Guitar Discussion Forum Archive - June, 2000
Submitted by admin on Thu, 06/01/2000 - 04:00.
Archive for posts from June, 2000
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Re: You´ll love it
Excuse Me, but aren't we supposed to be adding tips and questions to this great site, not garbage on how to sucker money. my thoughts are...find some sucka that gives a sh*t!
"Discover Your Discomfort"- a good essay to help guitarists in their practicing...
Discover Your Discomfort!
or
Why Are So Many Guitarists Masochists?
by Jamey Andreas (www.guitarprinciples.com)
Okay, I’m going to explain some powerful things for the practicing
guitarist
who wants to see RESULTS from their practice. In other words, the
guitarist
who wants to do what I call CORRECT PRACTICE.
Have you ever had trouble playing something on the guitar? Have you
ever seen
or heard someone play something, tried to do it yourself, maybe
practiced it
for a long time, and ended up with only frustration and bad feelings
about
yourself as a player? Be honest now. I’ve been playing for 30 years,
and I
have never met a player, including myself, who could honestly answer no
to
that question.
There are a few things that are always true when we are unable to play
something we want to play on the guitar.
One of the things that you will always find, if you look for it, is
what
Arron Shearer called, in his first book, uncontrolled muscle tension.
Many,
many players have in fact commented on this fact, mainly because this
fact
becomes obvious to anyone who plays for awhile, pays attention, and
starts to
discover the path to gaining increasing ability on the guitar. Many
people
mention it. The problem is they never tell you what to do about it!
Oh sure, you’ll hear people say "play S-L-O-W-LY", or "RELAX"! I
asked,
ordered, screamed, and pleaded with students to do that for probably 20
years, before I realized that almost no one was listening to me, or
maybe
they didn’t believe me, or maybe they thought I was kidding (well,
his face
is turning purple, but, nah, I don’t think he’s serious)!
No, it seems most people would rather try to play that bar chord or
that
scale with their shoulders tensed up to their ears, their pinky tensed
up and
pulled 2 inches from the neck as they dislocate their shoulder trying
to get
it to it’s note on time, practice and play that way day in and day
out, and
then wonder why they find that scale hard to play, that it breaks down
at a
certain speed. Or maybe they wonder why they have a pain here or there.
Hell,
they may be really persistent and keep at it till they qualify for this
new
disease I’m always reading about, Repetitive Strain Injury.
I got a new student about a year ago, we’ll call him Tom. Now Tom had
been
teaching himself for a few years, is very musical, very intelligent,
and
managed to learn fingerstyle guitar well enough to attempt some rather
challenging pieces, including some classical repertoire. In fact, he
would
play for friends and often impress them.
However, it was also true that he knew he never played anywhere near
his best
in these circumstances, and the piece would often break down somewhere.
It
was also true that he had a growing pain in his left shoulder when he
practiced.
Tom has two very important qualities that a player must have in order
to
overcome problems, and make what I call Vertical Growth. Those two
things are
Desire, and Honesty.
Tom doesn’t have the pain in his shoulder anymore, and his playing is
getting
better and better. This is because he has learned a few things. He has
learned about the incredible state of muscular relaxation that a player
must
have as they play. He has learned how difficult it is to actually make
sure
you have that relaxation as you play. He has learned about Sympathetic
Tension, how every time you use one muscle, others become tense also,
and how
if you are not aware of it, and allow it to be there, it becomes locked
in to
the muscles through the power of Muscle Memory.
Tom is also learning, over time, that by always making the effort to
focus
his attention on this muscle tension, he can always eliminate some part
of
it, and by consistently doing this in practice, things begin to feel
easier
and easier, because he was really fighting his own muscle tension,
which made
it feel so hard.
Tom inspired me to invent a phrase, something for him to always keep in
mind
when he practices. In fact, I told him to do what I do. Write it out on
a
sign and keep it somewhere in front of him as he practices. On the
music
stand or taped to the wall like I do. The phrase is "DISCOVER YOUR
DISCOMFORT". Pay attention, notice what happens in the body as you
play. How
does it feel. Good players are not experiencing that discomfort when
they do
the thing you struggle to do. If they had to struggle they wouldn’t
be good
players!
Now as usually happens, I began to use the phrase myself, and began to
discover new levels of my own discomfort. And I began to see my playing
improve, I mean fundamentally improve. You see, there is no end to this
process.
Why do so many of us allow such discomfort when we practice and play?
There
are many reasons, I’ll go in to them at another time. What I want to
do now
is give you some ways of discovering your own discomfort, and begin to
minimize it.
Â
Hold the guitar as comfortable as you can.
Allow your left arm to hand limp at your side.
Place your right hand fingers on the strings, keeping them very loose
and
relaxed. If you use a pick, float the pick in between two strings and
keep it
there.
Focus your attention on your shoulders, as you raise your left hand
slowly.
Raise it straight up without extending it, and place all your fingers
on the
sixth string, around the tenth fret. Keep them on the string so
lightly, you
don’t even press the string down. (Not easy at first)!
Do you feel anything in your right shoulder as you do this? Do you feel
any
tightness come in to the pick hand, perhaps you are gripping the pick
tighter, or tensing your wrist? Be honest now.
Â
Keeping your left hand fingers on the string lightly, begin to move
your hand
down toward the first fret. You must do this VERY SLOWLY. Notice what
happens
throughout your body. As I have had students do this, I have seen
everything
from tense ankles or belly, to practically falling off the chair!
 I hope I have provided a starting point for further investigations
and
insights for you. Take anything you find hard to do, stop yourself in
the
middle of it, and check out what is happening in your body. You will be
amazed.
For more information on how to develop these insights, visit
http://www.guitarprinciples.com. Good Luck!
Copyright 1999 by Jamey Andreas. All Rights Reserved.
Metallica's most challenging riffs.
I'm curious to know what Metallica riffs you find challenging or in your mind, impossible to play. I had trouble with Puppets at first. Battery is fast and also the part in the intro to Blackened where you jump to first position from seventh position.
Re: Metallica's most challenging riffs.
: I'm curious to know what Metallica riffs you find challenging or in your mind, impossible to play. I had trouble with Puppets at first. Battery is fast and also the part in the intro to Blackened where you jump to first position from seventh position.
I don't think they have any complicated riffs really. Some of the solos are hard to remember, and hard to keep time, like puppets. A matter a fact most of their stuff is easy to learn. They are not complicated writers, they are straight ahead. I really have a harder time, trying to get a an old Jazz piece right, than a Metallica song. If you have a grasp of playing, metallica is quite easy to get a hang of. I still give the guys credit, for remembering some of this stuff, and playing it on a regular basis, but if you know how to play, and you had an audition for Metallica in two months, I bet you could sound good for the audition. Yet it is hard to get their sound, and the small things of their music. I think a better question, is pick the hardest EVH riff, now that is a tough question
Re: Metallica's most challenging riffs.
I agree that the riffs are pretty staight forward, but I'm more referring to speed. It's like your picking hand has just engaged in a marathon/sprint when you finish some of Metallica's songs.
The hardest EVH riff: tapping intro lick in Mean Streets and first part of Eruption.
Re: Metallica's most challenging riffs.
: I agree that the riffs are pretty staight forward, but I'm more referring to speed. It's like your picking hand has just engaged in a marathon/sprint when you finish some of Metallica's songs.
: The hardest EVH riff: tapping intro lick in Mean Streets and first part of Eruption.
Good EVH picks. I get what you are saying. A lot of the old stuff has that. I think of Four Horseman, of my best example
Re: Metallica's most challenging riffs.
I can think of some, but if you allow me to give you an advice : even original Metallica materials don't tell you exactly what riffs they play.OK they are good, but not gods.Just relax, and you'll see it all comes from within.
Bye
Marius
Re: Metallica's most challenging riffs.
No doubt about it the Call of Ktulu is really a hard group of chords. Everything else is easy especially the so called hard one solo thats easy u just play it fast
Re: Metallica's most challenging riffs.
dyers eve, when you try to play that whole song in its content is unbelievably hard and same goes with the drums in that song
Acoustic Pickups
Does anyone know how to install a piezo pickup in an acoustic guitar without a traditional soundhole such as an Ovation? Any help would be greatly appreciated.
Thanks.
Re: Acoustic Pickups
I assume you dont want a bridge pick up that installs under the saddle, then drill holes in your guitar ? Dean Markley makes a reusuable "stick on" acoustic pick up that uses an adheisive to stick the pick up on the bridge. I use one for my classical because the sound hole is smaller and the traditional sound hole pick ups are too big.(and I don't want to drill into my guitar) They sound pretty good if you don't get too close to your amp. I think its the "Artist" model
Re: Acoustic Pickups
Acoustic pick-ups that mount in the soundhole amplify your guitar in much the same way as a single coil pick-up from an electric does. Thus, giving you a very electric sound verses an acoustic sound. If you want more of an acoustic sound and want an easy do-it-yourself installation I would recommend a Barcus Berry insider pick-up.The challenge to beginners is drilling out the endpin for the jack. www.fretnotguitarrepair.com
Re: Acoustic Pickups
Thanks for the help,
ryan
: Does anyone know how to install a piezo pickup in an acoustic guitar without a traditional soundhole such as an Ovation? Any help would be greatly appreciated.
: Thanks.
Doors
Know where I can learn Doors songs?
Re: Doors
: Know where I can learn Doors songs?
You might like this page:
http://www.guitarsite.com/doors.htm
Everyone help-need tabs > new site
I'm starting up a new site, and i really need guitarists help. I need some tabs, so if ur a bassist, or a guitarist, email me at kornstar00@mailcity.com with any tabs you might have...please?!
fender are really bad?
...i thinking to by a Fender Jazzmaster, but most customers say to my that fender don`t make a good guitar for years, mad materials, circuits, bridges, bad to play for long time and bad to repair.Is really serious pay so much money for a guitar of low cost?, what is a pay, the guitar or the trademark..?
fender good, your english bad.
haha!!
Re: That's not very nice.
:!
Re: fender good, your english bad.
...Mi ingles es malo porque no soy una puta guiri como tu follaburras de mierda,mi pregunta hera seria si no me argumentas la respuesta que te den por culo cerdo machista...
old jazz...
Anabel
I'll try this in spanish...
necesitas obtener una jazzmaster antigua. Tengo un 1964 y es perfecto para mi. Es verdad que fenders nuevas no son como la fenders antiguas. Las materias son mierdas. Yo pague sobre 110 dolares de EE UU para mi guitarra,pero, estaba en mal condicion y reparelo. Tengo sobre 450 dolares en mi guitarra en total. Espero puedes usar este informacion. Lo siento para mi grammatica mala...
-Steve
Re: fender good, your english bad.
HA,HA,HA
Ovation Balladeer 1712 Questions...Anyone own one besides me?
I bought and Ovation Balladeer #1712 a few years ago from a friend
for $795 CANADIAN dollars. I do not know anything about the wood it uses,
the machine heads, EQ etc. The finish is black and it plays and sounds great.
I am trying to find out its worth to sell it as I don't play it enough
to warrant the guitar. It comes with an Ovation stamped case as well. If anyone
is interested in it OR has any spec. info. on it then please respond to my above
email address thank you.
Drew
Guitar Sex?
Got your attention didn't I?
Re: Guitar Sex?
hmm, guitar sex ? i have thoughts on it, only loose sluts can do it, believe me, theres a lot of frets and a lot of shrp edges to cover, and sometimes it sucks trying to jam it all up there!! just take it from a chic, im in love w/ my Ibanez soundgear 3000 dx, and it is just humnly impossibe, but all relationships dont have to be sexual do thaey?!?!? lol
HAHAHAHA!
ouch but lol
HAHAHAHA!
ouch, high e-string!
lol
Re: HAHAHAHA!
Hey Tiff. My guitar wants you !! All 13 of them !!!
Re: Guitar Sex?
: hmm, guitar sex ? i have thoughts on it, only loose sluts can do it, believe me, theres a lot of frets and a lot of shrp edges to cover, and sometimes it sucks trying to jam it all up there!!
I've heard of guitar sex. That's why I bashed my Telecaster...damn thing was looking at my girlfriend's big tits.
Re: Guitar Sex?
Are you people simple? You have to take the top strap holder off the body, and use that part, or the bottom part where Hendrix attached his strap holder. I've been trying to get my girlfriend to use my bass for over a year now. She keeps saying she's 'not in the right mood.' It's got a perfect little thing on the bottom, just the right shape and size to play the G (if you catch my drift).
: hmm, guitar sex ? i have thoughts on it, only loose sluts can do it, believe me, theres a lot of frets and a lot of shrp edges to cover, and sometimes it sucks trying to jam it all up there!! just take it from a chic, im in love w/ my Ibanez soundgear 3000 dx, and it is just humnly impossibe, but all relationships dont have to be sexual do thaey?!?!? lol
Re: Guitar Sex?
hohohohoho!
: Got your attention didn't I?
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