplification unveils the Orange Twister Cable, featuring new technology that prevents cable kinks and tangles. Related Feature:Orange Guitar Pack The company will be bringing this interesting new gear to the upcoming 2015 NAMM Show, it will available for testing along with their new amplifiers and other releases. The company claims that this is a world first, solving the age old problem that has plagued musicians since the dawn of electrified music. They had to think outside the box to make a working solution that will allow guitarists to move around the stage freely without worrying about cable issues, or opting for a digital wireless unit. The patent applied for “Twister module” is what makes this cable special. As the name implies, it freely rotates as the cable moves around, preventing cable knots and related damages. This innovative feature makes the Twister Cable an ideal choice for players that want to move around while still remaining tethered to their amps, removing the need to compromise tone by utilizing digital wireless systems. Orange Amps says, “The Twister module itself is machined from high quality, lightweight, aircraft grade aluminium, incorporating three sealed internal precision ball races ensuring a robust and reliable cable

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Vari-Cap Cable by Undertone Audio

UnderTone Audio introduces the Vari-Cap Cable, an instrument cable that lets you adjust cable capacitance in realtime. Related Feature:Gibson Memory Cable The ability to change cable capacitance lets you virtually change the length of your cable as you perform, which ultimately translates into distinctive changes to the resulting tone. Being a manufacturer of recording consoles, mic preamps and equalizers, UnderTone Audio knows the importance and effect of cables in the audio equation. And so they came up with a way to give guitarists real-time control over the cable’s capacitance, which is conventionally fixed based on its length. The press release goes: “After years of frustration trying to match the right cable with a particular guitar and amp combination to really make everything ‘sing’, producer/engineer Eric Valentine and circuit designer Larry Jasper devised a revolutionary solution which allows guitarists to vary the amount of capacitance imparted by the cable, resulting in a MASSIVE influence on the overall tone.” Getting tone variation from a cable maybe overkill for some but it can be valuable in making subtle tone adjustments especially when you’re playing at different venues. I can see it being used to add warmth, or to reduce brightness without using EQ

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Gibson Memory Cable

Gibson and TASCAM team up to create Memory Cable, an instrument cable with built-in audio recording. Related Feature:Gibson Pure Instrument Cables Described as “inspiration insurance”, this cable will let you easily capture your creative musical ideas with up to 13 hours of recording time and CD-quality resolution. Gibson and TASCAM were not satisfied by the many compact recorders available in the market, and thought of an even more convenient way to capture ideas. So they created a miniature preamp and recorder, and attached them discretely into an instrument cable! With the Memory Cable, musicians will have less and less excuse for not putting out their best musical ideas. With the cable plugged in, capturing ideas is as simple as grabbing your cable and pressing a button. Designing a discrete but powerful recorder is not a simple feat, thankfully TASCAM’s engineers were able to come up with one that can record over 13 continuous hours of your playing. And this extended recording hours is provided by the included 4GB microSD card, which you can replace for even more hours of recording. This means that you don’t have to wait for great ideas to come in before recording to save space, you

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DigiTech Dirty Robot Stereo Mini-Synth Pedal

DigiTech unveils their latest synthesizer effect, the Dirty Robot, a compact pedal with two selectable synth modes. Related Feature:DigiTech Whammy Ricochet Pedal This new feature heavy pedal is described as the successor of the Synth Wah, designed for guitarists and bassists who are looking for a versatile synth pedal that will not take too much pedalboard space. Designing and building compact synth pedals is a challenge because of the limited space for the controls and internal components. And since synth is all about finding unique sounds, you’ll want to be able to tweak as many parameters as possible. So DigiTech came up with the Dirty Robot Stereo Mini-Synth, a compact synth pedal with seven controls and two selectable synth voices that include straight envelope-style synthesis (V1) and vocal formant synthesis (v2). Since the Dirty Robot Stereo synth manipulates actual instead of being trigged by MIDI data, it will not require special MIDI pickups, and it also retains most of the nuances of your playing along with the tonal characteristics of your instrument/rig. This is in contrast to MIDI pickups where your guitar is essentially transformed into a MIDI controller. However, the downside is the limited synth sounds you can get

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DOD Meatbox SubSynth

DigiTech brings back the DOD Meatbox Subharmonic Bass Synthesizer with improved reliability and connectivity. Related Feature:DOD Gunslinger Distortion This is a modern reproduction of the pedal released back in the ’90s, carrying over the same thick massive low-end synth sounds while updating the design to meet the standards and demands of today’s players. The new DOD Meatbox SubSynth pedal is designed to add subharmonics and enhance the low-end power of your bass guitar and it can work with down-tuned guitars, synthesizers and even drum machines. It follows after the original DOD pedal, having the same core circuit design but using updated components that address the issues found on older pedals. Modern improvements include TRS output, true bypass, 9-volt power supply input and a bright blue LED indicator. When engaged, this pedal will provide varying amounts of deep bass enhancement, from subtle to insane, and it will do so more reliably and consistently than its vintage counterparts. DigiTech Marketing Manager Tom Cram said, “The Meatbox is much more than just a simple octave divider-type pedal that adds just an octave down, the Meatbox also adds additional subharmonic synthesized note an octave below that. With 1990s originals becoming more and more sought

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FuzzHugger releases the AB-Synth Pedal

FuzzHugger has announced the release of the AB-Synth. It's a harmonic-blasting, light-sabery, layered synth fuzz — with tone-shaping gain and texture knobs that take you from searing to splattery! From there, it adds a unique oscillation mode with wild oscillation, blips, self-arpeggiation, more synth tones, and fat octave down! The design began by cascading two fuzz sections from FuzzHugger's acclaimed first fuzz, the Algal Bloom (AB), for densely packed fuzz with twice the gain (and from there, further tweaking the circuit). There are tons of tonal possibilities — from open tone, to compressed and focused, to sizzling — and that's just the standard mode! The Controls: – Toggle: Oscillation mode on/off. – Trip: In Oscillation mode (toggle up), this knob is your main oscillation control. – Gain: harmonic, open fuzz, to overfuzzed, over-layered, liquid, sizzling synth – Texture: Lets you control the texture of the fuzz. Hard left is a blistering, sizzling surge, and hard right is splattery. Lots of tones and responses to dial in. (slight scratch as circuit rebiases). – Level: Your master volume control&Hellip;with a huge amount of available volume. In Oscillation mode (toggle up), Gain and Texture controls become additional oscillation tuners with the Trip knob

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EHX Mel9 Tape Relay Machine Pedal

Electro-Harmonix introduces the new Mel9 Tape Replay Machine, a pedal that transforms your guitar signal into classic Mellotron sounds. Related Feature:Best Guitar Pedals This synth effect pedal takes advantage of the same technology the company used on their acclaimed B9 and C9 Organ Machine pedals, allowing it to produce authentic sounding Mellotron sounds without the need for special MIDI pickups and/or sample triggering. The New EHX Mel9 Tape Relay Machine lets you switch between nine of the most distinct Mellotron sounds, including Cello, Orchestra, Flute, Brass, Clarinet, Strings, Saxophone, High Choir and Low Choir. Each one brings with it genuine sounding classic synth tones with the same sonic quality and realism as EHX’ other synth style guitar pedals. High quality guitar synth sounds are normally expected from MIDI pickup equipped instruments that can trigger sound samples. EHX’ line of synth effects provide quality synth tones without the need for any MIDI capability, which means that the dynamics of your playing are well represented and there are no tracking issues even when playing chords. Even bends, slides and whammy dive bombs are detected and reproduced by the Mel9, and it can be used in conjunction with a bass guitar (down to

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G4 Experience Guitar Camp 2014

Taking the G3 idea to the next level, Joe Satriani enlists the help of Paul Gilbert, Andy Timmons and Mike Keneally to create the G4 Experience Guitar Camp. Related Feature:Healdsburg Guitar Festival 2013 These four guitar wizards will lead the upcoming music camp, which combines music education, entertainment and vacation into a special learning experience. This special guitar retreat is open to guitarists from all walks of life, and it provides a once-in-a-lifetime opportunity to hang out with and learn from Joe, Paul, Andy and Mike. The event is scheduled to take place on August 11-15, 2014 at a resort called Cambria Pines Lodge in Cambria, California, halfway between San Francisco and Los Angeles. Like the iconic G3 event that Satriani started over 15 years ago, the G4 Experience will bring together some of the best rock guitar artists together. However this time it won’t be just for show, because the artists will teach, share and inspire the lucky participants. Joe Satriani explains: “In 1996 I wanted to find a way to work with the guitar players I respected and we launched the first G3 tour. Since then I have enjoyed countless hours playing and ‘experiencing’ the amazing talents of

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G3 2012 Europe and South America with Steve Morse and John Petrucci

After the successful G3 Australia and New Zealand dates, G3 2012 covers more ground as they head for Europe and South America. Europe will get to see Steve Morse, Vai and Satriani while South America will have John Petrucci with Satriani, and Morse. G3 2012 Europe will kick off in July 20, 2012 at Heineken Music Hall in Amsterdam, NL. The familiar Vai-Satriani tandem is joined by Steve Morse for 10 events at different venues which ends at Crocus City Hall in Moscow, Russia on August 5, 2012. Steve Morse is a very versatile player that incorporates elements of country, rock, funk, jazz and classical into a unique personal style. It will be a treat watching what he will do alongside the equally talented G3 legends. G3 2012 South America now has 2 dates announced – kicking off on October 11, 2012 at Citibank Hall, Rio de Janeiro, Brazil. John Petrucci will take the place of Steve Vai for this part of the tour. Satriani, Morse and Petrucci is set to showcase the fine art of guitar shredding at various venues which is still to be announced. Shred master John Petrucci needs no further introduction, it will be a blast

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G4 Experience 2016 Guitar Camp

Joe Satriani shares details of the upcoming 2016 G4 Experience guitar camp, which will take place in Long Island, NY. Related Feature:G4 Experience 2015 The G4 Experience takes what started out as the G3 Tour to the next level by turning infusing education and mentoring into its already entertaining platform. And with big name guitar wizards joining the camp as instructors, this is easily an event that many guitarists want to be part of, regardless of playing level. Joe Satriani has announced the venue for the upcoming 2016 G4 Experience, it will take place in his home town of Long Island, NY, more specifically at the Glen Cove Mansion. This makes the event even more special for Satriani, and considers it as a homecoming event, not just for him but for his former student turned guitar virtuoso Steve Vai as well, who also hail from Long Island. The official website quotes Joe saying: “The G4 Experience in 2016 will literally take me back home. In the past two years the camp was in beautiful Cambria, CA. but we started looking at the East Coast for a variety of cool reasons. The idea of Long Island came up and I thought

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G4 Experience 2015 Featuring Joe Satriani, Guthrie Govan, Tosin Abasi, and Mike Keneally

Joe Satriani has just announced his plans for the 2015 G4 Experience, name dropping some of today’s popular virtuosos. Related Feature:G4 Experience 2014 Joining Satriani for next year’s event are some very impressive shred-heads including Guthrie Govan and the Aristrocrats, Tosin Abasi and Animals As Leaders, and Mike Keneally. The 2015 G4 Experience follows after the previous music camp that Satriani himself has spear headed. It is set to take place at Cambria Pines Lodge in Cambria, California, a nice vacation spot that is located halfway between San Francisco and Los Angeles, from June 28 to July2, 2015. If you are familiar with Satriani’s G3 Tour, where he plays alongside other wizards of the instrument, then you should know that the G4 experience is conceptualized to be an extension of the said tour. While the G3 Tour, which started 15 years ago, highlights the capabilities of great players, the G4 Experience lets you get up close and personal with your favorite players, and at the same time learn from them. Joe Satriani is quoted saying, “This year I’m happy to announce an exciting new G4 lineup, with each player selected for their stunning musicianship and original approach to guitar playing.

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BluGuitar Amp1 at Musikmesse 2014

Thomas Blug’s new brand “BluGuitar” is set to release a new multi-format guitar amplifier system called Amp1. Related Feature:Guitar Headphone Amps This fully-analogue four channel guitar amp features a newly designed 100-watt Class D power amp section. It will be on display at Musikmesse 2014 in Hall 4.0, Stand H10. Amp1 is a compact amplifier that comes in the form of a stompbox, which makes it easy to transport and implement into your existing rig. You can use it like a regular amp head on top of your cab, or you can lay it on the floor like an effects pedal. In addition to its conveniently portable form, BluGuitar stands by how the amp sounds. They utilized a technology that they call “nanotube”, they say that it works in the output stage and gives Amp1 the character of a 100 watt tube amp, including its punch and assertiveness. BluGuitar further adds “the amp sets new standards in terms of power, vitality, responsiveness and genuinely analogue output stage behaviour – the only Class D power amp to offer a PowerSoak.” Tonal flexibility is another goal that Thomas Blug and his team went for, so they gave Amp1 four channels: a Clean

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Radial Mix-Blender Pedal

Radial Engineering Ltd announces the availability of the newest member of their Tonebone line, the Mix-Blender Pedal. Related Feature:Guitar DI Box Recommendations This interesting pedal allows you to mix two audio signals like a real mixing console, be it instruments or effects, allowing for complex setups that would otherwise be not possible using conventional guitar gear. Unorthodox pedals like the Mix-Blender is what Radial Engineering is known for, it showcases their penchant for providing musicians with advanced tools for creating complex signal chains and setups. While there are some effects pedals that feature blend/mix knobs, the Mix-Blender provides a more versatile method of mixing entire signal chains, with the flexibility to let you choose where to implement the blend and how much the mix will be. Radial Senior Tech Team Associate Ryan Juchnowski said: “Typical guitar and bass effects pedals only give you a choice between on or off. Although this may work perfectly well with an overdrive on a guitar, it is a problem with bass: distortion pedals are focused in the mid and high frequencies, so when they are applied to bass, you effectively loose all of the low frequency energy and note distinctiveness. The Mix-Blender lets you

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Radial JX62 Guitar and Amp Switcher

Radial Engineering Ltd. introduces the Radial JX62, a six input guitar switcher with two amplifier outputs designed for live touring. Related Feature:Wireless Guitar Systems This piece of gear is designed to help artists and technicians manage complex guitar rig setups reliably, with enough flexibility to handle a wide variety of signal chaining combinations. It will be on display at their Musikmesse 2014 booth, which is located in Hall 8, Aisle E12. The Radial JX62 has six guitar input channels with ¼” inputs that goes to its own amp or dedicated direct box. Each channel can be activated via dedicated switches and you can use all channels simultaneously. Each channel has a recessed ‘set & forget’ Trim control that will let you set all of the levels uniformly should the output from the guitars or wireless systems need to be balanced out. The trim control on channel 1 and 2 can also function as a “Drag” control – you can use them to adjust the load when using a wired connection to a magnetic pickup. This system is based on the class-A circuit topology as used on the Radial JD7, which is according to the press release is used by guitarists

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Radial Headload Guitar Amp Attenuator & DI Box – Musikmesse 2015

Radial Engineering announces the availability of the full-featured amplifier attenuator and direct box, the Headload. Related Feature:Guitar DI Box This guitar amp attenuator is designed to let you reduce the volume level of your amp while still driving your amp hard to get the tones you want without being too loud on the stage or in the studio. Far from being an average guitar amp attenuator, the company equipped the Headload with a built Radial JDX Direct Box. This is the same JDX that is currently being used by big name artists that include Sting, Aerosmith, Radiohead, Megadeth, Rascal Flatts, and Evanescence, often used to remove the need for mic’ing guitar and bass amps. Together with the 6-position voice switch, this guitar amp attenuator offers tone shaping via amp and cabinet emulation. Further sonic tweaking is provided for by the 2-band EQ for the low pass filter, which you can use to reduce the harsh harmonics of some amplifiers. There are two JDX direct box outputs, which you can use for pre or post EQ configurations. This will let you control your stage or in-ear monitors to your preference, while sending a non-equalized tone to the FOH (front of house)

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BluGuitar BluBOX Speaker Cabinet Simulator

BluGuitar GmbH introduces the BluBOX, an impulse response speaker simulator with 16 cab models. Related Feature:BluGuitar NanoCab & FatCab It was first unveiled at BluGuitar’s Musikmesse booth A81 in Hall 11.0, and is expected to be ready for release within the fourth quarter of this year. While there really is nothing better than having a properly miked amp, it is not always convenient or even practical to have them. There is also the issue of consistency where even when placed at the same exact spot the sound will be different as you move from venue to venue. For this reason, gear manufacturers have been developing ways to allow amplifiers to connect direct to PA or recording consoles without the need for miking up speaker cabinets. To achieve this, BluGuitar decided to utilize impulse response technology, the same ones found on reverb plug-ins, but this time tweaked to properly emulate the characteristics of different speakers and baffles. BluBOX is developed to provide guitarists with a good sounding PA feed and direct recording solution that can work with any guitar amplifier. In designing this unit, Thomas Blug drew inspiration from his 30 years of session work and touring experience. The press release

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BluGuitar NanoCab and FatCab – Musikmesse 2015

BluGuitar introduces two new guitar cabinets, NanoCab and FatCab, both will be unveiled at Musikmesse 2015. Related Feature:Guitar Headphone Amps The two new 1×12 guitar cabinets are designed to complement the company’s BluGuitar AMP1 amplifier, and both will be on display at the Bluguitar booth H16 in Hall 4.0. To help their booth visitors better appreciate the NanoCab and FatCab, German guitarist and BluGuitar director Thomas Blug will be performing with the new cabinets on the Agora Stage twice-a-day, and the cabs will also be demo’ed at the company’s booth, set to an appropriate volume level. Speaking of volume level, one guitar manufacturer opted out of last year’s Musikmesse event because they feel that noise levels were out of control! Thankfully, there aren’t any news of complaints so it seems that both the organizers and the manufacturers are now more aware of reducing noise to a tolerable level. BluGuitar FatCab The FatCab is a 1×12″ cabinet that replicates the sound and tone of a 4×12″ cabinet at a lower volume, ideal for smaller clubs and stages. The press release says, “The BluGuitar FATCAB is the result of Thomas’ continuous research to reproduce the character of sound delivered by a classic

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